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Toy Story Two: A Classic Journey of the Hero Story
From the call to the return, Toy Story Two is a modern example of Homer’s classic Journey of the Hero cycle. The movie Toy Story Two is taken right out of Homer’s archetype for his book the Odyssey. Both Toy Story Two and the Odyssey both go through a mundane world, the first stage that the hero does not want to be in, a call to adventure, and the point where the hero leaves the first world and goes to a different one. There is also a path of trails where hero goes on a new adventure meeting new people, and the Master of two worlds stage, when hero returns to old world as a changed person. All of these thing fall under the journey of the hero archetype. The next paragraphs will explain specific pieces from the movie and how they relate to the journey of the hero archetype.
The first section of the journey of the hero archetype is the
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This part is self explanatory. Woody returns and goes back to Andy’s house as a changed person or toy. Woody was changed because he learned new things about himself and his owner. He learned that his sole purpose is to make Andy happy and that Andy will always love him. This relates back to The Odyssey because after 20 years Odysseus comes home with lots of new knowledge about the world. It is easy to see that Toy Story Two and The Odyssey are related through their archetype. This is the journey of the hero archetype. This is basically a very standard way of writing stories and wrapping it around a basic model. The hero's journey archetype is interesting to study because if one follows the basic model the stary will be guaranteed to be interesting. The journey of the hero archetype is frequently used but yet almost all stories turn out interesting. It is fascinating to think that if lots of stories use the same model, how can they still be
Woody’s courage and selflessness is shown when he is contemplating on if he should go back to save his friends from the torture at Sunnyside Daycare. He discusses among his new pals on what he should do. They all told him not to go because it would be a suicide mission, but he does not listen. At this moment he says, “ I don’t care how dangerous it may be. I need to go save my friends to go back home to Andy.” (Toy Story 3). This shows that although Woody knows that he might get caught and be tortured, he does not care. All he cares about is being able to go back to Andy with everybody. Also, Woody is a selfless leader because he decides that he can not leave his friends alone at Sunnyside. Instead of staying in the state of comfort he was in, Woody decided that he needs to save his friends from the evil, pink, strawberry- scented bear, named Lotso.
Woody’s home is Andy’s bedroom. Amongst woody are other toy, for instance, Mr. Potato Head and Bo peep. These toys have sort of a routine. While Andy plays with them, the toys are supposed to be absolutely still, but when Andy is not in the room, then the toys come to life! In Andy’s bedroom, Woody is a role model and a leader among the other toys. He holds the toy meetings, and his friends with all the toys. They see him as a leader because he is Andy’s favorite toy.
...journey that is taken by a man. Throughout both tales, the audience is habituated with the sense that both characters are on this journey. The journey, in both cases, is fought for family, which is indeed quite noble. Of course, human nature is a key similarity as well, as both of these men go great lengths in order to finally make it back to where they came from and to find true happiness. And as said before, both “The Odyssey” and “O Brother Where Art Thou?” can be thought of as stories of a man coming home, with all of the characters playing their parts to create a true epic. The small details are not what make these two tales similar. Instead, the creators used broad, yet powerful concepts about friendship, hardship, and love. And in the end, this pays off very well, giving the audience a great opening into a true world where human emotion and nature rule all.
Throughout literature, there is a prevalent model found in various narratives that ensures its success. This archetype, called the “journey of the hero,” discovered by Joseph Campbell, serves as a guideline of three stages for authors to manipulate to their own desire. The departure, the initiation, and the return essentially create the same storyline, yet these formats can be molded into unique and refreshing works of art. Aspects of the “journey of the hero” in the movie Shrek 2 are highlighted as the main hero, Shrek, and his wife Princess Fiona depart from their accustomed residence, the swamp, rediscover the meaning of true love through peril, and return with Shrek being able to balance his identity between an ogre and royalty.
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
The embarkation of the hero’s journey is more than a call, it is taking control of your life and discovering the hero who dwells inside you. Each hero who enters the journey is tested to the very end of the cycle, where the hero must choose rebirth or death. Othello is man of many fortunes, but he does not have what it takes to complete the Hero’s Journey.
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
Many of the stories that have been told for centuries, or have recently been created, incorporate the story of a young innocent character who embarks on a journey and becomes a hero, known as The Hero’s Journey; a series of steps that all heroes follow. This journey not only shows the main character becoming a hero but also shows the hero move along a path similar to that of adolescence, the path between childhood and maturity. The Hero’s Journey was created by a man by the name of Joseph Campbell. He wrote a book called The Hero with One Thousand Faces, a novel containing a variety of stories that follow the steps of the Hero’s Journey. One famous creation that follows The Hero’s Journey is the science fiction film trilogy: Star Wars, created by George Lucas. Lucas depicts the struggles that take place along the path of adolescence through the story of a protagonist Luke Skywalker, who strives to become a Jedi Knight to show that Campbell’s Hero’s Journey reflects the struggles that youth go through whether they are depicted in a story or not.
Throughout the years, certain writers were able to set off a deep sympathetic resonance within readers by their usage of archetypal patterns. One of those patterns is known as the hero's journey, which Joseph Campbell gave an understandable idea of in his book The Hero with a Thousand Faces. According to his book, while comparing world's mythology, he found that no matter how far cultures are from each other, they will still have the same structure of hero's journey in their legends (Voytilla vii).
The epic The Odyssey is about a hero named Odysseus that must go through many life threatening situations in order to return to his loving family. Odysseus undergoes many trials and obstacles in the form of mythological beasts that stand in the way of arriving home. All of the archetypes that show up in Ancient Greek culture are very similar to the ones that appear in modern times. The Odyssey takes place in the twelfth century B.C where its plot setting stretches from the Aegean and surrounding seas to his birthplace of Ithaca. This epic is an example in which its main story is covered by what writers base their characters off of today:archetypes. Homer wrote The Odyssey to get readers excited to learn about the archetypes that relate to the
We have read an adventurous story called The Odyssey. It was about a hero named Ulysses who goes through many conflicts to get home. He has faced monsters to beautiful women, but he still got home. Ulysses fits the model of an archetype. There are three ways he fits into the model.
...ene: we learn Andy is moving homes, Woody’s position as Andy’s favourite toy, it’s Andy’s birthday party and that the rest of the toys are afraid of being replaced. The scene is also full of humour, which is consistent with the whole film. Much of this is more subtle humour like, Woody’s microphone is called Mike and Woody praises a seminar hosted by Mr. Spell, which by definition is an educational toy. The attention to detail in this scene is also evident. Most of the frames in which Woody is in, he is central to the shot. This again shows just important a character Woody is.
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...