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Ballet Company Research Paper: American Ballet Theater
The American Ballet Theater started in 1939. ABT was created, the creators and developers of the company wanted to create this ballet company to “develop a repertoire of the best ballets from the past and to encourage the creation of new works by gifted young choreographers, wherever they might be found.” (ABT: AMERICAN BALLET THEATRE) Lucia Chase and Oliver Smith were the first original directors of ABT from 1945 to 1980.
In 1980, a new and up incoming artist, named Mikhail Baryshnikov, became the artistic director of American Ballet Theatre, after Lucia Chase and Oliver Smith stepped down as directors. The reason they did so is not clear, but in a position as a director, I can imagine
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Kevin McKenzie was appointed Artistic Director. McKenzie, had his vision of ABT as "truly American" (Kevin McKenzie), which means that the American Ballet Theatre would be committed to maintaining the company's vast repertoire (from all walks and styles that the company had already performed). ABT, while under the direction of Kevin McKenzie, aimed and continues to aim to bring the art of dance (specifically in a theater setting) to all the great stages of the world, all across the world. Although, still keeping with ABT’s commitment, the company had recently been successful in many countries already. Including: “Abu Dhabi, Brisbane, Hong Kong, Havana, Paris, and Beijing”. An interesting fact that I came across was that on April 27, 2006, the American Ballet Theatre became America's National Ballet Company by an act of Congress. American Ballet Theatre was recognized and still is recognized today as “one of the greatest dance companies in the world.” (ABT: AMERICAN BALLET THEATRE)
Few ballet companies can stand on the same pedestal of ABT. For some companies, it’s due to the lack of a combination of size, the lack of detail and perfection, and the lack of communication to those outside of the company. But the American Ballet Theatre company lacks in nothing. They are perfection, they are poise, they are just
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ABT currently has seventeen principal dancers. Nine males and eight females including Misty Copeland, who was recently added to the company several months back, and is the first African American women to join a professional ballet company as a principal dancer. ABT has ten Soloists, fifty-eight Corps de Ballet dancers, which are dancers that are called the “core” of the ballet. They make up the majority of the ballet, and interestingly enough, most principals before they actually become principals are part of the Corps and have been in the corps for about anywhere from 7-14 years. Oh and we can’t forget about the six apprentices. Those are just the dancers! That doesn’t include faculty, or music, administration, production, development and much more staff. ABT hires dancers of all types. Dancers of all races, all body types and from all backgrounds. Each and every single one of their dancers is individual in their own diverse way but they are also amazing technicians and people. Each dancer has been in ballet since a young age, on average each member of the company began training when they were between three to five years old. They each studied in ballet and found something they were passionate about. Each dancer, in their own way, loves their craft. They love what they do and it can be seen when they
Kaminski is a Boston Ballet II member and performs in the corp de ballet with the company. He joined this apprentice position in August of 2003 and thinks Mikko Nissinen, the Boston Ballet’s new artistic director, is doing great things for the company.
After his training he apprenticed at the Alvin Ailey American Dance Theatre and performed with a number of companies, many of which were from Europe. Shortly after, he returned to California where he began his lines Ballet Company in San Francisco, California. King introduced his first season in 1982 by reviving a piece “Maya”, which he originally choreographed and set on the South Coast Contemporary Dance Theatre. From that point on, the company continued its growth and creation of a fresh spin on an incredibly old technique. In the dance world, a staggering number of choreographers have made a lasting impact on the way dance is seen to its audience.
The word and the times have changed and growing steadily make everything has evolved to adapt to the modern era. Thus, it includes a ballet dancer as well not only practiced the choreography. But more needs to be updated to the ballet remains an interesting and decays. From modern dance, Jazz, R & B or
In the 20th century, ballet started to experiment and movement. It was due to its Russian
Ballet is an athletic art form that utilizes muscle control, flexibility, and physical strength. It requires extreme discipline from the dancers and takes an extreme amount of mental concentration. This discipline causes dancers to have success throughout life and specifically in academic studies. There are many ways that dance can affect the success of a person’s life; however, there are two in specific that make dancers generally more successful. To begin, ballet causes dancers to be self-motivated workers; dancers cannot rely on others to push them to be better, but must have the drive within themselves.
Ballet is one of the oldest types of dancing. Originating in France, ballet was entertainment for the king, and has now further developed into the ballet we know today. A key component of ballet is the shoe. Pointe shoes are made to make it appear as if the dancers are floating across the stage. By the time a dancer is professional she is en pointe, meaning she is using pointe shoes. Only a few dancers out of the many that enter the competitive world of ballet, rise to fame. Those that do normally do not become famous until they reach soloist or principal status in their respective companies. Principal and soloist dancers almost always dance the leads in ballets, such as The Firebird and The Nutcracker. The Firebird and The Nutcracker are
Li’s passion for ballet shows on and off stage through his arabesques, flexibility, fouettés, grande jeté and pirouettes that were nothing less than perfection. I understood that becoming a dancer requires commitment, passion and having a great memory as there’s many moves, routines and ballet terms that you need to learn. When I was performing on stage, I felt free and that I could own the stage as it felt like it was my second home. I also felt complete within myself just as Li felt. To perform on stage, you need to be light and graceful along with connecting to the music using precise steps, poses and formal gestures. The film used dance, music, scenery, and costumes to portray a story characterised by Li’s dance. Classical ballet dancers require the utmost grace and I’ve found that you also need a tremendous level of concentration and memory. This portrays when his choreographer Ben Stevenson asked Li Cunxin to replace the main male role due to an injury on the day of the performance to memorise new dances and perform them in front of an enormous crowd. Many of my performances have been in a group where we all need to be in sync and work together. This film highlighted that in order to become a professional ballet dancer, you have to prepare to work extremely hard no matter how gruelling the schedule is in order to
In 1979, Boston Ballet opened the Nervi Festival in Italy, and in 1980 was the first American dance company to perform in the People's Republic of China. The Company made its London premiere in 1981, with a full-length production of Swan Lake. In 1983, Boston Ballet presented Don Quixote on Broadway with Rudolf Nureyev as special guest artist, after touring the United States, Mexico, France, and Italy. Boston Ballet collaborated with choreographer Mark Morris for the first time in 1986. In May 1990, Natalia Dudinskaya and Konstantin Sergeyev, along with then-assistant artistic director Anna-Marie Holmes, staged a new production of Swan Lake featuring Boston Ballet dancers performing the leading roles with dancers from The Kirov Ballet and The Bolshoi Ballet. This historic production attracted international
Ballet is a beautiful and romantic type of performance art. It originated in the Italian court systems in the 15th century (Jonas). Since its origination, ballet has undergone many changes and gained worldwide recognition. Filled with elaborate costumes, cheering audiences, lights, weightless movements and beauty; ballet is admired by many. On the magical stage ballerinas can become whoever they wan to be, and perform in a world of fantasy. For these reasons, children, especially little girls, all over the world dream of becoming ballerinas when they grow up. However, becoming a professional ballerina is an extremely difficult accomplishment, in which few will achieve (Kelso 1). The world of ballet may seem to be filled with glitz and glamor but, behind the curtain there is an entirely different story. There are extreme demands and pressures put on these young dancers to be very thin and nearly perfect. Some of which include body and weight demands, competition, and social pressures. These constant pressures can lead to a negative body-image and even debilitating eating disorders (Price and Pettijohn).
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.
The Classical Period which happened in the late 1700’s became one the most evolutionary times in ballets history. The Classical Period is where performance and expression became extremely important. With ballet this period is where the use of storytelling became one of the main focuses for the dancer’s performances. The use of their emotions and the character they portrayed were more important than the use of the costumes. The “father of classical ballet” was known as Marius Petipa. Petipa was born in French but he came to Russia to create in the ballet. In the early 1800’s came the Pre-Romantic Period which was short but needed because of Marie Taglioni. Marie Taglioni was the first ballerina to ever dance en pointe. This time was the time pointe surfaced, em pointe which means “on
in order to succeed. Ballet should be recognized as a sport due to the fitness, dedication, and
SLT has outstanding staff relationships and friendships with adult students. Through these special relationships, she is achieving unique leadership, confidence, and great personality that are affecting her dance studio functions. Those dance studio functions are giving market studies and research since they are the major keys to uncovering needs. With these major keys, classes will certainly fill up. While these classes are filling up so quickly, she is acquiring financing and grant considerations for marketing new dance studios. With new dance studios being open soon in year 2020, SLT is finding unique resources for advertising through Internet advertising, mail advertising, sharing valuable information from other franchised Arthur Murray owners, global peers, and accolades from many ballroom dance competitions through winning students. The studio in Lake Mary, Florida is recently voted as number one studio in the state of Florida.
Three hundred years ago, ballet was introduced to Russia for the first time by the Czarita's Elizabeth and Anna. Their intention was court entertainment, but little did they know they made a move that would change the face of classical ballet forever. Although ballet originated in Italy and France, Russia certainly gets credit for stylizing and perfecting the art form. From opening the Imperial Ballet School to the formation of the Vaganova technique, from the splendor of Anna Pavlova to the defection of Mikhail Baryshnikov and Rudolf Nureyev, Russian ballet’s past has been a rollercoaster. In the aftermath of the January 17, 2013 acid attack on the Bolshoi artistic director, Sergei Filin, the ballet world is under intense scrutiny of what really goes on behind closed doors. To fully understand why all this controversy is swirling around a single art form based on grace, poise, and performance, we will need to understand the root of the issue. The country of Russia.
Ballet first originated in Italy in the 1400’s, its purpose was to impress the nobility of other countries. The ballerinas would wear the fashion of the times, with big dresses, wigs, and shoes that were not good for dancing in. Ballet was brought to France when Catherine de Medicis married King Henri II. She brought the culture of ballet with her to Paris. Eventually Paris became the capitol of the ballet world. Up until 1681 all of the female ballet roles were played by men. Many people fell in love with ballet. George Balanchine brought ballet to America.