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Similarities between impressionism and post impressionism
Similarities between impressionism and post impressionism
Impressionism warhol
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A widely known style of painting called Impressionism emerged into the art scene and carved its way into art history during the late nineteenth century. This art style was unlike its predecessors. In fact, it was so different, a lot of people rejected it and refused to call it “art.” Impressionist artists would paint something or someone in a scene as if they just caught a glimpse of it. These scenes would usually be outdoors. For example, an impressionist would possible paint a picture of a couple having a picnic outside in a park scene. Impressionist artists used bright, vibrant colors and painted their pieces without a lot of detail. Instead of taking colors and blending them together, impressionist artists took these bold colors and in a sense, spotted them on their easel. In this technique, these artists were able to show effects of light emerging through their paintings. The primary goal of impressionist artists were to capture the feeling of an overall scene instead of capturing feeling in specific parts of the painting (Shafa 2007.) In this research essay, I will elaborating on the Impressionism period, its rich history, and two very influential Impressionist artists of the time: Claude Monet and Edgar Degas.
The history of Impressionism began in Paris during the late nineteenth century, in the year 1874 to be specific (Frank, 339.) During this year, a group of artists had created a group and planned to create their own art exhibition after they had been rejected the right to show their art in the Salon the year before. Some of the artists that were in this group included Cezanne, Pissarro, Renoir, Degas, Monet, and Manet (Shafa 2007.) This group called themselves the “Societe Anonyme des Artistes, Peintres, Sculpteurs, ...
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...ndscape and leisure activities of Paris and its environs as well as the Normandy coast” (Heilbrunn Timeline of Art History 2000.) It was because of Monet’s painting Impression Sunrise and the guy who critiqued it that Impressionism got its name. Due to Monet’s profound style, he carved the path of modernism into the twentieth century (Heilbrunn Timeline of Art History 2000.)
Works Cited
Frank, Patrick. "Late Eighteenth and Nineteenth Centuries." Prebles' Artforms. 10th ed. Upper Saddle River, N.J.: Pearson Education, 2010. 339-345. Print.
"Heilbrunn Timeline of Art History." Claude Monet (1840-1926). The Metropolitan Museum of Art, n.d. Web. 7 Dec. 2013. .
Shafa, Anahita. "History of Impressionism." History of Impressionism. N.p., n.d. Web. 9 Dec. 2013. .
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Third Impressionist exhibition in Paris, held in 1877. Currently displayed in the Art Institute of
Cothren, M. & Marilyn Stokstad. (2011). Art History, Volume 2, 4th Edition. Upper Saddle River, NJ: Pearson Learning Solutions.
Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w...
"Heilbrunn Timeline of Art History." John Frederick Kensett: Hudson River Scene (07.162). N.p., n.d. Web. 31 Mar. 2014.
Before Impressionism came to be a major movement (around 1870-1800s), Neoclassical and Romanticism were still making their impacts. Remembering last week’s lesson, we know that both those styles were different in the fact that one was based on emotion, while the other was practical and serious. However, one thing they both shared was the fact that the artists were trying to get a message across; mostly having to do with the effects of the French Revolution, and/or being ordered to do so. With Impressionism, there is a clear difference from its predecessors.
"Heilbrunn Timeline of Art History." Edgar Degas: The Rehearsal Onstage (29.100.39). http://www.metmuseum.org/toah/works-of-art/29.100.39 (accessed April 23, 2014).
"Impressionism (late 1800s)." Scholastic, Helping Children Around the World to Read and Learn. N.p., n.d. Web. 27 Nov. 2013. .
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
In a time when artistic freedom was severely limited, the French Impressionists tirelessly explored new artistic frontiers despite hostile encounters with the public, ultimately redefining the world’s perspective on art.
Rewald, John. Post-Impressionism: From Van Gogh to Gauguin. New York: The Museum of Modern Art, 1978.
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
Barnett, Peter. “The French Revolution in Art”. ArtId, January 7th 2009. Web. 5th May 2013.
Holt, Elizabeth G. From the Classicist to the Impressionists: Art and Architecture in the 19th Century. New Haven, CT: Yale University Press, 1966.