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More handpicked essays just for you.
The differences and similarities between American and Chinese culture
The differences and similarities between American and Chinese culture
The differences and similarities between American and Chinese culture
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Beijing. Midnight. We’re adrift in the labyrinthine backstreets of a midtown Hutong. A Stygian darkness settles over the pavement, while steam blows up from the gutter and soaks the world in a veil of white fog.
It’s here that we meet LIU (25). Intelligent. Beautiful.
She walks home alone -- a bit tipsy from a friend’s birthday party. She hears a low grumble in a nearby alley. Twinkling, golden eyes watch her from the darkness.
It’s a cat.
Liu approaches a wounded stray with sleek, black fur. The feral cat flashes a set of white fangs. It bites Liu’s hand and vanishes into the night.
She hurries home. Bleeding, scared.
Our story begins.
Morning. Liu boxes up her belongings. She’s moving out of her apartment. Liu’s (soon-to-be) ex-boyfriend,
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The big day: Liu and her coworkers storm into Mr. Yue’s office and announce that they’re forming their own lab. Mr. Yue is impressed. He didn’t know Liu was capable of such Machiavellian machinations.
He gives Liu her job back. She accepts.
First order of business: fire Hiromi.
Liu has triumphed. She fought. She stood up for herself. Everything’s going to be okay... Or so she thinks. When Liu discovers the vagrant’s bloody rags stuffed in her coat pocket, she realizes that she’s become a monster.
As Hiromi bitterly boxes up her office, she notices the vial of Liu’s blood preserved on her desk. She gets an idea.
Meanwhile, Liu seeks out Longwei and breaks into tears. He comforts her as she reveals the truth. The bloody rags. Her mysterious amnesia. Liu begs Longwei to believe her.
He does.
Longwei takes Liu to see his grandfather, a Buddhist monk named DELUN (80). Delun worships at a secluded temple on the outskirts of town. It’s mysterious. It’s ethereal.
Delun reveals that Liu is becoming a Feline: a cat/human hybrid. He warns Liu that, one day, the change will be permanent. Liu must control her animalistic sickness, or risk losing her
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Liu kicks her feet. She clings to the edge of the CCTV building as blinding city lights flicker up from below.
She realizes: this is it.
Liu lets out a savage growl. With a burst of superhuman strength, she swings up and slashes Hiromi’s throat.
Hiromi tumbles off the CCTV building. Longwei watches from the street below, terrified, as Hiromi slams against the pavement and reverts back to human form. She’s dead.
Longwei lets out a sigh of relief. It’s over.
Up above, Liu takes off into the shadows. She bounces from rooftop to rooftop and vanishes into Beijing’s steamy, Stygian darkness.
Liu is free, yet lost at the same time.
She’s forever liberated. Forever changed. Forever Feline.
Oh, and one last thing...
The police transport Longwei to a nearby hospital. Nurses bandage his wounds. They keep him overnight for observation.
Longwei stirs awake at 4 AM. He’s dizzy. He peels off his wrappings and discovers coarse fur sprouting around his arm.
Wolf’s fur.
Longwei’s face wrenches with dread. Outside, a full moon shines through black skies. A cat wails in the distance. As its tempting howl pounds in Longwei’s ears, we cut to
Nevertheless, her attempts are futile as he dismisses her once more, putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progresses, she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous, so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars.
.... In the end, O-lan’s anger helped her stand up to Wang Lung. She grew more bold. In the end, when she died, Wang Lung wished that he had treated her better because he truly missed her presence.
One night he sprang from sleep with a start, eager-eyed, nostrils quivering and scenting, his mane bristling in recurrent waves. From the forest came the call(or one note of it, for the call was many noted), distinct and definite as never before—a long-drawn howl, like, yet unlike, any noise made by husky dog. And he knew it, in the old familiar way, as for as sound heard before. He sprang through the sleeping camp and in swift silence dashed through the woods. As he drew closer to the cry
able to call for help. She then walks back outside controlled by a strange force and going with
started to recognize it, she was trying to beat it back with sheer will power.
She ends up being surrounded by groups of disgusting men. She is completely out of place and everything around her is foreign. She is the only girl and she is the only one who knows about it there for she can not even go into the lake and bathe when all the other men do; she has to find time on her own. This camp is completely unknown to Mulan but eventually she adapts and figures out how to work around being a secret female.
On a train in China, June feels that her mother was right: she is becoming Chinese, even though she never thought there was anything Chinese about her. June is going with her father to visit his aunt, who he hasn't seen since he was ten. Then, in Shanghai, June will meet her mother's other daughters. When a letter from them had finally come, Suyuan was already dead--a blood vessel had burst in her brain. At first, Lindo and the others wrote a letter telling the other sisters that Suyuan was coming. Then June convinced Lindo that this was cruel, so Lindo wrote another letter telling them Suyuan was dead. In the crowded streets of China, June feels like a foreigner. She is tall--her mother always told her that she might have gotten this from her mother's father, but they would never know, because everyone in the family was dead. Everyone died when a bomb fell during the war. Suddenly June's father's aunt comes out of the crowd. She recognizes him from a photograph he sent. June meets the rest of the family, having trouble remembering any words in Cantonese. They all go to a hotel, which June assumes must be very expensive but turns out to be cheap. The relatives are thrilled by how fancy it all is. They want to eat hamburgers in the hotel room. In the shower, June wonders how much of her mother stayed with those other daughters. Was she always thinking about them? Did she wish June was them? Later, June listens while her father talks with his aunt. He says that he never knew Suyuan was looking for her daughters her whole life. Her father tells her that her name, Jing-mei, means, "little sister, the essence of the others." June asks for the whole story of how her mother lost her other daughters. Her father tells her that though her mother hoped to trade her valuables for a ride to Chungking to meet her husband, no one was accepting rides. After walking for a long time, Suyuan realized she could not go on carrying the babies, so she left them by the side of the road and wrote a note, saying that if they were delivered to a certain address, the deliverer would be rewarded greatly. She got very sick with dysentery, and Canning met her in a hospital. She said to him, "Look at this face.
...s more and more irritated by Chin-Kee. It comes to a point where he has a fight with Chin-Kee (207). At the end of the fight, Danny manages to knock off Chin-Kee's mask, which reveals his true identity as the Monkey King (212). Danny is transformed back to Jin Wang. Jin realizes he should be happy with whom he really is and that transformations are not necessary. Through these back and forth transformations, Jin finally is at peace with his true identity and who he should continue to be.
done for him. When O-Lan falls seriously ill, Wang Lung deeply regrets his cruelty and sits
Ying-Ying learned everything, all of the lessons and life’s meanings, from her mother. Her mother learned everything that she knew from her own mother, as well as through experiences from her own...
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
At there he met Meng Jiang Nu, and he fell in love with her. After they get married, Liang was taken way to build the wall again. Meng started to worry about him because winter is coming and Liang still did not return. So Meng decided to look for him. But when Meng get to the Great Wall, she was told that Liang was already died and was built into the wall (e99).
Song then takes Tang aside and begins talking about how the photo of Yuan’s father bears a striking resemblance to the man they killed at the beginning of the film, and that they even share the same last name. Song seems convinced that Yuan Fengming is the son of the man they had previously killed, and his trepidation and doubt about their plan becomes more evident. As the film approaches the eighty-minute mark the three men are in the mine and the dialogue echoes the opening scene, with Tang asking Yuan if he is homesick. Instead of striking Yuan with his pickaxe, Tang delivers a blow to Song’s face and then proceeds to approach Yuan to kill him as
She's not sure what came over her at that minute, she doesn't even remember what she was thinking. But she does remember jumping on him, and knocking him to the floor, and then taking her knife and plunging it in and out of his back. She had no recollection of what happened for the next 10 minutes, perhaps she blacked out, but when she finally stood up, she knew what she had to do. She walked out to the garage and got a tarp down off the shelf. Her father used it to cover the wood pile, but she figured he probably wouldn't notice it was gone for a while. She took the tarp back into the kitchen and rolled the body on to it, checking to make sure that she didn't get blood onto anything that would be noticeably stained. The large pool of blood on the floor would be a problem, but she'd take care of that when she got back.
In order to prevent her from being burned alive, Vogel stabs her to death unbeknown to the villagers who then burn her body. Rage overcomes one of the soldiers left with Vogel and he throws the priest into the fire as well. Meanwhile, the Captain and his men jin the fight at the bridge over the Rhine that both sides badly want to control. Murderous hand-to-hand combat ensues