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How you define art
An analysis of monet's contribution to impressionist painting
How you define art
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My definition of art is an expression by an individual, put on canvas, sculpted, composed or built in a visual form; appreciated by others for its beauty and emotional power. Declaring something a piece of artwork is decided but the person who created it, but it is the viewer that determines whether that artwork is any good, and that view is constantly changing. The things that fascinated us once may not any longer. Although anything can be considered art, even a child’s drawing or ceramic green frog, for it to be considered great art, I believe the artist needs the skills to create, the creativity to give the artwork vitality, and the daring to use new techniques regardless of critics opinions. To be a great artist you would need to possess all three characteristics. Having the skill to paint does not make the painting a work of art, it is the combination of skill and creativity that make it possible to imagine a beautiful picture and be able to bring it to life. Most importantly, an artist must have the courage to try new techniques and forge his or her own path rather than continuing to do what others have done before them. It is this last characteristic that has created some of the most captivating artist of all time. Claude Monet is an artist I believe encompasses all these characteristics. He was the founder of the Impressionist period and led the way to twentieth-century modernism by developing a unique style and brush stroke that strove to capture on canvas the very act of perceiving nature (Auricchio n.pag). His painting titled, Impression: Sunrise, was one of the works he contributed for an independent exhibition in 1874. Many critics said that this painting looked unfinished, due to its undefined lines and indistinct... ... middle of paper ... ...t (1840-1926).” Heilbrunn Timeline of Art History. New York The Metropolitan Museum of Art, Oct 2004: n. page. Web. 6 Dec. 2013. . Cox, Brenda S. “Claude Monet: What an Eye!” Hopscotch. 16.6 (2005): 14-16. Galileo. Database. 2 Dec 2013. D'Alto, Nick. “The Monet Effect.” Odyssey 16.9 (2007): 30-33. Galileo. Database. 2 Dec 2013. Epstein, Joseph. “I Dream of Genius.” Commentary 136.2 (2013): 38-42. Galileo. Database. 6 Dec 2013. Gilbert, Creighton E. "Michelangelo”. Encyclopedia Britannica Online. Encyclopedia Britannica Inc., 2013.n.page. Web. 6 Dec. 2013 . Golds, Cassandra. “Michelangelo.” Cricket 23.1 (1995): 29.Galileo. Database. 6 Dec 2013. Rabb, Theodore K. “Why Michelangelo Matters.” Commentary 122.2 (2006): 56-59. Galileo. Database. 6 Dec 2013.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Social reformer, Henry Ward Beecher, once said “Every artist dips his brush in his own soul, and paints his own nature into his pictures.” This quote is perfect because it shows how no two artists can ever be the same, like my two artists for example, Georges-Pierre Seurat (1859-1891) and Claude Monet (1840-1926). Both Seurat and Monet were impressionist European painters however they’re style and technique were very different. One painting Seurat is known for is A Sunday on La Grande Jatte (1884-1886). Monet on the other hand is known for many different works of art, but La Grenouillere (1869) is one of his bests.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
Art is defined as the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power. Jackson Pollock does an amazing job creating art. Pollock’s works are not as big as some of the other artists like Monet’s paintings but his works are still large enough to engulf the viewer.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
Claude Monet can be described as painterly because of his use of light brush strokes in his paintings. I also noticed that most of his paintings used primary colors and never used lines to depict shapes. He never used organic shapes in his paintings. They are mostly regular geometric shapes. Monet's early work is indebted to the Realists' interests in depicting contemporary subject matter, without idealization, and in painting outdoors in order to capture the fleeting qualities of nature.
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. New York: The Museum of Modern Art, 1978.
Much of the art created during the Renaissance was geared toward religion, and with Michelangelo this was no exception. By th...
A widely known style of painting called Impressionism emerged into the art scene and carved its way into art history during the late nineteenth century. This art style was unlike its predecessors. In fact, it was so different, a lot of people rejected it and refused to call it “art.” Impressionist artists would paint something or someone in a scene as if they just caught a glimpse of it. These scenes would usually be outdoors. For example, an impressionist would possible paint a picture of a couple having a picnic outside in a park scene. Impressionist artists used bright, vibrant colors and painted their pieces without a lot of detail. Instead of taking colors and blending them together, impressionist artists took these bold colors and in a sense, spotted them on their easel. In this technique, these artists were able to show effects of light emerging through their paintings. The primary goal of impressionist artists were to capture the feeling of an overall scene instead of capturing feeling in specific parts of the painting (Shafa 2007.) In this research essay, I will elaborating on the Impressionism period, its rich history, and two very influential Impressionist artists of the time: Claude Monet and Edgar Degas.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
One of the most prominent Post-Impressionist artists was Vincent Van Gogh. His work is best known for its rough ascetic and bold colors. Van Gogh favored fauvism, which was a movement that implemented vivid expressionistic and non-naturalistic color. Van Gogh’s color was typically saturated and arbitrary. Most of Van Gogh’s paintings show gestural brushwork and examples include: Starry Night and Wheatfield with Cypresses. Also, he often experimented with different perspectives.
Art is not confined only to paintings or drawings. It can also be dancing, writing and music. Since, the range of art is very large, it brings up the question if anyone can be an artist. There are no restrictions on who can be an arti...
Art can be defined in many ways by an individual. One can say that any creative output by a person is considered art. Others contend that art must conform to a societal standard and the basis of the creation should be understood by most intellectual people. For example, some contend that computer-generated images, such as fractals, are not art due to the large role played by a computer. E.O. Wilson states “the exclusive role of the arts is to intensify aesthetic and emotional response. Works of art communicate feeling directly from mind to mind, with no intent to explain why the impact occurs” (218). A simple definition may be that art is the physical expression of the ideals formed by the mind.
So to answer the question you need to think what is art? To me art is a form of representing a person’s ideas which can be in any form of media whether it be a painting, a film, or a song, a novel or a photograph. For it to be classed as art though it must provoke emotion or thought and show signs of creativity.