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Peer pressure among teens
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In the music video titled “Numb,” directed by Joseph Hahn and sung by Linkin Park, a message of rebellion persuades a push for independence. Produced in 2003, the music video introduced a young girl who feels that she doesn’t fit in with everyone and is in an autopilot state to do what her mother thinks is right for her. The video alludes to her wanting to stand up to the pressure and fulfill her dreams of pursuing art. A dark theme towers over the music video to show that she is not happy and is trapped by her mother. This genre, alternative metal, voices rebellious young adults to take a stand and to get away from the pressures of life. While speaking to the young adults, Linkin Park’s music video utilizes rhetoric by showing credibility, intense emotional symmetry, and logistical facts to influence escaping the oppressive expectations of society. …show more content…
This rhetorical strategy is called Ethos. In the second verse of “Numb”, the artist sings, “Can’t you see that you’re smothering me, / Holding to tightly, afraid to lose control?” The context at the time calls for a society trying to control changing ideals in that freedom outweighs expectations. This allows the artist to obtain trustworthiness from the younger generation that if something doesn’t change, neither will their situations. The music video continues to show all the goals she is forced to pursue but eventually she always lets down her mother. This part of the video persuades the audience to trust that the singer knows what it is like to be under stress from
In the book Into the Wild, Jon Krakauer wrote about Christopher McCandless, a nature lover in search for independence, in a mysterious and hopeful experience. Even though Krakauer tells us McCandless was going to die from the beginning, he still gave him a chance for survival. As a reader I wanted McCandless to survive. In Into the Wild, Krakauer gave McCandless a unique perspective. He was a smart and unique person that wanted to be completely free from society. Krakauer included comments from people that said McCandless was crazy, and his death was his own mistake. However, Krakauer is able to make him seem like a brave person. The connections between other hikers and himself helped in the explanation of McCandless’s rational actions. Krakauer is able to make McCandless look like a normal person, but unique from this generation. In order for Krakauer to make Christopher McCandless not look like a crazy person, but a special person, I will analyze the persuading style that Krakauer used in Into the Wild that made us believe McCandless was a regular young adult.
The Letter from Birmingham Jail was written by Dr. Martin Luther King Jr. in April of 1963. Dr. Martin Luther King Jr. was one of several civil rights activists who were arrested in Birmingham Alabama, after protesting against racial injustices in Alabama. Dr. King wrote this letter in response to a statement titled A Call for Unity, which was published on Good Friday by eight of his fellow clergymen from Alabama. Dr. King uses his letter to eloquently refute the article. In the letter dr. king uses many vivid logos, ethos, and pathos to get his point across. Dr. King writes things in his letter that if any other person even dared to write the people would consider them crazy.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
Elie Wiesel’s “The Perils of Indifference” speech, discusses a point on how oppressed people should be considered as human beings and not just as outcasts in the world. Wiesel applies the pathos appeal, ethos appeal and logos appeal in his speech to prove to the audience that indifference is a problem not only in America but the whole world. He wanted people to change in a way for others to feel good about themselves. Each of the different types of appeals gives a reason to why he believes things have to change. Along with the appeals, Wiesel utilizes fallacies in his speech, such as the many use of an overly sentimental appeals and either or choices.
On May 5, 2018, Atlanta rapper Childish Gambino released a video for his new song titled “This is America.” The video featured not-so-subtle commentary on the current gun debate in the United States and began trending quickly. Many began to wonder if a song with this much political weight could make it past the viral stage and hold its own on the music charts. One of those inquiring was Chris Molanphy, a journalist for Slate.com who often writes about popular music. He makes the claim that this song is “one of the most lyrically daring [Billboard] Hot 100 No. 1 in history.” In his article, “‘This is America,’ the Video, Is a Smash. Will the Song Have Legs?,” Molanphy uses diction, ethos, and analogy to argue that Gambino’s “This is America”
Pollan’s article provides a solid base to the conversation, defining what to do in order to eat healthy. Holding this concept of eating healthy, Joe Pinsker in “Why So Many Rich Kids Come to Enjoy the Taste of Healthier Foods” enters into the conversation and questions the connection of difference in families’ income and how healthy children eat (129-132). He argues that how much families earn largely affect how healthy children eat — income is one of the most important factors preventing people from eating healthy (129-132). In his article, Pinsker utilizes a study done by Caitlin Daniel to illustrate that level of income does affect children’s diet (130). In Daniel’s research, among 75 Boston-area parents, those rich families value children’s healthy diet more than food wasted when children refused to accept those healthier but
The whole music video is in remembrance of the little girl Aiyana Jones and to show its audience the injustice it served in America (Alexis 5). The music video does not focus on the lyrics, but focuses on a whole different story. Although the music video is about the war between the government and drugs, the lyrics and the music video share a mutual message and that is to seek peace not only in the community, but also in our minds. Today, there have been issues on police brutality and unlawful arrests. This music video really illustrated different point of views of different people such as the victim and the policemen. Although the music video displayed a different message, the lyrics also provided a great message to people especially young women. Both music video and lyrics
The movie trailer “Rio 2”, shows a great deal of pathos, ethos, and logos. These rhetorical appeals are hidden throughout the movie trailer; however, they can be recognized if paying attention to the details and montage of the video. I am attracted to this type of movies due to the positive life messages and the innocent, but funny personifications from the characters; therefore, the following rhetorical analysis will give a brief explanation of the scenes, point out the characteristics of persuasive appeals and how people can be easily persuaded by using this technique, and my own interpretation of the message presented in the trailer.
In the song she shoot him because she is sick of his stuff like him with the beating her and taking avenge “He’s drunk again, it’s time to fight same old s***, just on a different night she grabs the gun, she’s had enough Tonight she’ll find out how f***in’ tough is this man pulls the trigger fast as she can, never again “ This is a quote that make sense because he was beating her and she had no power to hit him back because she not as strong as him in any way shape or form. As this girl is going through this it show us how life really is because violence goes on every day because the world is a place no one want to be in. If you look at violence statists it clearly shows you how violence in pacts us. “Fathers a name yet haven’t earned yet you’re just a child with a temper Haven’t you heard don’t hit a woman kicking’ you’re a** would be a pleasure” this is a good one because some people like me take this to heart because if you hit a woman in front of me boy I tell you want and theirs many other people who think the same way. Most people were born and raised not to hit a woman because a lot of people are like this doesn’t mean there not people like (the man who hit her) out there and this what cause violence even more in the world this take it to the highest
My paper is a rhetorical analysis is over a music video by five finger death punch. This video was released on June 15th, 2015 part of the Got Your Six album. Five Finger Death Punch is a heavy metal base genre. The genre itself developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are often associated with masculinity, aggression, and machismo (Walser 2016).. This text makes meaning by stating everyone has a demon inside meaning that everyone has dark thoughts or deeds and that no one is innocent.
It cannot be denied that there is an excess of violence in today's music. Eminem raps about spousal abuse and murder sprees, Marilyn Manson sings of anarchy, drugs, and atheism, and Limp Bizkit urges fans to "break stuff." Some critics argue that fans will take these words seriously, and act out on the urging of their beloved artists. However, if listeners aren't mature enough to know the difference between the fictional world these lyrics invoke, and the reality that they personally live in, perhaps they aren't mature enough to listen to it. If a young person seriously believes in the message he or she hears, perhaps it is because the parents have not done a sound job of teaching the difference between fiction and reality, between right and wrong. Too man...
Jonathan Kozol revealed the early period’s situation of education in American schools in his article Savage Inequalities. It seems like during that period, the inequality existed everywhere and no one had the ability to change it; however, Kozol tried his best to turn around this situation and keep track of all he saw. In the article, he used rhetorical strategies effectively to describe what he saw in that situation, such as pathos, logos and ethos.
Often times throughout history and in today’s world, music along with lyrics of songs and musical artists are blamed for deviant behavior in adolescents and teenagers. Some argue that subcultures are created because of artists and their music which leads to groups of young adults taking part in deviant behavior, while others argue the opposite; that the behavior leads the person to listen to the music. There is also concern about the effect that music videos have on the behaviors of the listeners of music throughout all genres. Although there is not much extended research on music and the effect it has on its listeners there is plenty of speculation, theories, and minor studies.
Crystal Castles are a goth-rave and electro-thrash duo from Toronto, Ontario made up of Ethan Kath (on synth) and Alice Glass (on vocals). The duo brings a destructive and devouring abyss of pain, regret, nihilism and noise to synth pop music. In this paper, through a focused analysis of its lyrics, its musical elements, as well as its accompanying video, I will argue that Crystal Castles’ 2010 song “Baptism” creates a nuanced musical space in which dark emotions such as revenge are juxtaposed with a bright, digital and danceable beat. Although, Alice Glass’ voice is heavily distorted and almost inaudible, I propose that the band’s decision to distort Alice’s voice aids in evoking a drowning feeling which matches the lyrics’ theme. The drowning out of Alice’s voice through electronic distortion, recalls moments of metaphorical drowning and emotional chaos that so often accompany betrayal, horror, violence and desolation.
Teens and the human populous have been draw to music, and the relief it gives off. As recent as the 1990’s, we’ve seen an increase in explicit and violent lyrics and deviant behavior in the music industry surrounding such genres as heavy metal, rock, rap, and gangster rap. During this past decade, lyrics are becoming more violent and sexually explicit. It is approximated that teens listen to an average of 40 hours of music a week, and somewhere along the way, a child will hear something derogatory, or cruel. Along with this, teens don’t necessarily interpret what is said through lyrics in the right manner. In one study, only 30% of those somewhat questionable lyrics by popular bands were comprehended by the teen population.