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Fairy tales and gender
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Fairy tales and feminism
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In my RIP Project, I wrote an unique version of the fairytale “Beauty and the Beast” by Jeanne-Marie Leprince De Beaumont. The overall arch of the tale is the same as it ends in a “happily ever after”; however, the plot, message, characterization, setting, and tone are different as I import aspects from other fairytales such as Cinderella and Little Red Riding Hood. Especially since my tale has a more mature message than just a simple moral, it is directed towards a different age group, adults who are interested in social issues. By having this underlying message, it not only addresses the societal concerns but also criticize the gender norms that are “set” in stone because change is scary. However, in reality, change is actually necessary …show more content…
for the good or bad in order for society to progress as it challenge its own flaws rather than overlooking them. Through my fairytale, I will be bringing this issue into the light and advocate for change, to be able to eliminate gender stereotypes.
I want people to see past the differences and treat others with respect, as individuals, as equals. In my fairytale, I will put the story mainly in the Beast’s point of view to exemplify how the feminist perception can be applied on males as well as I will counter three gender stereotypes: dominance, animalistic behavior, and power.
The concept of dominance is prominent in the story as both protagonists, the prince and the young maiden experience the sense of being in power. The characterization of the Beast is similar to the wolf in Little Red Riding Hood. In the beginning of the tale, the Beast acted as the dominant and manipulative character, which is similar to the wolf. He ends up raping a woman, which demonstrates how he takes advantage of Beauty in order to satisfy his sexual desires. I purposefully set in the medieval era, particularly in 18th century France, in which the brutality that the characters face is emphasized upon, in order to address the extremes that people can take, especially when it comes to being dominant. It was one of the shared characteristic among French fairytales according to Robert Darnton in order to expose the cold, hard truth rather than
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sugarcoating with censored imagery. The rape scene not only impose graphic imagery but also underscore the dominance that the Beast has. However, Beauty attempts to rebel, but fails to because of how overpowering Beast can be. But Beauty isn’t the ordinary Cinderella/Beauty character. Beauty actually decides to take vengeance rather than being virtuous, which is a twist in character, in order to punish the Beast and make him miserable. When Beauty succeeds with her vengeance, she takes the upper hand as she was able to have the Beast leave his position as prince. Especially when she takes over the household in Beast’s castle later on, she also takes advantage of the Beast by making him to do what she wants. In the plot twist, we see the switch in roles in order to demonstrate how personality is not influenced by gender, but by decisions. The choices they made due to their personalities affect the plot of the story. Their choices has their consequences as shown from the punishment, which helps carry the plot forward. The epiphanies that Beauty and Beast have when karma hits are their recognition of their actions and true nature. Especially when Beast can see his old self in Beauty when she takes advantage of him, it comes to show how these stereotypes should not be gendered as anybody is capable of behaving this way. Thus, gender roles are not defined under certain stereotypes as shown through the reversal in roles. Another motif that is prevalent in the tale is the animalistic behavior that is portrayed by the protagonists in the story. I named the character “Beast” to further exemplify his animalistic and savage nature. Because the Beast acts animalistic, I want to represent this side by talking about how he is seen as a predator, searching for women to prey upon to satisfy his lust. Especially since he forces Beauty to come to bed, the brute force emphasizes that animalistic behavior. The sexual desires that overcome the Beast also show that his instincts take over his rationality as he doesn’t realize what he has done until later on. By considering him as a wolf, he is two-sided in the sense that people believe he is a good natured person but in actuality dominant and manipulative. However, his changed appearance brings in the irony in which the Beast ends up being obedient to Beauty even though he is a monster. This demonstrates that looks can be deceiving. Especially when these characters have their bad sides, they conceal themselves with their looks and class like the good looking prince. Despite his looks as the beast, his animalistic behavior is not apparent but his friendly self. However, despite of being monster on the outside, he is still humane in the sense that he can get hurt. I demonstrated this by using a rose with thorns as a symbol. When Beast is hurt by the thorn, it demonstrates that he can be hurt both emotionally and physically by love. I purposefully used this concept from Oscar Wilde’s “The Nightingale and the Rose” in order to illustrate that love hurts, human or not. Moreover, I was able to counter this animalistic gender stereotype through symbolism. The mirror was used represent the realizations that both characters have as they look into their souls. Despite their differences in gender, the animalistic side was apparent in both characters. By looking into the mirror, they can see their own reflection, the side that they haven’t seen before: the animalistic side that took over and innocuously inflict harm on others. Lastly, the power struggle is illustrated in the tale between Beast and Beauty.
Another theme is class in which the class struggle is between the upper and lower class. The class represents the rank in society, which emphasizes on the idea of power struggle. In the tale, Beast was the prince while Beauty was the young maiden. I purposely placed Beast under higher ranking because he was male and his employment opportunities are better compared to Beauty. As the prince, he was treated with such royalty because of his status. In essence, he has the freedom to do whatever he likes. However, in Beauty’s situation, she couldn’t do the same because of her class background. Beauty’s character is similar to Cinderella in which she is under domestic servitude as she is a lower class woman. I gave Beauty the role as a maiden because it was one of the traditional gender role back in the days. It was also a role that demonstrates the concept of submission that I want to eliminate. The social injustice is clearly represented when Beast and Beauty were treated differently due to their social standings. The power struggle between Beast and Beauty also relates to Perrault’s “Donkeyskin” where the king abuses his power to have an arranged marriage with the princess. I was able to counter the stereotype by introducing that switch in role which shows how gender doesn’t influence status. After they realized their faults and learned how much they have in common, they were able to understand
each on a deeper level. They were able to set aside their differences, class status, and reach a mutual understanding. The falling action of this scene demonstrates how people are all the same on the inside despite their differences. Upon writing my RIP project, I examined societal norms by addressing underlying social issues, specifically about gender. The double standards of gender in society illustrate how the genders are categorized under different stereotypes. In my fairytale, I focused on the male stereotypes such as dominance, animalistic behavior, and power struggle, in order to criticize the feminist perception. Through my story, I wanted to demonstrate that both genders are suffering under such stereotypes, not just women or men. By including the social injustice that both genders experience by including aspects of discrimination and juxtaposing gender dominance for men and women, I exemplified how the gender inequality exists for both genders. In doing so, I was able to contrast the characters’ gender explicitly in order to show how genders don’t affect personality and that society should get rid of these gendered stereotypes, especially since they are unreasonable.
Additionally, the sisters in the story only wanted jewels, blamed Beauty for their dilemma, and acted as if Beauty did not exist when she came back whereas the brothers, “begged her to stay,” “declared that nothing should make them let her go,” and even offered to fight the beast when it were to come to take Beauty. Therefore making the women seem catty, weak, materialistic, but making the men appear as brave, strong, and caring. Again, the story presents misogynist views that are unhealthy to society. Lastly, the beast projects anti-feminist views. Although the beast speaks politely after Beauty refuses his marriage proposal, he repeatedly asks her and completely disrespects her answer. As mentioned before, women were treated horrible the era the story was written in making this story acceptable at the time, but presently this story should not be read to children. For many years, people viewed Beauty and the Beast as an uprising from misogyny, but when analyzing from a feminist perspective it is clear that the story is the complete
Every fairytale seems to have the usual prince saving the poor girl from harm or servitude or whatever horrid situation she may be in, and then companies like Disney add their movie magic and make it into a franchise. Others may add a twist or two, such as the film Ever After, directed by Andy Tennant. Yet no matter how the story goes, there is the same feminine ideas imposed upon the female lead. She has to compete with others for the attention of her “prince,” gender roles are a must, and morals are taught in some way or another through some kind of stereotype. These tend to cause some feminist outrage and even maybe a small outrage among parents who must deal with the children that watch these movies and read the stories because of the behavioral
The woman society wants and idolizes cannot exist because it is impossible to remain true to oneself and one's personal goals completely, while still maintaining a relationship and the responsibilities of royalty. Society is not merely receiving this paradox, but perpetuating and encouraging it by turning a blind eye to something they do not want to see. This unrealistic, unattainable fantasy has become the goal of this modern feminist generation, and Poniewozik highlighted how this new tale has distracted from the true telling and story. Cinderella was simply a woman who just wanted to go to ball, and now she has become someone who is independent and driven, but still falls in love and learns to accept the fact that she is a princess. A woman who doesn't change who she is, but then changes titles and falls in love doesn’t exist, she is a
Everyone grew up hearing them and reading them as we absorb lessons from some of our favorite characters. Fairy tales send a message out to children to teach them right from wrong and helps them decide what kind of person they want to grow up to be. In “Beauty and the Beast”, by Jeanne-Marie Leprince De Beaumont and “The Pig King” by Giovanni Francesco Straparola, the two stories share a similar story and similar behavior and mannerism in the girls. The girls were all calm and respectful as they helped break the chains of their loved ones’ curse. However, the two stories did differ a bit and had two different attitudes from the princes. The beast remained calm and collected while the pig king caused mess and murder as they found their soul mate and lived happily ever
When analyzing a classic fairytale such as, Snow White, by the Brothers Grimm through a feminist lens, it is clear that it is a phallocentric fairytale that includes stereotypes, gender roles, the male gaze, and paternalism.
This film, contrarily to its predecessors, scratches the surface of the male protagonists, and introduces men who are humanly flawed and relatable, taking them down from the pedestal they used to be on, and making them equal to the female characters. No matter how much one may despise the Beast for being aggressively temperamental, Gaston for his stupidity and violence, or even Lumière for his objectification of women, these characters have a life and a role of their own, and do not remain two-dimensional like the previous Princes. For example, Belle’s father never suggests that she marries a man and only caringly mentions Gaston as a potential companion and friend for his lonely daughter. In the same manner, the Disney Corporation is more open to sexual innuendos and female sexuality in the film as it has ever been with Lumière and Plumette’s affair being explicitly showed. Finally, as Dawn Elizabeth England, Lara Descartes, and Melissa Collier-Meek further explain this in their journal "Gender Role Portrayal and the Disney Princesses:"
Through the three revisions of Beauty and The Beast, the fairy tales retold share many similarities as well as many differences according to their time period. In all three versions femininity and masculinity are presented in many ways. Femininity is shown through all three main female characters, Belle from the famous Disney film “The Beauty and The Beast”, the narrator in “Tiger’s Bride”, and Psyche in “Cupid and Psyche”. In all three versions, the female characters breaks society’s expectations of a typical woman. In CP Psyche stands up to Cupid’s mother Venus and accomplishes these activities usually performed by males. She shows society that women can overcome male activities and have strength to complete the same tasks. She breaks tradition of the male character fighting for her because in this version she takes on the hero role and fights for Cupid. This was not something ordinarily done by woman characters during this time. In TB the narrator breaks the tradition of the innocent stereotypical woman figure. The narrator exposes and does things most woman would never have the nerve to do. She shows society that women can fault their beauty in other ways. Even if society does not make it acceptable to have sex before marriage, she shows that women can expose their body and beauty in many ways. In DB version Belle is a great example that women should not be looked at as dolls and let males have control over them. She shows society that woman can be independent and educated. She does not get married to the most handsome male in town however she goes after someone who deeply cares about her. She displays a great example of how woman have their own mind and can think for themselves. Woman are allowed to make decisions and have ...
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
Thinking back to our childhood, we all remember hearing many kinds of fairy tales. Some of them inspired us others confused us, and most of them taught us valuable lessons. Through out centuries tales and stories have been used as a valuable tool to pass on our culture to new generations. There is a strong belief that these fairy tales mirror and influence society. All cultures interpret tales in their own unique way. They add and subtract various aspects of the tale to fit the needs of their particular society. The same tale in the United States is different from the tale told in Asia. A good example of tale evolution can be seen in one of the most famous tales ever told which is “Cinderella”. As a professor of women’s history Karol Kelley points out in her essay Pretty Woman: A Modern Cinderella “There are some 700 versions of Cinderella”.This fairy tale as many others has been changing for many years, and in recent years Cinderella has come under some criticism for its depiction of women’s roles in society.
Disney attempts to show the feminist qualities of Belle. For example the movie portrays her as intelligent and not easily swayed by love, in the case of Gaston. However, the Beast is advertised as the possessor of ‘beauty’ and Belle must learn its nature; Belle’s fate is his. It is Belle, robbed by her traditional beauty, who is being instructed from the Beast in how to elicit beauty form beastliness. She must learn to love ugliness and literally embrace the bestial. Another problematic element might be Bell...
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
From Cupid & Psyche to Cocteau’s film and finally to Disney’s portrayal of this classic theme, not much has changed in the idea of Beauty and the Beast. All versions of this story have stressed the importance of being good and have even dwelled on the importance of looking behind appearance to see a person’s true nature. In order to convey his ideas and themes, Cocteau uses the beast as a lurking figure whose lack of appearance on the screen ultimately has a great effect on the viewer. The Beast that Cocteau portrays is a model for modern storytellers and has been vital in stressing the theme of genuine nature versus appearance throughout society.
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for
A person can take a story and look at it from many ways. Fairy tales represent the transformation of young people. Beauty is transformed into a young woman; she passes through the stages successfully and in turn is able to love. Every story teaches a lesson and in this case more than one lesson is taught. Not only is the lesson of sexuality and maturity taught, an even more important lesson is taught. Beauty and the Beast shows that true love comes from within the inside and if it is meant to be it will prevail.