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A literary analysis of the Yellow Wallpaper
A literary analysis of the Yellow Wallpaper
Feminism in american literature
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Recommended: A literary analysis of the Yellow Wallpaper
Misogynistic Confinement Yellow Wallpaper depicts the nervous breakdown of a young woman and is an example as well as a protest of the patriarchal gender based treatments of mental illness women of the nineteenth century were subjected to.
The narrator begins the story by recounting how she speculates there may be something wrong with the mansion they will be living in for three months. According to her the price of rent was way too cheap and she even goes on to describe it as “queer”. However she is quickly laughed at and dismissed by her husband who as she puts it “is practical in the extreme.” As the story continues the reader learns that the narrator is thought to be sick by her husband John yet she is not as convinced as him. According
Until she sees a woman creeping behind the pattern one night tempting her to go see if the wallpaper is actually moving which is when her husband catches her. He always seems to talk down to her treating her like a child in this particular instance calling her “little girl”. In spite of this she sees this as an opportunity to talk to let him know her concerns informing him that she is not getting better as he so adamantly believes. Nevertheless, her attempts are futile for he dismisses her once more putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progress she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars. She begins to tear strips of the wallpaper and continues to all night by morning yards of the paper are stripped off. Her sister in law Jennie offers to help but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
Her use of sensory words to describe the wallpaper and how is she is seeing things within the paper show she is not in her rational mind. The woman claims the wallpaper smells yellow (Gilman); a color cannot be smelled. Her senses are heightened because of this wallpaper. In her depiction of the wallpaper’s design, the narrator writes in great detail the images she is discovering. The curves of it “commit suicide”, the patterns “crawl” and “creep”, and there are “unblinking eyes are everywhere” (Gilman). In her mind, she is animating an inanimate object. The wallpaper becomes a terrifying object for both the narrator and the reader. Strangely, she also sees a woman trapped inside of the wallpaper, shaking invisible bars. Possibly due to her own circumstances, she is imagining herself as that very woman inside the wallpaper. Like the woman trapped, she also feels imprisoned and helpless. She repeatedly asks, “What is one to do?” (Gilman) as if she has no choice on what she wants to do. Her use of physical words to illustrate the wallpaper allows the readers to first feel her negative emotions but then sympathize with
It is very interesting on how the narrator adds more to the story. Since the reader is only able to see what is the narrator feeling or thinking at the moment. We can’t see how other characters might be reacting around her, because it is only first person point of view. However, the narrator does begin to make the reader question what is really happening to her. All though she loves her bedroom, at some point in the story, the narrator begins to describe how much she hates the yellow wallpaper in her bedroom. Her hate towards the yellow wallpaper becomes an obsession, in which she describes that she “sees” a woman trapped in the wallpaper desperate to escape out of it. “…I kept still and watched the moonlight on that undulating wallpaper till I felt creepy. The faint figure behind seemed to shake the pattern, just as if she wanted to get out.”-(652). With the narrator taking medication, sleeping in separate rooms from her husband, and now having illusions of a woman being trapped in the wallpaper. The reader can analyze that the narrator is most likely going through a depression or some type of mental
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
“The Yellow Wallpaper” written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with “hysteria” and prescribed a “rest” treatment. Although Gilman’s story was a heroic attempt to “save people from being driven crazy” (Gilman p 1) by this type of “cure” it was much more. “The Yellow Wallpaper” opened the eyes of many to the apparent oppression of women in the 1800’s and “possibly the only way they could (unconsciously) resist or protest their traditional ‘feminine’ work—or over-work” (Chesler p 11) by going “mad”.
The narrator first describes the wallpaper as “repellent, almost revolting” but she cannot ignore it. Her attraction to the yellow wallpaper grows as she attempts to figure out its pattern. She keeps looking at the yellow wallpaper and determines that the pattern is a woman trapped within the wallpaper, “shaking [the bars] hard”, trying to escape (542). This ultimately leads to the climatic ending with the narrator ripping the wallpaper apart, crawling on the floor alongside the rooms’ walls, and completely “losing it”. Even though the narrator’s obsession of figuring out the wallpaper’s pattern is the primary impetus that causes her to go insane, there is a greater underlying reason as to why this happened.
The wallpaper in The Yellow Wallpaper represents the societal barriers oppressing women. In the beginning, the narrator, Jane, is very skeptical of the wallpaper but does not question it, thus emphasizing how she is trapped by this oppression. However, as the story progresses, she starts to become more intrigued by it. The wallpaper runs parallel to Jane’s life. The more she observes the patterns, the more she acknowledges that in order to seek liberation, she must resist these restrictions placed by the patriarchal society.
Charlotte Perkins Gilman, the author of the short story The Yellow Wall-Paper, wrote a story with a focus on mental illness; while doing so she began a feminist revolution in the late 19th century. The narrator, Jane, is attempting to break free from society’s patriarchal ideals and begins to carve a path for women of the future. While the narrator of the story may not have fully escaped, her efforts mark an act of martyrdom for women’s rights and freedom during this era.
The Mistreated and the Mislabeled. Physicians who are gender biased tend to misdiagnose and mistreat patients because of their ignorance and poor communication. The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a captivating socio-political allegory expressing how cultural expectations can shape and effect the mind of a creative woman suffering from what could be assumed to be a severe case of postpartum depression. Gilman, uses a unique epistolary form point of view using the journal belonging to a character assumed to be by the name of Jane, who is the wife and patient of a physician named John. She provides a chilling and alluring setting to vividly depict the grave consequences of gender bias doctors who are mistreating and mislabeling patients.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
For instance, initially, the narrator regards her house as “beautiful place” with a “delicious garden.” However, it gradually turns to a distaste towards her own house, regarding it as a “strange house.” Such instances of being stuck in a room all day made her more aggressive and “hysterical”, as she states that she would get “unreasonably angry with John”, for he never listened to her perception that there was something “strange about the house.” Despite the reasonable emotions exerted by the narrator, the husband “would not hear of it”, believing the “place is doing [her] good” even though it is obvious the yellow wallpaper situated in her room what mainly causes the narrator to be overwhelmed. Bringing into conclusion that despite him being very “careful and loving” as the narrator may be convinced, he still is a representation of the suppression of women. The narrator began to associate with the yellow wallpaper in her room, as she states that she would see a woman trapped in it. The instance itself runs from hating this woman, wanting to “tie her up” to the point where she wishes to set her free. Considerably, this can imply the willful hate the narrator exerts due to seeing someone else in her position, yet begins to show her desire for freedom by wanting to set someone she associates with free. The narrator
Her husband forbids her to do anything, particularly write, so she keeps a diary in secret. She writes that when John comes in, she must hastily put the diary away, as he hates for her to write a word (Harper, 1999, p.1736). Her husband’s sister, Jennie, tends to her and the nanny takes care of their baby boy. As her condition worsens, the woman becomes more obsessed with the wallpaper, trying to trace its patterns and becoming convinced that someone is trapped inside, a woman who is trying to get out.
Motherhood is something that the narrator does not experience throughout her story although while looking on the surface she seems to follow the typical bildungsroman or typical familial triangle. What distorts this triangle and forces her to reject motherhood appears to be her evident postpartum depression, but in reality, she does not experience motherhood properly due to the deep-rooted problem of her not being able to love her child. Her incapability of loving her child stems from poor, misogynistic relationship with her husband and his treatment towards her. In order for her to love her child and accept motherhood, she would have to accept John as her husband, and therefore part of her familial triangle. Before, it was an incredibly distorted triangle, although appearing much more normal and even. Currently she is the only one existing within her triangle by having her husband be away most of the time, and having her child be with the nanny. In order for her to accept motherhood she would have to bring her husband back into the previously mentioned triangle. She would not only have to accept him physically, but also sexually and emotionally. He would essentially be emotionally married to her
One of her most popular and arguably best work she created was The Yellow Wallpaper. The work dwells in the inner mindset of an apparently mentally sick wife, and describes her descent into madness. But not only does the work provide with a chilling vibe, but with closer inspection, the work sheds light to the male superiority that had over their wives, and also the malpractice of treatment physicians used to help with depression with.
Even when a summer in the country and weeks of bed-rest don't help, her husband refuses to accept that she may have a real problem. Throughout the story there are examples of the dominant-submissive relationship. She is virtually imprisoned in her bedroom, supposedly to allow her to rest and recover her health. She is forbidden to work, "So I...am absolutely forbidden to "work" until I am well again." She is not even supposed to write: "There comes John, and I must put this away - he hates to have me write a work." She has no say in the location or décor of the room she is virtually imprisoned in. "I don't like our room a bit. I wanted...but John would not hear of it." Another factor is being forbidden to have visitors: "It is so discouraging not to have any advice and companionship about my work...but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now." Probably in large part because of her oppression, she continues to decline. "I'm getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper. It dwells in the mind so!" Here she is expressing her feelings for the room that she has been forced to live in, as it grows on her. At this point it becomes quite apparent, to the reader, that she is not getting any better. In later lines she talks of herself laying on the bed and trying to follow the lines to their destinations, wherever they might lead.