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Rhetorical Analysis essay
Rhetorical Analysis essay
5 page rhetorical analysis essay
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Bessie Smith, also known as the Empress of the Blues, was born, according to the 1900 census, in Chattanooga, Tennessee, in July 1892; a date that provided her mother. Bessie Smith was the daughter of Laura (born Owens) and William Smith. William Smith was a laborer and part-time Baptist preacher. He died before his daughter could remember him. By the time Bessie was nine, she had lost her mother and her brother as well. Her older sister Viola took charge of caring for her siblings. In 1904, her brother, Clarence, left for joining a small traveling troupe owned by Moses Stokes. Bessie was to young to join and her brother left without telling her. In 1912, he returned to Chattanooga and arranged for its managers, Lonnie and Cora Fisher, to give Smith an audition. She was hired as a dancer rather than a singer, because the company also …show more content…
included the well known singer, Ma Rainey. In 1923, Smith was older and she fell in love with a security guard named Jack Gee. She was a singer ever since. One day she was in a car accident and died on September 26, 1937 at the age of approximately 43. In 1970, a young singer named Janis Joplin made a head tomb stone for her. Bessie Smith sang a song called Down-Hearted Blues, composed by Alberta Hunter and Lovie Austin.
Bessie Smith sang this song on February 16, 1923 when she was still single. The theme of the song is immediately set from the first line, “Gee but it's hard to love someone when that someone don't love you.” There it already makes sense. This is a song about a woman who feels that nobody will love her and that it’s hard to love someone. The song goes on by saying, “Once I was crazy 'bout a man he mistreated me all the time the next man I get has got to promise to be mine, all mine.” First she has a husband that mistreats her, like the lyrics say, and then she has another one and lies that she is the only one and that he’s going to be all hers. Wow, talk about a love song. This song was meant to be relaxing, but at the same time depressing because of the lyrics. This piece was important for introducing a solo. It looks to me that since Bessie is singing and the piano is playing, that it is a solo because only the rhythm section is playing. In this instance it's the piano. I don’t mean like a group solo, more like for a
festival. Bessie Smith sang many songs such as “Baby Won’t You Please Come Home,” or “T'ain't Nobody's Biz-Ness If I Do.” Smith’s recording of Down-Hearted Blues sold 780,000 records in the first six months and then it would go to become 2 million copies. Bessie Smith's recording was included by the National Recording Preservation Board in the Library of Congress' National Recording Registry in 2002. It was also included in the list of Songs of the Century, by the Recording Industry of America and the National Endowment for the Arts in 2001 and is in the Rock and Roll Hall of Fame as one of the 500 songs that shaped rock. The recording also received a Grammy Hall of Fame Award in 2006.
Soon after in 1905, Florence's family moved to Harlem, where she attended regular schooling. However, it was in Harlem where Florence joined her two older sisters in playing black vaudeville in local theatres as "The Mills Sisters".
Born on May 4, 1843, she was raised just like any other southern lady. She was the daughter of a merchant and grew up in Martinsburg, West Virginia with her parents, Benjamin Reed Boyd and Mary Rebecca Glenn, three brothers, one sister, and grandmother. She went by the name Belle Boyd instead of her original name, Maria Isabella Boyd. Boyd attended Mount Washington Female College of Baltimore from age 12 to 16 after receiving a preliminary education. People knew her to be a fun-loving debutante. Her low voice was charming and her figure, flawless. Her irregular features rendered her either completely plain or extremely beautiful.
It highlights the luxurious lifestyle of the rich man and about the rich man’s lack of knowledge regarding the struggles of the poor man. “Washwoman’s Blues” is a parallel song, also performed by smith, speaks about the financial environments of many African American women. These are social protests because “Poor Man’s Blues” openly indicts and upper classes for the increasing manipulation and poverty of the poor and “Washwoman’s Blue” critiques the oppressive conditions that most African-American women were forced to work. Bessie smith wrote and recorded many songs that invoked the black experience in America, notably “Blackwater Blues”, “Workhouse Blues”, and “Send Me to The Lectric Chair” all were subtle protests against the treatment of blacks. They touched on topics ranging from black imprisonment to the disregarding of African Americans and
Elizabeth “Bessie” Coleman was born on January 26, 1892 to Susan and George Coleman who had a large family in Texas. At the time of Bessie’s birth, her parents had already been married for seventeen years and already had nine children, Bessie was the tenth, and she would later have twelve brothers and sisters. Even when she was small, Bessie had to deal with issues about race. Her father was of African American and Cherokee Indian decent, and her mother was black which made it difficult from the start for her to be accepted. Her parents were sharecroppers and her life was filled with renter farms and continuous labor. Then, when Bessie was two, her father decided to move himself and his family to Waxahacie, Texas. He thought that it would offer more opportunities for work, if he were to live in a cotton town.
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
A lovable, heartwarming story of love is one of “ Seven Brides for Seven Brothers”. A story of seven men who have no guidance find themselves in love. The two main characters in the play are Adam and Millie. By being husband and wife they help the story out with their own love and romance. The seven brothers fall in love with seven beautiful woman and through out the play we see al the ways they try to get their gals. The singing in this play helps us figure out the songs: “Bless Your Beautiful Hide”, “Goin Courtin”, and “Sobbin Woman”. The style of music they use to get this point across is old fashion, traditional music.
The 1920’s were a time of excitement, fun, experiments, and the rise in African American talent. Duke Ellington took part in this time to boost his career and have fun. Duke Ellington is a songwriter and performer in many great songs throughout the 1900’s. “The Jubilee Stomp”, written by Duke Ellington, reflects the fun and exciting times of the 1920’s, but it also shows us the rise of African-Americans and the Harlem Renaissance.
Growing up on the Mississippi River among six siblings, Mahalia Jackson knew what it was like to be racially secluded. She was reared by her father who was a minister and was singing in his choir at the age of five. In her early teen years she worked as a launderer and also as a housekeeper, but she dreamed of one day becoming a nurse ("New" 1). Mahalia began traveling throughout the Midwest to sing at different Baptist Churches. Her popularity began to soar, and she signed a record deal to become "the only Negro whom Negroes have made famous," as the African American press described her ("New" 2). She was inspired by Bessie Smith. When she worked as a servant, she said "when the old people weren’t home and I’d be scrubbin’ the floor, I’d turn on a Bessie Smith record to make the work go faster" ("New" 1). Mahalia would not stop at just being a famous gospel singer. She had her own radio program and television show that aired on CBS. She went on to manage several businesses and become involved in real estate. She preceded Dr. Martin Luther King in the civil rights movement before he gave his famous "I Have A Dream" speech.
Bessie was born April 15, 1894 in Chattanooga, Tennessee to a part time Baptist preacher, William Smith, and his wife Laura. The family was large and poor. Soon after she was born her father died. Laura lived until Bessie was only nine years old. The remaining children had to learn to take care of themselves. Her sister Viola then raised her. But it was her oldest brother, Clarence, who had the most impact on her. Clarence always encouraged Bessie to learn to sing and dance. After Clarence had joined the Moses Stokes Minstrel Show, Bessie got auditions. Bessie's career began when she was 'discovered' by none other than Ma Rainey when Ma's revue, the Rabbit Foot Minstrels, was passing through Chattanooga around 1912 and she had the occasion to hear young Bessie sing. Ma took Bessie on the road with the show and communicated, consciously or not, the subtleties and intricacies of an ancient and still emerging art form. (Snow).
Ethel Waters was born in Chester, Pennsylvania on October 31, 1896. She had a hard life in which she faced rejection from her mother and poverty. Waters' love of singing began as a child when she sang in church choirs but her childhood was cut short when at thirteen she married an abusive man, dropped out of sixth grade, and was divorced a year later. Shortly thereafter, she began working as a maid until two vaudeville producers discovered her while she was singing in a talent contest in 1917. She toured with vaudeville shows, and was billed as "Sweet Mama Stringbean" because of her height and thinness. In 1919, she left the vaudeville circuit and performed in Harlem nightclubs. Two years later she became one of the first black singers to cut a record on the Black Swan Record label with her release of "Down Home Blues" and "Oh, Daddy".
Madam C.J Walker was born as Sarah Breedlove. She was born on December 23,1867 near Delta Louisiana. She was married at a very young age. As she
Army. Williams enlisted as a man named William Cathay. She was born a slave in 1844; raised on a plantation in Jefferson City, Missouri. At the breakout of the Civil War, slaves were labeled as ‘contraband’ by the Union Army and women were forced to serve as military cooks, maids and nurses (Taylor, 2013). At age seventeen Williams traveled the Midwest with the army. Once she saw the men fighting she wanted to be a soldier.
A daughter of former slaves, Ida B. Wells was born in Holly Springs, Mississippi on July 16, 1862. The Wells family as well as the rest of the slaves of the confederate states were decreed free by the union thanks to the Emancipation Proclamation. Living in Mississippi as an African American, they faced racial prejudices, however unlike many ex-slaves, Reconstruction dawned much brighter for the Wells family. Her
In this poem, repetition is continuously used throughout. One of the main characteristics that a reader will recognize about this poem, is that it contains large amounts of repetition with words and phrases. Throughout the poem, Angelou repeats the words "alone" and "nobody" numerous times. In fact, there is a three line stanza that repeats "alone" three times and "nobody" twice (11-13). This stanza is then repeated, word for word, two more times throughout the poem (23-25, 35-37). Angelou does this to emphasize her message for the poem. If someone reads something once, they may not realize how significant it really is. By repeating those two words and that phrase multiple times, Angelou showed the reader just how important it is to find somebody that cares about you so you don't have to be alone and unhappy.
There can be no doubt that the primary purpose of much poetry is to present significant ideas in a condensed form. While any such statement is inherently limited, due to the wide range of texts and ideas that poetry covers, which means almost by definition that some will not be defined as “significant ideas” (for instance, Lear’s limericks come to mind – a bit too informal?), we can say that a large majority strives to reach this goal. Nowhere is this more obvious than in the poetry of renowned New Zealand writer Janet Frame, whose poetry is notable mainly for the extremely contracted and image-rich poems, which highlight this idea well. Conceptually, we can see that she expresses ideas in a compressed form throughout her works, notably in