Ella Fitzgerald Research Paper

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Ella was born in Newport News, Virginia on April 25, 1917. When alled “The First Lady of Song” by some fans. She was known for having beautiful tone, extended range, and great intonation, and famous for her improvisational scat singing. Ella sang during the her most famous song was “A-tiscket A-tasket”. Fitzgerald sang in the period of swing, ballads, and bebop; she made some great albums with other great jazz artists such as Duke Ellington, Count Basie, and Louis Armstrong. She influenced countless American popular singers of the post-swing period and also international performers such as the singer Miriam Makeba. She didn’t really write any of her own songs. Instead she sang songs by other people in a new and great way. The main exception …show more content…

Her father, William, and mother, Temperance (Tempie), parted ways shortly after her birth. Ella tried to contribute to her family occasionally, Ella took on small jobs to contribute money as well. Perhaps naïve to the circumstances, Ella worked as a runner for local gamblers, picking up their bets Later in Ella’s life Tempie died from serious injuries that she received in a car accident. Ella took the loss very hard. Unable to adjust to the new circumstances, Ella became increasingly unhappy and entered into a difficult period of her life. Her grades dropped dramatically, and she frequently skipped school. After getting into trouble with the police, she was taken into custody and sent to a reform …show more content…

This led to an engagement with Chick Webb's band, and she soon became a celebrity of the swing era with performances such as A-tisket, A-tasket (1938) and Undecided (1939). She also sang in a jazz group led by her husband, Ray Brown (1948-52). She played with the philharmonic. She first performed scat when In her recording of ‘Mac the Knife’ on the album ‘Ella in Berlin’ she started scat singing because she had forgotten the words! This turned out to be one of her great recordings!! She sang “cry me a river”, “blue skies”. She then embarked on a solo career, issuing commercial and jazz recordings, and in 1946 began an association with Norman Granz's Jazz at the Philharmonic, which eventually brought her a large international

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