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Nighthawks by edward hopper analysis
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Nighthawks by Edward Hopper is one of my all-time favorite paintings. This painting is so loved and famous, that even if you haven’t seen the original, you’ve likely seen it referenced in many different media. The world is filled of versions of this painting in Lego, featuring old movie stars, with supplementary quotes added for entertainment. All of these tributes are done because of the way this painting has resonated with the people who have seen it. The beautiful composition and the many well used elements in this painting have always intrigued and interested me. I think that Hopper created a piece that can truly resonate with so many different people. Edward Hopper expressed his love for art early in his life and was determined to make …show more content…
Majority of the lines are straight and the shapes rectangular, which is mostly because it is a city scene, and most structures are straight and rectangular. I do think this provides a bit of order and neatness though. There are a few curved lines, such as at the rounding of the restaurant that shows us the building is at a corner of a street. There is a lot of imaginary empty space in Nighthawks, especially outside the restaurant. The street is vacant, even though it appears to be in a city scene. This once again proposes that it is late at night and that most people are at home asleep. There is also a sense of equilibrium created in this painting using asymmetrical balance. The big bright interior balances with the smaller, dim store fronts. The focal point of this painting is the people sitting at the counter in the restaurant. There is a weight of importance placed on them because they are in the well-lit restaurant and behind them is the dusky street. Also, the red clothing of the woman stands out against both the very shady colors outside and the very bright off-white and buttery colors of the restaurant
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
The view of the painting brings to mind the all the senses. Smell is the first to come to mind as the smoke from the candle billows up, the burning smell reaches the noise as well as the burning cigar. The fruity smell overshadows that of the smell of chicken and peas. The noise of a dropped tray and the breaking of glass as it hits the floor makes everyone turn to the right. People talking over each other to be heard. All of the senses are realized as the painting is viewed.
Images that have the ability to induce physical sensations are often the most sought after. A painter that has the ability to induce these sensations is Jonas Lie, with his painting Dusk on Lower Broadway. The painting Dusk on Lower Broadway is a timely piece that exhibits a diverse mixture of artistic concepts and techniques, using quick short brushstrokes with dark cold colors to create an atmosphere of Dusk on lower Broadway.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
The work depicts a family in plain clothing enclosed in a simple solitary room with a fading fire amidst the dark shadows of the background and another light source that extends from beyond the scope of the canvas. At first glance the influences of Caravaggio and Rembrandt are apparent. Their faces are neither, sad, sullen, angry, or joyful, but rather their emotional expression is plain and uncomplicated, adding a sense of timelessness to the painting. As in the description (20-34) of the piece which states; “It reflects 17th Century social theory, which celebrated the natural virtue of those that worked the soil”, (p. 609). The idea of portraying a classic simple lifestyle is a refreshing one and a concept which will reoccur in other works of the Baroque period.
I chose the art piece entitled An American Ship in Distress because it looks pretty amazing. Another reason I chose to analyze this piece as opposed to the others is because it was the piece I liked the most, therefore making me analyze it more closely and discover other aspects of the work would make me appreciate it more. I also chose this because I enjoy being on boats and this really caught my attention. In this art work it shows a ship being tossed around by the stormy ocean waves. The artist who painted this piece is named Thomas Birch. The medium is an oil painting on canvas. This painting was made in 1841 and it’s from the Putnam Foundation. This work does fit into a genre and it’s a waterscape.
When looking at the painting it gives us a glimpse of the past. It looks almost like a photograph. The fine detail from the building on the right with the statue on top. The citizens walking around.
...elationship between the people in the composition and their feelings in each other’s company. The viewer is forced to think critically about the people in the painting and their feelings and body language.
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
On display at the Art Institute of Chicago, Nighthawks is an oil and canvas work that represents Edward Hopper at his most iconic and popular. Hopper more than often drew on his immediate surroundings for in...
The artist used colors and light to draw one’s attention to the diner and the people in it and then to the only character not facing the viewer. This emphasis with the use of colors and light means “that our attention is drawn more to certain parts of a composition than to others” (Getlein 127); when the emphasis is on “a relatively small, clearly defined area” (Getlein 127) this is called a focal point. The focal point in this piece of art is not only the brightly lit diner sitting on the corner of an empty intersection, but also within the diner, where the eye is drawn to the individuals in the diner. In addition, the woman stands out in particular because of her red dress and the bright color of her
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
In this style, everything is clear like a movie scene or a picture taken by a professional photographer. Robert Henri teachings inspired Hopper to embrace realism in his art. Edward Hopper likes to paint everyday scenes, and he uses shops, homes, and hotels for inspiration. In Nighthawks 1942 by Edward there is a couple and a single man at the counter meanwhile there is another grabbing something under the counter. You can see the people through the glass window. You can also the dark street and buildings around the restaurant. It was made by using oil on
Throughout the film, we see a recurring usage of straight lines and symmetrical order being used to represent the social norm for the time period. This normalness is also shown through the weather conditions on the island and surrounding areas. The deeper we dive into the characters’ journey the more we see