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Recommended: Review of concert
The Big Church Night Out that took place on Thursday, October 5, 2017, at the Broadmoor World Arena was not a typical Christian concert. The event featured performances from a total of seven artists, including the lively and fun Blanca, rap and hip/hop artist Derek Minor, the energetic rock band 7eventh Time Down, multitalented singer Adam Agee from Audio Adrenaline, the contemporary pop group Sidewalk Prophets, worship leader Jamison Strain, and an incredible finale by the Newsboys. Ultimately, the Big Church Night Out allowed individuals from all walks of life and Christian denominations to gather together for an impactful time of worship with top Christian artists. To begin the evening, Adam Agee set the worshipful theme with an acoustic …show more content…
This group comprises of five members, lead vocalist David Frey, guitarist Ben McDonald, drummer Justin Nace, bassist Cal Joslin, and guitarist and keyboardist Shaun Tomczak. Their performance began with an a cappella variation of their hit song “The Words I Would Say,” amplifying the crowd’s excitement. Other songs, including “Prodigal,” “I’d Rather Have You,” “Keep Making Me,” “You Love Me Anyway,” “Come to the Table,” and “Live Like That,” were excellently performed with a variety of musical tones and dynamics. For example, while songs like “Prodigal” and “Live Like That” were lively with electronic sounds, the songs “Keep Making Me,” “You Love Me Anyway,” and “Come to the Table” were much softer with simple contemporary band instruments and organic piano and string tones. A keytar was a fun addition to the song “I’d Rather Have You,” further adding the celebration-like sound. Once their performance concluded, worship leader and pianist Jamison Strain took the stage with his drummer and guitarist. By varying musical dynamics and perfecting song transitions, Strain and his team gave a stellar performance of the cover songs “Your Love Awakens Me” and “This is Amazing Grace” by Phil Wickham, the hymns “Blessed Assurance” and “How Great Thou Art,” “The Stand” by Hillsong United, “Forever (He is Risen)” by Kari Jobe, “Do It Again” by Elevation Worship, and “Real …show more content…
The four members of the Newsboys, lead singer Michael Tait, drummer Duncan Phillips, guitarist Jody Davis, and keyboardist Jeff Frankenstein, began their performance with an introductory drum solo and audience applause and clamor. Their lineup included twelve of their original songs: “Born Again,” “That’s How You Change the World,” “Live with Abandon,” “Your Love Never Fails,” “Love Riot,” “Guilty,” “He Reigns,” “The Cross Has the Final Word,” “We Believe,” “King is Coming,” “Jesus Freak,” and “God’s Not Dead.” The themes of each of these songs flowed well into the next song, portraying a sincere Christian life, from one’s decision to follow Jesus, to worshiping God in every area of one’s life, to evangelizing and telling the world about Jesus. Most of the songs played were forte and vibrant with dominant percussion, guitar, and electronic sounds. A couple of the songs, including “He Reigns,” “The Cross Has the Final Word,” and “We Believe” were piano to mezzo piano with eloquent, fervent lyrics. Additionally, “He Reigns” and “The Cross Has the Final Word” gave special remembrance to the Newsboys legacy, since “He Reigns” was one of the popular songs written by the group with the former lead singer Peter Furler. “The Cross Has the Final Word” was written by Peter Furler and Michael Tait, thus, performing these
One of the songs on this album, "Gravedigger" might stand out to one who has listened to the band before. Instead of displaying a hippie, live life to its fullest theme, the idea in this song is of life leading to death. The narrator, Dave, is introducing us in first person to four different people who are all in turn brought together by a gravedigger. Dave speaks to the gravedigger, although never answered, in the song by asking, " Will...
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
For my first concert report, I have decided to attend the Applied Music Student Recital. The musical performance was at Palomar College on February 27, 2015 from 1:00P.M.--2:00P.M. at the performance lab room D-10. The type of music that was presented at the concert was a brass ensemble, chamber music, classical, contemporary, jazz, opera, percussion, and many vocal arrangements. There was a total of eight musical Palomar College student performers who are majoring in music theory. I am only going to focus on a few of the musical pieces that I enjoyed most. The majority of the performers were dressed in formal attire. As the men were dressed in a dress shirt, a tie or bow tie of their choice, black slacks, and dress shoes. As for the women, they wore dresses, skirts and dress shoes. Also there was a pianist, accompanist who is a Palomar College music teacher named Ruth Weber. The performance was in a music concert hall with roughly fifty audience members.
The album begins with the hard-rocker “Come Together”. The song is a perfect example of John Lennon’s rock influence in the Beatles. “Come Together” is a song that’s popularity has been revived due to its appearances in many commercials. Its trademark chorus, “Come together right now over me”, is known just about everywhere. Ringo’s heavy drums and John’s deep poetic lyrics drive the song, while Paul’s voice and George’s sharp guitar contribute to the body of this song. John Lennon was well known for his creative lyrics. His mind provided lyrics for such insightful songs such as “Across the Universe” and “A Day in the Life”.
To the persistent individual, though, there is a body of music in existence that merits regard. It is powerful music written by the youth of America, youngsters who did have a stake in the Vietnam War. There can be little question about the origins of the power which American protest music conveyed: those who wrote such music lived each day with the real knowledge that they were losing friends in, and could possibly be forced themselves to go to, Vietnam. One such group, Creedence Clearwater Revival, made its contribution to this genre near the end of the Vietnam War.
Imagine attending a concert in which if you were to close your eyes, you would assume that the music you are hearing is being created by a cast of band members, each playing their respective instruments. Contrary to your assumptions, however, this band only consists of one member. Keller Williams, dubbed by critics as a one-man-band, is one of a kind both in his musical talent and his solo act. Very few solo musicians have mastered such a multi-dimensional sound and captivating live show as Keller, making him standout amongst today’s musicians. Keller’s ability to perform improvisational live shows, form a large and dedicated fan base, and share the beliefs and attitudes of the hippie generation has given him the musical identity of the jam band genre in addition to his personal identity of being a solo act.
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
The band consist of 8 members, Nathan East bassist/vocals, Andy Fairweather-Low, lead guitar/vocals, Steve Ferrone- drums, Chuck Leavell-key boardist, Ray Cooper- tambourines, Katie Kissoon and Tessa Niles- vocals, and Eric Clapton- composer, rock n roll guitarist, lead vocalist. The band members dressed in casual attire. The band members were professionals, they knew exactly how to orchestrate every chord, they collaborated with the lead singer and each other in ways that wasn’t so noticeable to the audience but they knew which chords to use for every song, the band was a top notch team. The tempo of the songs were a mixture of fast, slow, to a medium style beat. The texture of the songs was homophonic and well put together lyrics. The style of the music was from the 1960s-1970s which genres were rock, blues rock, psychedelic rock, hard rock, jazz and blues.
Another rare occurrence; real songwriters and musicians playing their own music! The five-piece band is led by vocalist, Karin Barquist, and her husband Linford Detweiler, keyboardist and collaborator. The rest of the band consists of Paul Moak who played the sitar during the opening song and lead guitar during most of the others, Will Seyles on drums, and Rick Plant on bass guitar. But Barquist seems to be the key member in the band. She has all the qualities a good lead singer should have; great voice, good-looking, poised, mature and confident. She really runs the show up there, and makes it look effortless in the process.
Vietnam, on the other hand, didn't really have an original theme or even a cadre of original artists to convey its messages. Many of the artists singing out about Vietnam were veterans of the "Ban the Bomb" and Civil Rights movements. In the early 1960s, Pete Seeger, Bob Dylan and Joan Baez broadened their focus to include Vietnam, and tailored their songs accordingly. "We Shall Over-come," a Civil Rights anthem, underwent minor lyrical modifications and soon became a staple of the anti-war movement. But generally, artists found themselves singing to a small group of people until 1962, when The Kingston Trio broke into Billboard Magazine's Top 100 Most Popular Songs with "Where Have All the Flowers Gone." The lyrics an...
The event I attended was “An Evening of Jazz” concert held at the Fine Arts Hall on November 17 at 7:30 p.m. The performing groups were The Santa Fe Rhythm and Blues Review, The Santa Fe Jazz Combo, and Santa Fe Big Band. The event was to for me to understand, experience Jazz music and know the instruments used.
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
The evening opened with a nice pieced titled, Time After Time. The song opened with a guitar solo performed by Tyler Jones from Baxter Springs, Kansas. This particular piece had great dynamic contrast as it started out quiet and then gradually got louder. The song also featured a miraculous trumpet solo by Justin Crossman from Leavenworth Kansas. Justin stole the show with his remarkable
On Wednesday, May 23rd, I attended the College Choir concert in the Reamer Campus Center. The choir performed a variety of songs, ranging from pieces in Latin to traditional American folksongs. Two of the pieces featured solos, and one even featured percussion instruments. Mrs. Elinore Farnum provided piano accompaniment for each of the songs, and performed beautifully. I was extremely impressed by the talented choir members and their ability to sing such a varied range of songs.
For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see student composers.