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History of traditional dance
Greek influence in western dance forms today
History of traditional dance
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Belly dance has a rich history dating back past the 18th century in the Middle East as an ancient folk dance. From 1800 to 1850, the Romantic era significantly contributed to the popularization and transmission of belly dance due to the portrayal of this dance in art and society. The United States officially adopted belly dance as a part of American culture in the late 19th century to the early 20th century mainly due to the Chicago World Fair and an influx of Arab immigrants. As time has passed, this dance has evolved into new forms that adopted techniques from other dance styles. Belly dancing has been a way to bring the community together throughout time, but has developed into a new social context that encompasses belly dance as a stigmatized …show more content…
The exotic nature and representation of this tribe was interpreted out of the way in which these women conducted their life. There were few expectations for women to practice dance or prostitution but it was common and used as a way to gain fortune to bring back home in order for them to later seek marriage and settle down into a traditional lifestyle. This sexual freedom of women was a form of liberation and power. Although, this abruptly changed when they Ouled Nail tribe came in contact with western culture as the French began considering these women to be subhuman and “the moralistic tyranny of the social purity era inspired French officials to classify them as prostitutes” (McNeill). Not only did the classification as prostitutes stem from their sexual acts, the movements found in their dance had an extreme influence for their early objectification. Movements of their hips and shimmies of their chest not only implied a desire for sex but it was also interpreted as women objectifying their …show more content…
Belly dance in the Middle East took place as a defining component of the culture found in the Ottoman Empire and was influenced by dance forms from continents across the globe including North Africa. This connection between the Ottoman Empire and North Africa could have been the possible source of the migration of belly dance that from Algeria. In the Ottoman Empire, both females and males participated and contributed as scholars argues that “these dances have been part of fertility and life-cycle celebrations, funerals, social gatherings, and religious rituals to connect with the divine”(Kraus 3). Belly dancing in the Middle East proceeded to be take place at social events, celebrations, and could be performed by anyone. Even though women and men both took part in the social and traditional aspect of this dance, it became stigmatized to be a professional dancer due to the belief that it was not respectable for female dancers displaying their bodies in
The concept that belly dance is a constantly evolving dance might surprise most people, as the static Orientalist image of the belly dancer is the one that pervades American popular culture. I and other scholars attempt to remove belly dance from the ridged framework of Orientalism and the harem fantasy. By the following how belly dance arrived in America, and how images of belly dancers and harems became part of the visual culture of the West I have attempted to demonstrate that there are aspects of power and a different reading of images of belly dance is possible. Through continued scholarly inquiry and research I look forward to the emergence of a new image of belly dance, one that represents the power and beauty of this dance, an image that is respectful of the many cultures that it represents.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Retana, Manuela Moon. (2014). El cerrito concheros dances dedicated to spring equinox. Journal Rotary, Queretaro, Mexico, 1-2.
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
Considering descendants’ effort to bring this culture back in society, this entire dancing performance, masks, and the idea of interacting with the outside world must not have been merely correlated to their religious and spiritual ritual. It might have been their identity; a symbolic of their society which their ancestors had built and passed down to them.
and dance among North American people this part of life in the form of function and
Native American Ritual Dancing “It has often been said that the North American Indians ‘dance out’ their religions” (Vecsey 51). There were two very important dances for the Sioux tribe, the Sun Dance and the Ghost Dance. Both dances show the nature of Native American spirituality. The Ghost Dance and the Sun Dance were two very different dances, however both promote a sense of community.
The history of belly dancing began in Ancient Egypt around 5000 BC, but instead of belly dancing it was called Raks Sharki evidence has shown tomb paintings showing female dancers and musicians. The first was found in the tomb of Neb Amon it was uncovered at Thebes. However, the aspects of dance back then were for celebration and some entertainment. Also, their dance was related to the worship of the fertility goddess like Hathor in Egypt. She was a famous goddess of Ancient Egypt known as “the Great One of Many Names”. This dance would be attached to fertility or sometimes performed during childbirth. In addition, to this the way the dancers would move their hips in circles, swaying and shaking of the body like the pictures of The Banquet that was in the tomb of Netumen from 1400BC it showed the development of choreography and music in Egyptian culture. I think that Egypt kind of set the grounds for belly dancing even though many people do not know where belly dancing originated from but, have many ideas. Today, Egypt thought to be the home of belly dancing still, but their two main dance styles are Raqs Baladi and Raqs Sharqi. The oriental dance has a contained or internal feeling kind of compared to other styles.
1. Just like the Noongar are nomadic hunters and gatherers while the colonists farm, there are many difference in their lives. Despite being nomadic, the Noongar view the land as their own country, and the colonists are simply visiting; they are the owners of the land, and are simply sharing its resources with the colonists. However, the colonists believe because they are more advanced, the land is now their own as they now have settled it, which is what causes tensions between the Noongar and the colonists, especially towards Part IV. There is no formal marriage for the Noongar, though women are promised to men, while the British have very specific rules and seemed more preoccupied on marrying for better status
It is surprising that tap began as a necessity for survival before it was an art form. It began during the slave trade when slave-holders found out that Africans were communicating coded messages through their traditional instruments and drums. The slave-holders had the use of these rhythm instruments banned to try and stop communication (Holmes par. 3).The Africans, desperate to make contact with other slaves, transferred the rhythms to their feet and tap dancing was born (Holmes par. 4).
Ballet, a form of dance has been around for many years and did not start in America. Ballet has made its mark around the globe and many have and still are enjoying the art and entertainment that the ballet brings. Ballet is known as being the “core” of the other forms of dance as in modern, contemporary and even hip hop. People enjoy the form of dance on an everyday basis at family functions, parties and even just being home alone and many do not know that the dances they particularly like all originated from ballet. The history of ballet has been put into nine well defined sections the Renaissance Period, the Baroque Period, the Classical Period, the Pre-Romantic Period, Romantic Era, the Russian Classics, the Ballet Ruses, Ballet in Europe
All around the world, there are thousands of cultures. Although they are different, every culture partakes in dance. Dancing is something known worldwide. Every culture has traditional cultural dancing they partake in. Mexico has many cultural dances. La danza del venado is one traditional dance from Northern Mexico. La danza del venado, is known as the deer dance.
I recently tried to see a live belly dance at Aladdin Mediterranean Restaurant in West Reading. Growing up, I always thought about belly dancing as the stereotypical Eyptian woman dancing sexually in front of a group of men. Even in class when I first found out that we were going to learn about Egypt, one thing came to mind, and that was belly dancing. I was surprised by the fact that belly dancing is not anything like what I thought it was. It was quite different and astonishing of the differences there was between the real thing and what I thought it was. One of the things that really got to me is that in the western hemisphere, we call all of Egyptian dances as belly dancing, when in reality, there are multiple types of dances. This is
The first social dance explored was ballroom dancing. Ballrooms were a place of courtship; therefore, these dances were always performed by a male, female couple. Traditional gender roles began the dance as the men always asked the women to dance. As the dance began, the bodies were transformed into vehicles to connect these opposite sex partners. However, societal rules applied to this dance because partners must be from within the appropriate class, the intentions proper, and the movements executed in a specific manner. The woman’s role was essentially to avoid a misstep of tripping on the man’s feet, since the male always led the dance.
...unication and visits , and the habits of the population Damascus, for example , where they go for a walk or to the Tor and called Gota ( Alserran ) . We see in Syria dance dabke famous , a dance collective hooking the hands of dancers and her rhythms dysfunctional suffices type and by region , there Dabke tenderness and Dabke the Syrian coast , the same Dabke in Mount Lebanon and Dabke Druze Mountain and the Euphrates and shield ... and the basis of this dance goes back to prehistoric times where it was on what is believed to have been dancing in the harvests and Agriculture for fun and relaxation in a bear zeal peasants. In conclusion, each state customs and traditions that got them since ancient times, which is still Thtfd out, both countries also differ and are similar in many of the things that where both Arab and Muslim, and differ in their culture a little.