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The history of rap music
The history of rap music
Rap music history
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The Pharcyde is an alternative rap quartet from South Central Los Angeles founded by MCs/producers: Tre "Slimkid" Hardson, Derrick "Fatlip" Stewart, Emandu “Imani” Wilcox, and Romye "Booty Brown" Robinson (AllMusic). In the late 1980s, Hardson, Robinson, and Wilcox worked together as dancers and choreographers in the Los Angeles underground club circuit (AllMusic). Stewart joined the group in 1990 and under the guidance of a high school music teacher they gained knowledge of the recording process and the music industry (AllMusic). The Pharcyde “maintained a willfully weird vision” with their music in contrast to a large number of West Coast rappers in this time period that focused primarily on the “gangsta’ rap” image (The Pharcyde). In 1991, the group signed a record deal with Delicious Vinyl and released their debut album Bizarre Ride II the Pharcyde (AllMusic). They released their second album, LabCabInCalifornia in 1994 and although it did not reach gold status as their first album had, the single “Drop” produced an innovative music video.
The song opens with the line, “mmm… drop!” a sound sample from “The New Style” by the Beastie Boys (The Daily Beast). Similar to the Beastie Boys in performance technique, The Pharcyde has the uncommon ability to blend self-deprecating humor and intelligence with their music (AllMusic). In addition to being a major influence on thier sound, The Pharcyde followed the Beastie Boys’ lead when they picked a the director for their music video. Spike Jonze is best known as the director of the feature films Being John Malkovich (1999), Where the Wild Things Are (2009), and Her (2013) (IMDb). However, he has also had a prolific career directing music videos for a multitude of artists including (but...
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...s: “Sitting, Waiting, Wishing” by Jack Johnson, “The Scientist” by Coldplay, and “Me, Myself, and I” by Beyoncé. If imitation is in fact the highest form of flattery, then The Pharcyde should be very proud of their contribution to the music industry and the history of the music video.
Works Cited
"Bio | The Pharcyde - 20 Years of Hip Hop." The Pharcyde 20 Years of Hip Hop. N.p.,
n.d. Web. 18 Feb. 2014.
Huey, Steve. "The Pharcyde." AllMusic. N.p., n.d. Web. 18 Feb. 2014.
"The Pharcyde - Drop." YouTube. YouTube, 28 May 2007. Web. 17 Feb. 2014.
"Revisiting Pharcyde's 'Drop' Backwards Music Video." PetaPixel RSS. N.p., n.d. Web.
18 Feb. 2014.
"Spike Jonze." IMDb. IMDb.com, n.d. Web. 18 Feb. 2014.
Stern, Marlow. "Spike Jonze’s 13 Best Music Videos: Beastie Boys, Kanye West, Fatboy Slim, and More." The Daily Beast. Newsweek/Daily Beast, n.d. Web. 18 Feb. 2014.
Some weaknesses of James McBride’s “Hip Hop Planet” include its cynical tone and his attitude towards the musical side of Hip Hop. McBride opens the essay with a reflection on what his ultimate nightmare is. He showcases the Hip Hop community in a negative light with phrases like, “music that doesn’t seem to be music—rules the world” (McBride, pg. 1). This starts the essay off negatively because it misleads the reader by letting them think he is not a supporter of the Hip Hop movement. As you read the entire essay you realize this is not the case. The article itself isn’t very inviting because tone of the entire essay is very cold and cynical. He also doesn’t agree with the typical Hip Hop sound saying things like, “It sounded like a broken record” (McBride, pg. 1). The sound of Hip Hop music is what helps define it and is a crucial aspect of
Public Enemy’s members came together at Adelphi University on Long Island, New York in 1982 (Simon & Schuster, 2001). Public Enemy is one of the most influential and controversial rap groups in the America during the late 1980’s and the early 1990’s. Public Enemy members are Chuck D, Flavor Flav, Professor Griff, and his S1W group, DJ Lord, and music director Khari Wynn. There are two vocalists, drum performers, guitarists and scratchers. Public Enemy consists of...
As someone whose job it is to write about music, their analysis and experience should be taken into account among other things. He brings this up in the article to point to the fact that he had to look back on other points like this in history to see how a song like this could perform so well and consistently. Surprisingly, for someone who delves into number one hits regularly, there was not a time that paralleled Gambino’s situation. This strengthens his argument for the “unprecedented” territory. He goes on to interpret the data and finds even more extraordinary feats, including the fact that the video is one of the main reasons for its number one spot. However, while the video got it to number one, it is streams without the video that are keeping it there, Molanphy notes. Along with the data, he also looks into the song and picks apart parts which he feels resonates with listeners. These include the triple entendres and the melodies featured (but uncredited) artists, such as Young Thug, provide. By addressing these topics, the author's credibility increases and allows more latitude to be given when making his
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
"West, Kanye." UXL Newsmakers, vol. 5-6. Ed. Rebecca Valentine, Kelle S. Sisung, and Carol Brennan. Vol. 6. Detroit: UXL, 2006. 459-467. Gale Virtual Reference Library. Web. 16 Mar. 2014.
Underground hip-hop is filled with groups such as The Pharcyde, The Roots, Jigmastas, and Jurassic 5 who use live instruments to not only enhance their lyrical talents, but also to give audiences a great show. All four of these groups are dedicated to preserving hip-hop culture. Emcees battle to prove they are iller, Djs do the same thing, and breakers, break dancers, poppers, whatever you want to call them, continue the tradition of mixing their dance art form of popping, locking and spinning using the music to help create different techniques.
"The 10 Best Songs Produced By Kanye West." Rap Dose RSS. N.p., n.d. Web. 02 Apr. 2014.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
It features many guest appearances but the main artists on the album are Lil Wayne, Lloyd, Drake, Tyga, Nicki Minaj, Gudda Gudda, and Jae Millz. Majority of my favorite rappers are featured on this album. It is one of the biggest rap collaboration CDs of all time! The lead single “BedRock” by Young Money also happens to be one of my favorite songs. I absolutely love the word play and creativity all the artists use in this song. Metaphor after metaphor is used to paint a picture in your mind in every song. I listened to this CD over and over in the car when I was 16. The whole album is filled with great energy and a lot of
...a concept that we take for granted and probably always will. In prisons, you get one telephone call. Lady Gaga’s “Telephone” music video starring herself and Beyonc֢é Knowles takes an extreme take on prison life, sexuality, and the importance of that one telephone call. It debuted in 2010 as one of the most controversial music videos of all time and is compared to movies because of the way it was directed and it’s length [9:32 minutes].
He did multiple interviews from celebrities to regular civilians. He created this film because he had a love for hip hop but was an activist. There was an interview on the video from Spelman College regarding the protest of the misogynistic video of Rapper Nelly, who is seen swiping a credit card in a girl’s buttocks in his music video “Tip Drill”. Rapper Nelly never commented but canceled plans to hold the bone marrow drive at Spelman. He then goes on to show BET’s Spring Fling in Daytona Florida. It was disgusting to see men lusting after women, touching women who did not want to be touched. In the interview with one young man he justified his actions by saying “look how they dress.” The objectification of women in hip hop has taught young men to view women as sex objects for their own
"40 Years on from the Party Where Hip Hop Was Born." BBC Culture. N.p., 9 Aug. 2013. Web. 30 Apr. 2014.
Conventionally, there are more than twenty derivatives of Hip-Hop. The Hip-Hop style which is the most familiar to the world is known as “conversational rap” (Higgins, 2013). This form consists of the artist using a conversational method of rapping where they appear to be telling a story or holding a personal discourse. Conversational Rap is utilized by many of the industry’s current juggernauts. Some of the artists which use this style of rap are: Drake, Lil Wayne, Nicki Minaj, and Wiz Khalifa. It is universal to understand that Hip-Hop is indiscriminative. In his article Hip-Hop Judaica: The Politics of Representin ' Heebster Heritage, Judah Cohen observes that “Rap music, on the other hand, is anti-classical, a UN-friendly music with dozens upon dozens of subgenres to accommodate and account for the full range of experiences that make up the human condition—irrespective of one 's race, gender, age or geography.” (Cohen,14). Moreover, Hip-Hop/Rap’s most problematic form is known as “Gangster Rap”. This form of Hip-Hop/ Rap is understood to be the turning point in the world of Hip-Hop culture. The “thug life” movement within Gangster Rap started with rapper Tupac Amaru Shakur, known as 2pac. In her article titled “East Coast/ West Coast Rivalry, Yvonne Bynoe states that throughout the 1990’s, 2pac and New
The Chainsmokers recently released interesting news about their new single, Sick Boy. The new song is a big change for the pop duo that are known for their electronic dance music. Their new release takes their fans for a walk on the dark side. The duo consist of Alex Pall and Drew Taggart, who are former music producers. Surprisingly, the duo are relatively new to the music charts. They first hit the charts back in 2015 with Roses. The team followed up that hit with several more hits. Now, the pressure is on to match their earlier success.
Hip- hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).