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Bessie Smith
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
Bessie was born April 15, 1894 in Chattanooga, Tennessee to a part time Baptist preacher, William Smith, and his wife Laura. The family was large and poor. Soon after she was born her father died. Laura lived until Bessie was only nine years old. The remaining children had to learn to take care of themselves. Her sister Viola then raised her. But it was her oldest brother, Clarence, who had the most impact on her. Clarence always encouraged Bessie to learn to sing and dance. After Clarence had joined the Moses Stokes Minstrel Show, Bessie got auditions. Bessie's career began when she was 'discovered' by none other than Ma Rainey when Ma's revue, the Rabbit Foot Minstrels, was passing through Chattanooga around 1912 and she had the occasion to hear young Bessie sing. Ma took Bessie on the road with the show and communicated, consciously or not, the subtleties and intricacies of an ancient and still emerging art form. (Snow).
Bessie started by working small-time traveling tent shows. With the help of Clarence she began her professional career in 1912, and soon became a featured singer. Smith was an established star with the black audiences throughout the south by the time she moved to Philadelphia in 1921. However, two more years would pass before she would begin her recording career. Soon after moving to Philadelphia, Smith supposedly auditioned for Okeh and other...
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For many African-Americans, Smith was more than just a blues singer, thanks to an aggressive personality and often-excessive lifestyle. It seemed as if she was describing black culture in the 1920s through her songs. Smith recorded at least 160 songs for Columbia Records from 1923 to 1933. Many of these songs are blues classics. Bessie Smith was inducted into the Blues Foundation Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1989. Bessie Smith had a huge voice capable of strength and softness, which she left behind on all her recordings.
Bibliography:
Davis, Angela Y. Blues Legacies and Black Feminism. New York: Pantheon Books, 1999
Friedwald, Will. Jazz Singing. New York: Da Capo Press, 1996 Sanders, Madelyn. Bessie Smith.
“Smith, Bessie”. Encarta Encyclopedia. 2001 Ed.
Snow, Joel. Bessie Smith. September 17, 1995
She first started writing, when she came back home after the death of her father. She wrote about the Jackson social scene for the Memphis, Tennessee newspaper. She also was a publicity agent for the Works Progress Administration in rural Mississ...
Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception
It highlights the luxurious lifestyle of the rich man and about the rich man’s lack of knowledge regarding the struggles of the poor man. “Washwoman’s Blues” is a parallel song, also performed by smith, speaks about the financial environments of many African American women. These are social protests because “Poor Man’s Blues” openly indicts and upper classes for the increasing manipulation and poverty of the poor and “Washwoman’s Blue” critiques the oppressive conditions that most African-American women were forced to work. Bessie smith wrote and recorded many songs that invoked the black experience in America, notably “Blackwater Blues”, “Workhouse Blues”, and “Send Me to The Lectric Chair” all were subtle protests against the treatment of blacks. They touched on topics ranging from black imprisonment to the disregarding of African Americans and
Dr. Maya Angelou was born on April 4, 1928 in St. Louis Missouri. Angelou was raised in St. Louis and Stamps, Arkansas. In Stamps she was faced with the brutality of racial discrimination, and a very traumatic incident where she, she was raped by her mother's boyfriend when she was eight, but because of this she also developed an unshakable faith and values of traditional African-American family. (Angelou)This shaped her poetry and her involvement in the arts. Where she began to sing and dance and planned to audition in professional theater but that didn’t work out well because she began working as a nightclub waitress, tangled with drugs and prostitution and danced in a strip club. In 1959, she moved to New York, became friends with prominent Harlem writers, and got involved with the civil rights movement. In 1961, she moved to Egypt with a boyfriend and edited for the Arab Observer. When she returned to the U.S., she began publishing her multivolume autobiography, starting with I Know Why the Caged Bird Sings as well as several books of poetry and the third being Still I Rise in published in 1978. (Maya Angelou is born) Because of this life of hardship shaped her to who she is and was the inspiration for a lot of her poetry.
Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences than those of her past contemporaries. Like the Blues women Simone expands ideas pertaining to self-expression, identity and beauty as they relate to black women. She does this by embracing what is definitively African American and connecting that to a historical context. By doing so she is the embodiment of a political statement. Her journey which began like many entertaine...
Ethel Waters was born in Chester, Pennsylvania on October 31, 1896. She had a hard life in which she faced rejection from her mother and poverty. Waters' love of singing began as a child when she sang in church choirs but her childhood was cut short when at thirteen she married an abusive man, dropped out of sixth grade, and was divorced a year later. Shortly thereafter, she began working as a maid until two vaudeville producers discovered her while she was singing in a talent contest in 1917. She toured with vaudeville shows, and was billed as "Sweet Mama Stringbean" because of her height and thinness. In 1919, she left the vaudeville circuit and performed in Harlem nightclubs. Two years later she became one of the first black singers to cut a record on the Black Swan Record label with her release of "Down Home Blues" and "Oh, Daddy".
Bessie Smith, also known as the Empress of the Blues, was born, according to the 1900 census, in Chattanooga, Tennessee, in July 1892; a date that provided her mother. Bessie Smith was the daughter of Laura (born Owens) and William Smith. William Smith was a laborer and part-time Baptist preacher. He died before his daughter could remember him. By the time Bessie was nine, she had lost her mother and her brother as well. Her older sister Viola took charge of caring for her siblings. In 1904, her brother, Clarence, left for joining a small traveling troupe owned by Moses Stokes. Bessie was to young to join and her brother left without telling her. In 1912, he returned to Chattanooga and arranged for its managers, Lonnie and Cora Fisher, to give Smith an audition. She was hired as a dancer rather than a singer, because the company also
In both Source A and B, both history books both agree that China did not attack the Manchurian railway and that the Japanese was at fault. For example, Source A says “The Japanese had successfully caused confusion about what had really happened at the Mukden Incident.” And Source B says “League action was postponed until the submission of the Lytton Commission report, which was given to the Assembly in September 1932. The long document acknowledged Chinese failures in the administration of Manchuria but denied that they justified the Japanese occupation.” However, the impact of the invasion of the league is extremely different in both sources. For example, Source A says “However, because these events took place in East Asia
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The Jazz Singer, released in 1927, is a black and white film that centers on a young man who wishes to conquer his dreams in becoming a professional jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing the new advances of the decade, Crosland’s film, changed the way cinema would be seen forever.
“Communication is the heart of nursing… your ability to use your growing knowledge and yourself as an instrument of care and caring and compassion” (Koerner, 2010, as cited in Balzer-Riley, 2012, p. 2). The knowledge base which Koerner is referring to includes important concepts such as communication, assertiveness, responsibility and caring (Balzer-Riley, 2012). Furthermore, communication is complex. It includes communication with patients, patient families, doctors, co-workers, nurse managers and many others. Due to those concepts and the variety of people involved, barriers and issues are present. Knowing how to communicate efficiently can be difficult.
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In the study of macroeconomics there are several sub factors that affect the economy either favorably or adversely. One dynamic of macroeconomics is monetary policy. Monetary policy consists of deliberate changes in the money supply to influence interest rates and thus the level of spending in the economy. “The goal of a monetary policy is to achieve and maintain price level stability, full employment and economic growth.” (McConnell & Brue, 2004).