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Art and politics essay
Art and politics essay
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Conservative people would call Banksy’s graffiti as being vandalism instead of recognizing the fact he brings social issues to the eyes of the people through artwork. “Son of a Syrian Migrant Worker” and “Migrant Birds” both display how ridiculous we, humans, truly appear when trying to argue over immigration worldwide. Graffiti benefits urban societies of the 2010 era because, the art form is not only used to express ones’ emotions but, express their political objectification, in this case, Banksy addressed the issue of immigration. Banksy’s graffiti functions as a social critique because he uses humor to explain the societal issue of immigration; “Migrant Birds” is more persuasive than “Son of Syrians Migrant worker” because Banksy shows …show more content…
The fact that Banksy decided to show humans as birds causes people to ask why are bird arguing over immigration causes the image to have dark humor underline the concept of the piece. The social critique of this image is that there is enough space on this earth for humans to choose to reside wherever they please, this is represented by the large gap between the birds. This can play a massive role in 2016’s society because immigration is one of the biggest political issues the world faces a whole. More humor that is placed into this picture is the fact that birds are genuinely upset at the fact another bird is on their wire and decided to bunch together to show that they are ostracizing the different bird. By having the placement of the pigeons on a crack to represent the wire that most birds reside on shows the territory of the pigeons being invaded by an exotic bird and automatically became defensive and wanted the foreign bird to leave their home. As in the real world, when angered by something, the pigeons have posters with social critiques are put upon posters exploiting their views whether what they are saying makes others …show more content…
“We 're often led to believe migration is a drain on the country 's resources, but Steve Jobs was the son of a Syrian migrant. Apple is the world 's most profitable company, it pays over $7bn a year in taxes – and it only exists because they allowed in a young man from Homs." This rare statement by Banksy shows his actual social critique on this image. He wanted to show that as negative people try to make migrants seem, one of the most successful men was, in fact, a son of a migrant worker. America is not the only country that struggles with immigration issues, “Son of a Syrian Migrant Worker” is placed in a refugee campsite in France. The placement of the image could have been placed there as a beacon of hope for the refugees to know that there is success that comes from real world
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
...langelo believed that the work of sculpting was ''to take away all that was not a part of the statue”. He thinks the job of the sculptor was ''to free the forms that were already inside the stone”'. This contrasts the idea of Banksy want to express his creativity and feelings if graffiti, By adding art to these symbols and images against the commercial word, there’s a shock value that is moving towards being accepted as less of destruction and more as an art form. These ideas and beliefs are shown through creativity and beliefs.
If one drives south on I-69 enough, they may begin to remember that “Bob loves Brenda” or that some bodies, only referred to as we, “hate people.” These things are written on the bridges, billboards, and road signs of the interstate to advertise the artist’s message to the general public, while drivers are left to think why should they care who loves who and who hates what. Graffiti is a part of the world that people see everyday and whether it is truly artful or a visual impediment is up to the individual.
At a logical level, this image most likely will resonate with someone who is able to understand the purpose behind the message or someone who is familiar with Banksy’s work. As portrayed in the image, the elderly man, who probably not aware with Banksy’s rising popularity, seems be having more difficulty trying to find the purpose and logic behind the image rather than the two younger individuals. Nevertheless, he is still intrigued by the image, which validates the logical aspect of the image. This claim can also be tied with the emotional level of the image. The two younger men seem to be accepting of the image, while the old man seems to be struggling to find meaning. People who accept the image probably have an easier time assessing their emotions rather than someone who has never seen an image as controversial as the images that Banksy creates. The ethical level of the image is once again portrayed by the body language of the individuals. Because of the provocative style of most Banksy images, some children might get scared or confused when they those drawings, which could ultimately explain why the man seems to be holding the child close to him. The elderly individual has his hand on his chin which is another indicator of interest, and ultimately does not seem to have any view on the ethnical aspect of the
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
Although many people believe that Graffiti is vandalism, it is infact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “… now I see it as more of a commentary and a statement of ‘I’m leaving my mark’…” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed Graffiti. The same message is delivered in the article, “Graffiti Art at the Museum of the City of New York: Writing Was on the Wall, and Some Still Remains” by Ken Johnson. Page one of the article reads, “In 1989, Mr. Wong founded his Museum of American Graffiti on the top floor of a townhouse in the East Village, but real estate complications ended that venture after only six months. In 1994, suffering from AIDS, Mr. Wong donated his collection to the Museum of the City of New York and returned to his hometown, San Francisco, where he died in 1999.” The quote from this article informs the reader that museums will accept people’s collections of graffiti to use in their museum. Museums are usually interested in art and when a museum accepts someone’s personal collection that they have donated it must mean that it is truly art. Not only are museums interested in graffiti as an art form, but many people have come to accept graffiti as an art and take interest in it too.
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
Banksy is a pseudonym for an anonymous graffiti artist, painter, political activist and one of Time Magazines most influential people in the world. Little is known about Banksys actual background but according to Tristan Manco in his book Home Sweet Home, Banksy was born in Bristol England in the early 1970’s. Known for his contempt toward the government, for labeling graffiti as vandalism, he displays his art on public surfaces, such as billboards and walls, and has even built physical prop pieces. Banksys distinctive stencil style usually embodies humorous images often paired with slogans that carry themes of anti-war, anti-capitalism and anti-establishment. Uncommon to most artists Banksy does not sell photographs or reproductions of his work, but art auctioneers have been known to sell his street art on location for large sums of money. In 2005 Banksy infiltrated many New York museums, such as the Museum of Modern Art, the Metropolitan Museum of Art, the Brooklyn Museum, and the American Museum of Natural History and hung his work among notable art pieces. Banksys distinctive satire graffiti style mixed with his anonymous rebellious antics give him an invaluable buzz that is rare among current graffiti artists today.
Although other artists know who he is, Banksy doesn’t have a public face that he shows at galleries and in his documentaries. In Will Ellsworth-Jones article “The Story Behind Banksy: on his way to becoming an international icon, the subversive and secretive street artist turned the art world upside-down” he talks about one of Banksy’s earlier galleries. Ellsworth-Jones says “The show was a high-profile demonstration of the phenomenon that has come to be known as the ‘Banksy effect’—the artist’s astounding success in bringing urban, outsider art into the cultural, and increasingly profitable, mainstream” (2). Banksy’s “effect” is altering urban culture and bringing it to art galleries to be displayed and sold. In the grand scheme of things, he is commodifying graffiti and urban culture, making it more consumable and then proceeding selling and profit off of it. In A&E’s biography page for Banksy they state that Banksy’s work is unique due to the fact that it “often engages political themes, satirically critiquing war, capitalism, hypocrisy and greed.” The uniqueness of his work is a common reason different news outlets give for Banksy’s success. Contrary to popular belief, Banksy’s content isn’t groundbreaking. Artists of all mediums, including graffiti, before and during his time have touched upon all of the same themes as
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Activism comes in all shapes and sizes, and when someone does it in an unusual way it cannot go unnoticed. Banksy’s “The Flower Thrower” is a perfect example of this due to the fact that it’s vandalism with a deeper meaning. The man known as Banksy is a graffiti artist and a political activist, and the most intriguing thing about him is that he chooses to remain anonymous. There are many theories about his identity, one even claiming that he is a fictional character. Despite proof of his identity, several countries are on the look out for him. Many have even issued warrants for his arrest because his public works are considered vandalism. His paintings are known for making people question their everyday lives and really
Banksy’s artwork was effective in achieving it’s purpose because of it’s appeal to the heart, and in what is perceived as a dismal area where there is little hope, it most likely affected the view some may have on life, if not for just a moment.