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More handpicked essays just for you.
Feminist art 20th century
The role of women in the art
The role of women in the art
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Barbra Kruger is a revolutionary, and feminist artist that is shaking modern society. Kruger was born in 1945. Currently, Kruger is teaching at the University of California at Los Angeles. She resides in Los Angels, however, she travels between both New York City and Los Angels often (CITE). Her education is not what many people assume world class artist would have come from (CITE). She did not take a traditional path and never thought she’d actually become an artist; maybe a fashion editor, but never recognized for her work (CITE YT). According to Art History, Kruger took a year of classes at the Syracuse University in 1964, where she evolved an interest in graphic design and art. The following year, she enrolled in Parson School of Design. There she studied with many …show more content…
These mediums range from photography, graphic design, and re-appropriated magazines; however, she mostly known for her work using her graphic design skills along with the use of re-appropriated pop culture photos to illustrate twenty-first-century consumerism and ideals. Her work could be described as editing modern advertisements with slaps of (font) text on them to make a statement that criticizes Western ideals (Independent). This medium is vital to what Kruger works within. By using appropriated magazines and pithy phrases, she is able to express a dialog with the people of today because it is relatable. Kruger understands her audience. She captures the human mind in a few words. She understands that society has long had a short intention span and she capitalizes on it.
The Art movement Barbra Kruger is a part of is feminist, postmodern, and conceptual art (Art History). The main themes that arise from her work are the use of image and text facilities to direct the communication of the viewer (History). Her goal is to capture the minds of twenty-first-century society and display what media has manipulated to advanced society to
Anything from a police man leaning on a wall that gets lost in the crowd on busy days to a cleaning lady next to a garbage can. Duane creates life like art pieces that you can lose the fact that they are fake. The amount of detail along with the expressions on the figures’ faces tells the tale. The spectator creates a relationship to the piece because its the familiar look or feeling they receive from the experience. Duane uses the figures’ as they are portrayed to accomplish an everyday ordinary person moreover with that technique displays the ability to relate the viewers to the art
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
Barbara Jordan states; “We, as human beings, must be willing to accept people who are different from ourselves.” This quote, in other words, is basically saying that we must accept people for who they are, even if they are different from you. The articles we have read this week all relate to this quote because they all deal with issues of people making choices that other people don’t agree with. The three articles I will be talking about are; Texas V. Johnson Majority Opinion, American Flag Stands for Tolerance and PRO/CON: Should Apple have resisted FBI pressure to hack an iPhone?
Works Cited Chin-Lee,Cynthia. Amelia to Zora: 26 Women Who Changed The World.Charles Bridge, 2005. Ergas, G. Aimee. Artists: From Michaelangelo to Maya Lin. UXL, 1995 Lin, May. Boundaries. Simon and Schuster New York, 2000. Cotter, Holland. “Where the Ocean Meets the Mountain”. New York Times May 8: C23.
Though people can look into color and composition, others can still even look into the source of the art itself. Cole goes deeper, delving into the source of the art, looking in particular into the idea of cultural appropriation and the view a person can give others. Though it is good for people to be exposed to different opinions of a group or an object, sometimes people can find it difficult to tell the difference between the reality and the art itself. Sometimes art can be so powerful that its message stays and impacts its audience to the point where the viewer’s image of the subject of the art changes entirely. Cole brings up an important question about art, however. Art has become some kind of media for spreading awareness and even wisdom at times, but in reality, “there is also the question of what the photograph is for, what role it plays within the economic circulation of images” (973). Cole might even be implying that Nussbaum’s advertisement can sometimes be the point of some media, and that sometimes the different genres of art can just be to make someone with a particular interest happy. One more point that Cole makes is that “[a]rt is always difficult, but it is especially difficult when it comes to telling other people’s stories.” (974) Truthfully, awareness and other like-concepts are difficult to keep going when a person or a group is not directly involved.
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
Kara Walker, was born on November 26, 1969 at Stockton, California, U.S. She is American installation artist who used intricate cut-paper silhouettes, together with collage, drawing, painting, light projection, and animation in here work to comment on power, race and gender relations.
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
Terror and mockery come together in the portraits of Cindy Sherman on display at the Crocker Art Museum. Walking into the large, dimly lit ballroom, one may begin to feel a slight sense of trepidation as the viewer looks around to find nine sets of beady eyes watching one’s every move. Sherman produced her History Portraits during the late eighties and early nineties, nine of which are displayed at the museum. In her portraits she uses lush fabrics, lavish jewelry, and false body parts to decorate herself in these self-portraits. Her portraits have been know to cause discomfort in the viewers who find the general stereotypes, depicted in her portraits, amusing, yet confusing and terrorizing.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
People should be recognized according to their accomplishments. If someone wins a Nobel Peace Prize or wins gold at the Olympics, then they deserve to be praised for their efforts. Nonetheless, someone who has barely accomplished anything can actually be worthy of praise also. How is this possible? If only there was such a person that could pioneer this paradoxical task. But there is. Her name is Jennifer Bobylev and she is an ordinary teenage girl. She might be overly concerned with her looks but that is normal for teenage girls. She is still in high school and has no major life accomplishments to speak of. However, her character, values, and dedication to family and friends, make her someone deserving of praise.
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Many modernist art movement moved away from traditional medium, topic and form in attempt to change the world through their art, including the influential feminist art movement who, through the efforts of individuals such as Judy Chicago and groups like the controversial guerilla girls, effectively altered the world and the way in which woman are viewed. The successfulness of the feminist art movement had on changing the world is reliant on individual opinion