That Dead Man Dance Questions 1. Just like the Noongar are nomadic hunters and gatherers while the colonists farm, there are many difference in their lives. Despite being nomadic, the Noongar view the land as their own country, and the colonists are simply visiting; they are the owners of the land, and are simply sharing its resources with the colonists. However, the colonists believe because they are more advanced, the land is now their own as they now have settled it, which is what causes tensions between the Noongar and the colonists, especially towards Part IV. There is no formal marriage for the Noongar, though women are promised to men, while the British have very specific rules and seemed more preoccupied on marrying for better status …show more content…
or more power or money (such as with Hugh and Christine) rather than for love. The colonist women are seen at a much lower position than the men, viewed as weaker, while the Noongar have a more equal relationship, where women are strong and work alongside men, and they can even are giving leadership roles, such as with Manit, Manek’s woman—a fact Jak Tar finds surprising when he comes to the island and finds himself following her orders (pg. 190). I think this goes back to the concept we learned in class, about how indigenous groups view all living things in a more equal position than in most Western societies. However, because of these conflicting set of interests, I think this book is about globalization, because it shows how this land transforms over a couple of decades as more colonists begin to populate the area—and the Noongar people either have to fight it or conform to it. 2. Towards the end of the third part, with Skelly and Killam, after Christopher’s death, there was an instance when they were at a pool, and I think that is one of the most memorable descriptions of the landscape, in my opinion—from “Here, in a steep valley among smooth rocks” to “The dome of the sky might have fallen, crushed them to the earth with no space between” (pg. 252). It’s lightly about the landscape but more specifically about the dark pool of water the aftermath of Christopher’s death, so I found it very haunting, very easy to picture. And I think a lot of the nature, when described by the colonist, is negative—like this scene being associated with death—because I think that is when the colonist notice their environment the most. The Noongar, on the other hand, talk about nature very positively, as they personally see it as a good thing, since it provides them with all they could ever need. That is another concept from our class, about indigenous groups often feeling more connected to nature than Western societies, which is reflective on how they treat nature. The Noongar, in their dances, imitate nature—such as with the emu dance—or they release the spirits of hunted animals (pg. 54)—such as Manek with the whale (pg. 225). At several points, Bobby even talks to the animals. Back to the connection with nature, I think this reflects how indigenous groups think all living things are important and possess spirits like humans do and how a person doesn’t have to be human to be a person. 3.
There were probably more perspectives than I could keep up with, as it seemed that basically anyone who had any relevance to the story got at least a small section to show their own thoughts—except Manit and very few others. I think this is effective because the readers get to see all sides of the story, so each perspective becomes very personalized and helps characterize each person. Bobby is in the special position of being stuck between both worlds, as he becomes a conglomeration of both the colonists’ ideals and those of the Noongar. Using the POV of the British, it helps us see their motives, and see that not every single one of them is spiteful, but they all pretty much do see themselves as above the Noongar—even Jak Tar, who stays with Bobby’s sister, Binyan, as her “husband”, is still barred by his British ways or Dr. Cross, who feels bad for taking the land but still finds it more of an unnecessary evil. Skelly, for example, hates the white people, and though he’s a convict and enjoys working with the blacks, he still sees himself as above the Aboriginals (pg. 224). With the Noongar, you get to learn about their ways of life—not as “savages”, as the colonists see them, but as actual people who truly care for their land, and you learn about their culture and language. Or like, with Jeffrey and James, you get to see the issues with “black” people when they have no part in their native culture but they’re also not a part of the white culture because they are slaves. Writing a story this way helps ease people into the story without immediately pointing fingers, with treating all characters like actual characters and not just one-dimensional back-drops. You see the cruelty of the white people without it being entirely in your face—through simple things such as finding no value in their culture because it is not “British” enough. Unlike imperial narratives, such as with Columbus and Stanley, Mr. Chaine is not written to be a hero, though he certainly has all
the similar qualities of Columbus and Stanley. Dr. Cross is painted in a positive light, but his racist ways are also made clear. It is made clear that landing somewhere that is indigenous and then being guided through by indigenous people does not automatically make it “discovered”, just more easily accessible by other people. 4. The Deadman Dance starts as a supposed copy of British soldiers practicing their stance or whatever, something the Noongar had seen at the beach. However, it evolves because Bobby is supposedly the boy who died and then was reborn, who brought a dead man back to life, and when he added in moves, it was fitting because the soldiers are so still, it’s like they’re dead, and Bobby, the boy who can bring the dead back, “kills them” during the dance (pg. 63). I think it’s fitting for the Noongar to dance something like this, based on British soldiers, because the colonists have brought a lot of death to the Noongar, so it’s a pretty symbolic dance (and that’s why it’s rarely performed during the story, because it is so special). I think it shows how resourceful and resilient indigenous people are, because they adapt to the changes by creating new rituals while still maintaining some of the old traditions; they turned this continuous experience into a story expressed through dance and song, keeping their roots as they evolved with the colonist population growing right beside them. And that’s what makes Bobby so special, because he’s in the position of both worlds that he easily slips in and out of both. We learned that a trickster in indigenous myths usually has the ability to change his form, and he uses that to trick or prank someone who is doing wrong. For Bobby, it’s like he transforms from this “savage” to a “proper young man”, which allows him to gain the trust of the white folk. He’s often doing things the colonist don’t find appropriate because he’s been raised in a different culture, and he finds that culture funny—like when he had to just write a paper about how he lied about Mr. Chaine murdering those two boys at the end of the book—before he transforms back to his real self. This transformation allows him to help his people rebel, such as by helping them steal some food and weapons and things like that, which makes Bobby an agent of change—he’s a boy who can bring the dead back and a boy who can gain the trust of the colonists.
It is the perspective of the Natives and how they feel they have been wrongfully treated. All perspectives must be looked at to figure out where the truth lies. Pokagon gives a very strong one-sided story. He does give way too few who stood up for the Native way of life, but remains not to believe it was all in the name of progression. He believes very adamantly that is was all in the name of greed. The greed for gold drove out his kind, not the need to progression. He proves his point by sharing what happened to the lives of the Natives, using such things as alcohol and railroad systems. Those two things were used to break treaties and push out tribes from their native lands. The strongest point he uses is slavery. Recalling how the Natives accepted and helped the settlers, but weren’t repaid with the same kindness. He is specifically speaking to the pale face who stole everything from his people. While history books portray Natives as the problem, he uses all he knows to repaint a different story. He does not shy away from the eventuality of progression, but rather believes it could have been another
The characters in Jack Davis' play "No Sugar" are characters that fit colonial stereotypes (both Aboriginals and Whites) although they seem to be exaggerated. Contrasting characters reveal Ideological ideas and attitudes through things like language, often through conflict.40
Contrary to the Mohicans, the British are portrayed very negatively throughout the entire film, with the exception of Cora Munro, and the men from the frontier forming the colonial militia. British imperial arrogance and ideologies
It was a great time of despair for the Native American people as the defeat of their nations by the ever westward expanding United States and subsequent placement onto reservations disrupted their culture and way of life as it had existed for hundreds of years. The decade leading up to 1890, which was a main focal point in the history of Native Americans, saw the passing of the 1887 Dawes Severalty Act which called for the breaking up of reservations and offering the Indians an opportunity to become citizens and giving them an allotment of land to farm or graze livestock on (Murrin 628). This breaking up of the different tribes’ social structure was just one of the many causes which led to the spiritual movement known as the Ghost Dance (or Lakota Ghost Dance) that swept across what remained of the Native American people in their various reservations. Other reasons for the Indian’s dysphoria at this time in their history included: lack of hunting, decease of the buffalo, forced abandonment of their religion, nearly forced conversion to Christianity, westernization, and having to farm for the very first time.
In 1608, a group of Christian separatists from the Church of England fled to the Netherlands and then to the "New World" in search of the freedom to practice their fundamentalist form of Christianity (dubbed Puritanism). The group of people known as the Native Americans (or American Indians) are the aboriginal inhabitants of the Northern and Southern American continents who are believed to have migrated across the Bering land bridge from Asia around 30,000 years ago. When these two societies collided, years of enforced ideology, oppression and guerrilla warfare were begun. The great barriers of religion, ethics and world-views are the three largest factors which lead to the culture clash between the Puritans and the Native Americans.
An underlying theme in The Lieutenant is Racism, in The Lieutenant the British Settlers consider the Indigenous Australians (specifically the people they encounter are that of the Eora Ethnic group) to be savages and below them, while the British considered themselves superior and believed that their actions were justified, which led to much conflict between both groups. Racism was a major conflict that affected many societies all over the world and the effects are still being felt now, for example Racism was a large issue in countries such as America and there are still many that cling to this prejudice and many who despise people groups, such as white Americans because of the way they were treated by said people group in their lifetime, and aboriginal communities are still feeling the effects from actions taken against them by the British settlers after they began to colonise and spread across Australia. In this situation it is not necessarily individuals that have been effected by the conflicts caused by Racism, but rather groups and
In the seventeenth century, the English and many other Eastern countries came to the “new land” for a vast amount of reasons. Many of these foreigners came for religious freedom, some to seek fortune, and others were convicts being deported. However, for those who came across the sea, there was one thing they were not planning to have conflict with when they arrived. The natives, or as the English called them “savages”, which were a distinction on how some viewed these natives, had made this land their home long before settlers came exploring. The differences in language, hierarchy, and society divided these two cultures. Living in the same region, the relationships between the natives and English varied among the East coast.
Throughout the text, the white colonists are very racist towards the Aboriginals. Even cattle, horses and white women are placed hierarchically higher in society than the black people. In response to this, Astley constructs all narrations to be written through the eyes of the Laffey family, who are respectful towards Aboriginals, hence not racist, and despise societal ideologies. By making the narration of the text show a biased point of view, readers are provoked to think and feel the same way, foregrounding racism shown in the ideologies of early Australian society, and showing that Aboriginals are real people and should receive the same treatment to that given to white people. “They looked human, they had all your features.” (pg 27) There was, however, one section in the text whose narrative point of view was not given by a character in the Laffey family. This instead was given by a voice of an Aboriginal woman, when the Aboriginal children were being taken away from their families. By giving voice to the Aboriginal society, the reader is able to get a glimpse of their point of view on the matter, which once again shows that society was racist, and Aboriginals were treated harshly.
“Film is more than the instrument of a representation; it is also the object of representation. It is not a reflection or a refraction of the ‘real’; instead, it is like a photograph of the mirrored reflection of a painted image.” (Kilpatrick) Although films have found a place in society for about a century, the labels they possess, such as stereotypes which Natives American are recognized for, have their roots from many centuries ago (Kilpatrick). The Searchers, a movie directed by John Ford and starred by John Wayne, tells the story of a veteran of the American Civil War and how after his return home he would go after the maligned Indians who killed his family and kidnapped his younger niece. After struggling for five years to recover his niece back, who is now a young woman, she is rescued by his own hands. Likewise, Dances with Wolves is a Western film directed and starred by Kevin Costner. It is also situated during the American Civil War and tells the story of a soldier named John Dunbar that after a suicide attempt; he involuntarily leads Union troops to a triumph. Then, by his request he is sent to a remote outpost in the Indian frontier “before it’s gone”. There, the contact with the natives is eminent and thus it shows how through those contacts this soldier is transformed into another Indian that belongs with the Sioux to tribe and who is now called Dances With Wolves. While both John Ford and Kevin Costner emphasize a desire to apologize to the indigenous people, they use similar themes such as stereotypes, miscegenation, and the way characters are depicted; conversely, these two movies are different by the way the themes are developed within each film.
Everyday life in the United States is very different today than it was in the 1700's. Life was harder and the settlers did not have nearly as many luxuries as society has today. Some aspects of the colonial times that were different then are today include family, employment, and social activities. Life in the United States in the 1700's was filled with hard work, cooperation, and dedication to one’s land and family.
“Blue Winds Dancing” is a short story by Thomas S. Whitecloud. The story is about the narrator a Native American student living in a white civilized culture. The narrator portrays the struggle he faces between a civilized and uncivilized culture. His struggle is both internal and external as he searches for his true identity. The narrator finds himself with contrasting views of both cultures making it harder to identify with one.
as an illustration of a lifestyle unknown to many people. Over the past few years there has
Native American Ritual Dancing “It has often been said that the North American Indians ‘dance out’ their religions” (Vecsey 51). There were two very important dances for the Sioux tribe, the Sun Dance and the Ghost Dance. Both dances show the nature of Native American spirituality. The Ghost Dance and the Sun Dance were two very different dances, however both promote a sense of community.
Music has been around since the beginning of time. Some Native Americans have done rituals that involve music and dancing. Our ancestors have made music with instruments that require materials that you would be able to obtain from animals and dead trees. Music started to boom when the radio came to be. It broadcasted lots of music that would be heard all around the world and for everyone to listen to. Music has been shaping the future for centuries and it has become very popular every time we hear it.
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”