Star Wars falls into the category of epic because it grabs the audience attention with involving traits of superhuman strength and valor. There are many epic elements including Archetypes, Plot, Setting, Themes, and Heroes . Some of the symbolic archetypes of this movie is light vs. dark which means Luke vs. Dark Vader. Luke wears white and Dark Vader wears black and the color of their light sabers gives the archetype it’s name and meaning. Another symbolic archetype is fire vs ice. The color of a light saber that has good meaning is white or blue and if the light saber is red if it has bad meaning. R2D2 and C3po are Luke’s loyal servants and they eventually become apart of his family. They are droids that act as a hunting group for people …show more content…
They eventually brought back freedom and justice to the entire galaxy. The setting is on a planet called Tatooine. Alderaan which is another planet is where the diplomatic mission was held. It also takes place on the space station, which is also known as the Death Star. The original epic setting for all star wars movies and episodes always starts off with “A long time ago in a galaxy far, far away….”. One out of many themes from Stars Wars: A new hope is good vs. Evil. The good guys were heroes as in Luke Skywalker and the ad guys were the evil cold hearted super villains as in Dark Vader. Courage is a theme because the heroes of Star Wars shows a great amount of bravery and courage when saving the Princess and taking on the bad guys. Dreams, Plans and Hopes fall into the category for themes because each character has a goal they wanted to accomplish whether it was for good or bad. The Mystery and Power of the force and The Myth of The heroes destiny are two themes that have a great and strong meaning and are very explanatory with just its title. The characters I consider heroes are Luke Skywalker, Han Salo, Princess Leia, C3po and
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
After discovering a God-given talent, a young boy struggles to achieve his only dream; to become the best there ever was. Baseball is all he has ever known, so he prevails through the temptations and situations laid before him by those out to destroy his career. His hopes and dreams outweigh all the temptations along his journey. These hopes, dreams, and temptations are depicted through archetypes in the movie The Natural.
Quite often in life we wish for things bigger than ourselves. Seeming to get wrapped up in our own minds we do not pay attention to reality. As reality comes full force we are not sure how to take it, so we let it take us. In the writing “Where are you going, where have you been?” we see Oates craft archetypes and allegories into the work through detail and word choice in order to help the reader understand the shocking outdistancing of day dreams and the overshadowing sockdolager called reality. These archetypes and allegories provide a way for the reader to join Connie in the story, but also to see the danger of what Connie doesn’t see.
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
From the call to the return, Toy Story Two is a modern example of Homer’s classic Journey of the Hero cycle. The movie Toy Story Two is taken right out of Homer’s archetype for his book the Odyssey. Both Toy Story Two and the Odyssey both go through a mundane world, the first stage that the hero does not want to be in, a call to adventure, and the point where the hero leaves the first world and goes to a different one. There is also a path of trails where hero goes on a new adventure meeting new people, and the Master of two worlds stage, when hero returns to old world as a changed person. All of these thing fall under the journey of the hero archetype. The next paragraphs will explain specific pieces from the movie and how they relate to the journey of the hero archetype.
The Golden Age is a story pattern archetype that refers to a perfect period that is ultimately utopian; specifically speaking, it is an era in the past when a civilization or a certain type of society enjoyed the pleasures of materialistic abundance, prosperity, peace, and happiness. Historically speaking, many civilizations in ancient times had their golden age, which is a peak phase a civilization achieves way before its ultimate decline or eventual demise. In this case, the empires of Babylon, Assyria, Egypt, Ancient Greece, Persia, and most notably, the Roman Empire are great examples of legendary civilizations that experienced one or more golden age phases. Although this may be true in history, the golden age as an archetypical story pattern
Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.
A cross-dressing up to no good “rebel “of a solider know as Klinger off the TV show M*A*S*H brings to light the harsh reality of being an unwilling draft solider by trying constantly to be discharged. Klinger plays the portral of the archtype of the classic rebel. The Rebel archetype is a very American archetype and is in some ways a definitive behavior of the American individual and is inexorably linked to freedom. Klinger eximplifies this; his whole goal is freedom- more specifically to get out of the draft that he was sucked into. The show takes place in the 1950’s when America was drafting soldiers for the Korean and Vietnam Wars; Klinger wearing his insane “uniform” hoping to convince his superiors that he 's mentally unstable illustrates
Psychologist Carl Jung proposed that humankind has a collective unconscious, which is manifested in myths and dreams, which harbors themes and images that all humans inherit. Carl Jung’s proposal about the collective unconscious is expressed when archetypal and mythological criticism applies to literary works (Archetypal Criticism). Neverwhere is a novel written by Neil Gaiman, which is heavily influenced by archetypal and mythological concepts. Neverwhere is the story of a young man who tries to help an injured girl named Door on the street, when he soon realizes that this is no ordinary person that he has come across and he has to go into the underworld to get her help. Richard goes to get her help from a man in the underworld named Marquis
The constant theme throughout this movie is the battle between good and evil, right and wrong, and light and dark. Anakin Skywalker is the main protagonist throughout this film. There is an internal fight going on within him concerning what side of the force he should follow. The light side means he would have to allow Padme, his wife, to die. The dark side would allow him to save her or at least have the fear of losing her. He slowly starts to turn to the dark side with guidance from Darth Sidious (Chancellor Palpatine). Anakin believes he is doing the right thing which in turn will save Padme from dying in childbirth.
Carl Jung was a disciple of Sigmund Freud, despite the two having conflicting ideas. One of Jung’s most well known and accepted theories was the existence of different types of archetypes in the brain. These include the ego, which is where our conscious awareness and sense of identity reside, and the shadow, which is the part of the unconscious mind consisting of repressed weaknesses, shortcomings, and instincts. In the novel A Separate Peace, by John Knowles, the protagonist Gene exemplifies the shadow, while his friend, Finny, personifies the ego. The author narrates through the shadow, though he clearly supports the ego. However, he also makes it apparent that it is wrong to be dominated by either archetype.
Archetypes are everywhere, both in real life and in literature around the world, and humans know them all. American Gods is a fantasy novel written by Neil Gaiman in 2001. The book revolves around the premise that every god that has been believed in has manifested into human form and has traveled to America through the minds of immigrants. Shadow Moon is the main character in this novel, which follows his adventure with the American gods. Wednesday, Odin, is Shadow’s boss and also the strongest advocate for fighting the new gods: internet, plastic, and TV. Laura is Shadow’s wife, who died in a car accident at the beginning of the novel, and is staying alive with the help of a magical golden coin. Other characters that
Star Wars (1977) is one of the world’s most successful films of all time. It has made a terrific impact on popular culture since its release. Furthermore, Star Wars changed the narrative and aesthetic style of future Hollywood films. Star Wars Episode IV: A New Hope, illustrates how cinema has evolved since Fred Ott’s Sneeze (1894). Ultimately, this essay will explain the set up of Star Wars and how it connects to cinema history, in the point of views of the: narrative and cinematic style, genre, auteur theory and the global film industry.