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A reasearch paper on the backstreet boys
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Boy bands were a staple in the 1990’s, but a common question emerges when it comes to choosing the best one: Backstreet Boys or Nsync? Boy bands are remembered for their iconic dance moves, lyrics, looks, and overall archetypes. Considering the criteria, Backstreet Boys is clearly the number one boy band of all time. Members of the band have specific roles, or archetypes. Backstreet Boys has every one of those archetypes, and has shaped them for future bands. Nick Carter is the ‘Teenage Heartthrob’. The heartthrob is the unofficial face of the band. He’s the one that most of the fans remember, due to his looks, which most teenage girls are obsessed with. Similar to the heartthrob, many girls find it hard to ignore ‘The Boy Next Door,’ and, …show more content…
The candidate for Backstreet? Howie Dorough. Although he’s not always remembered, the shy guy of the band definitely has some distinctive notes. Dorough is most recognized for his glowing smile, pose on the cover for Millenium, and his interesting facial hair. Many recall one specific member of a boy band, the bad boy. He’s acknowledged for dressing edgy, not caring much about what anyone thinks, and maybe even has tattoos and/or piercings. With his dark clothing, sharp jawline, and strong attitude, Kevin Richardson from Backstreet is the perfect …show more content…
Backstreet boys has had 17 songs featured on the “Billboard top 100”, while Nsync only had 12. Even though Nsync had ‘It’s gonna be me’ reach the number one spot, Backstreet’s ‘Quit Playing Games (With My Heart)’, at number two, clenched the spot for forty-three weeks, while ‘It’s Gonna be Me’ held on for twenty-five weeks. Albums and songs are important, which is why Backstreet, having more weeks than Nsync, is clearly more important. One may say that Backstreet Boys struggle with iconic moves and looks. Yet Nsync, apparently, seems to succeed with this. In the late 1990’s Nsync blew up radio stations and television programs with their songs and videos. Not long after, fans knew the exact choreography to the songs like ‘Tearing up my Heart’ and ‘Bye Bye Bye’. Although Nsync is strong, Backstreet’s ‘I Want it That Way’ shaped future music videos and boy bands to use similar components. An example of this 2010’s boy band, Big Time Rush’s video for ‘Worldwide’. The band used the all white look, airport setting, and odd pointing, similar to Backstreet’s to get the dramatic effect of love getting torn apart. By this, Big Time Rush paid homage to Backstreet, showing how influential and timeless Backstreet’s music is. Considering Backstreet Boys recorded the anthem a little bit more than 10 years earlier, Big Time Rush shows the significance of the
...s: “Sitting, Waiting, Wishing” by Jack Johnson, “The Scientist” by Coldplay, and “Me, Myself, and I” by Beyoncé. If imitation is in fact the highest form of flattery, then The Pharcyde should be very proud of their contribution to the music industry and the history of the music video.
While speaking to the young adults, Linkin Park’s music video utilizes rhetoric by showing credibility, intense emotional symmetry, and logistical facts to influence escaping the oppressive expectations of society.
In the 1992 drama Boyz N the Hood Furious Styles, the father of main character Trey Styles, is in Compton, California giving a speech on a hill to the local residents of the neighborhood, which include the elderly, middle class workers, and youth. During his speech Furious asks the small crowd, “Why is there a liquor store on every corner in this community?” He then answers his own question: “I’ll tell you why, for the same reason that there is a gun store on almost every corner in the black community. Why? They want us to kill ourselves. The best way you destroy a people is if you take away their ability to reproduce themselves.” That is a bold statement to make, and it is also a statement that provides an example of the Marxist theory of
As a society, we are constantly pairing things together in hopes of enhancing them: apple pie and ice cream, Indians and cowboys, and most relevant to this paper, music and dance. In an art form like ballet, it seems as though music and dance complement each other equally. Truly, it is hard to picture, or perform, a dance without music. However, this may not be the case for music, even if that music is composed specifically for a dance routine. The compilation of the music and the dancing from a scene in the American cowboy ballet Rodeo will be examined to ultimately help us understand the way in which they serve each other as a unit and their ability to function independently.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
wardrobe, band members wear is a little different from what is trending in the modern society. Ripped skinny jeans or shoes, hoodies in the dark shaded colors are common type of clothing members wear. Additionally, many seem to understand that band individuals have poor hygiene due to how many men have long hair and not a clean cut shave. As said before, many of the stereotypes are not fully wrong. According to Makewav.es, in the article Misconceptions About Rock Music, by Maddie Smith and Talia Alvarez, who both stated, “Will not try to defend the fact that some artists in the industry, like Danny Worsnop and Ronnie Radke, are recovering addicts.” The authors explain that some truth behind what is said about alcohol or drug consumers on band members is true. It has been indicated that not just the act of a small groups has produced a negative image on people who play
Earlier this year (DATE???) alt-rockers Cake topped the Billboard 200 chart with their first album in seven (???) years, Showroom of Compassion. The album sold 44,000 copies the first week of its release, a record low for the number one hit. At the same time, Britney Spears' single “Hold It Against Me” scaled the digital song chart with 411,000 copies sold. The two charts illustrate the change in the way we listen to music. The Internet—as it did for almost everything—has radically affected the way people get music.
The sample for this analysis included current and popular hip-hop and country music videos. This specific sample was drawn from Vevo’s most viewed videos in the categories of Hip-Hop/Rap and Country. Choosing some of the most viewed music videos of 2013 created a repre...
With rioting and terrorism taking place around the world, more aggressive and rebellious styles were being created. The punk look came with this; singers like Johnny Rotton and bands like The Ramones and the Sex Pistols were a few to lead a new generation of teens. There was also the introduction of glam-rock in which musicians mixed glamour with rock. Davis Bowie was the most successful. Fans copied his "rooster" hair cut. He made the androgynous look popular.
Often times throughout history and in today’s world, music along with lyrics of songs and musical artists are blamed for deviant behavior in adolescents and teenagers. Some argue that subcultures are created because of artists and their music which leads to groups of young adults taking part in deviant behavior, while others argue the opposite; that the behavior leads the person to listen to the music. There is also concern about the effect that music videos have on the behaviors of the listeners of music throughout all genres. Although there is not much extended research on music and the effect it has on its listeners there is plenty of speculation, theories, and minor studies.
Crystal Castles are a goth-rave and electro-thrash duo from Toronto, Ontario made up of Ethan Kath (on synth) and Alice Glass (on vocals). The duo brings a destructive and devouring abyss of pain, regret, nihilism and noise to synth pop music. In this paper, through a focused analysis of its lyrics, its musical elements, as well as its accompanying video, I will argue that Crystal Castles’ 2010 song “Baptism” creates a nuanced musical space in which dark emotions such as revenge are juxtaposed with a bright, digital and danceable beat. Although, Alice Glass’ voice is heavily distorted and almost inaudible, I propose that the band’s decision to distort Alice’s voice aids in evoking a drowning feeling which matches the lyrics’ theme. The drowning out of Alice’s voice through electronic distortion, recalls moments of metaphorical drowning and emotional chaos that so often accompany betrayal, horror, violence and desolation.
It goes without saying that emotion, a highly revered attribute to music, has shifted over time, and continues to adjust as the world and society transform.
Music videos originally served the purpose of creating an outlet through which artists could generate publicity for their work, broaden their popular appeal, and reach wider audiences with interesting audio-visual content (Berry & Shelton, 1999). Over the years, the visual imagery in music videos has increasingly become as significant as the music it represents, as music videos have now become major outlets for propagating views and stereotypes that influence popular culture.
As for RHCP’s video, the comparison can be drawn to another kind of game. Due to the rising popularity of 3D generated video games at the time of the video’s release, RHCP uses an animation style which mimics the likes of these games to their advantage in developing the setting, themes, and ideas expressed in the
Each video demonstrates how people have incorporated music in their everyday lives. Even though some music in these dance videos are from years ago, many young adults still recognize and know the songs. The songs are so popular to many generations, only because those songs have defined generations.