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Morals and ethics in society
On morality and society
Morality in society
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In this chapter, Appiah begins by using a Western example of a satirical comedy in order to prime the reader for dialogue about the notion of honor as it relates to marriage and specifically women in South Asia and the Middle East. He uses the example of penal codes in Italy which placed worth on chastity and disproportionately punished women for crimes that weren’t their fault and allowed marriage to invalidate any previous crimes committed. This social and legal code is also exemplified by the story he tells of a real woman who rebelled against honor convention, to great personal threat. By using both a satirical example and a true story of defiance to show the decline of the absurd Sicilian honor system, he seems to attempt to set the practice we would …show more content…
consider morally repugnant in a context of Western practices that continued until almost the 21st century. In the next section, Appiah once again seeks to establish the double standard in terms of female sexuality in both the Western and modern context before citing statistics about a more extreme manifestation of the same double standard: honor killings, a term just as oxymoronic as dueling gentlemen. These statistics lead to the transition into Appiah’s case study for this chapter, which is the murder of Samia Sarwar by her prominent Pushtun family because she sought a divorce for her estranged, abusive husband. Despite the fact that she was permitted a divorce under Pakistani law, her family still felt that it violated an extrajudicial code. Perhaps the most significant part of this story—aside from the murder of an innocent person—is the fact that these high-ranking members of society were allowed to escape any legal ramification, despite the official legislation. In fact, the ones who received the greatest official backlash were those who tried to help Samia with her divorce, receiving rebuke from senators and cultural leaders who cited both national honor and reputation as reasons not to draw attention to the atrocities being committed. Appiah then goes on, in the next section, to explain both the history and the culture of the Pashtun people, though he makes clear that honor killing is not a problem unique to the region.
The Pashtuns have a community structure founded on tribalism, or the idea that one chooses whose “side” they’re on based solely on the closeness of a blood relationship and their shared group identity. This tribalistic culture contains the seeds of the anti-Imperialist feelings in that constitute the backlash against Western or other perceived interferences with long held cultural practices. These cultural practices resulted in the conception of a similar unique moral code known as the “Pushtunwali;” key tenants include “maintaining one’s honor by loyalty to one’s kin, bravery in battle, hospitality to guests, retaliation for insults, and revenge against injury, weather against one’s family or their tribe. Pakistan is still an Islamic nation, so many Pashtuns consider Pashtunwali and Islam to be completely congruent, though the actual teachings of Islam forbid these kinds of honor killing. As Apiah notes, when pushed, many feel that Pushtunwali, the cultural and community principles, supersede even their religious
practices. If Pashtuns are willing to override their religion in favor of their community code, then they are certainly willing to override their government, as well. Part of this has to do with the anti-colonial sentiment mentioned above; because many penal codes and laws are holdovers from British colonial times, traditionalists are noticeably resistant to them, and instead rely on older cultural practices. Pakistan is an Islamist country, which means that it bases its government on the principles of Islam and the laws of sharia. In the case of honor killing, this represents a problem because, as the religious leadership gets more fundamentalist, so too do the governmental practices which may have once provided protection for women. As a general rule, when religion gets more conservative, it also tends to bring out the cruelest aspects of the teachings, which may otherwise promote positive values. Another way in which regressive teachings from Islam affect the legal system is the creation of qisas and diyat, which revert to the tribal and individualized system of injury and revenge. Qisas removes the government as a party from crimes committed, and instead basically makes every case a civil case of citizen against citizen. What this means is that either the injured party or one who survives the injured party is allowed to decide whether or not to the offender deserves equal injury. If one chooses not to go forward with qisas, then they can collect diyat, or compensation for the crime. While some argue that the system should also include the government in prosecuting crimes, the system nonetheless stands. Additionally, the implementation of this sharia tradition could potentially have helped women by removing honor as a justification for murder and making women ineligible as forms of diyat, though of course these particular parts of the law and religion are largely ignored. Even legislation implemented to protect women isn’t enough when it isn’t followed, so Appiah holds that it is the job of citizens to challenge their unethical practices and culture. In this section, Appiah compares the three historical examples in previous chapters to the current moral crisis in Pakistan, noting similarities and differences in the different situations. In the three previous cases, he notes first that the perception of honorable behavior had to change rather than be abolished, and second, that it had to change into something which now perceived honor in acting contrary to the immoral social practices. He then talks about the concept of collective honor the history of using group identity and reputation to change honor codes. He notes that this type of criticism should come with an educated understanding of the cultural reasons behind such a practice. In essence, why attack the entire society with a hacksaw when you can remove the problem with a scalpel. While it’s true that many of these problems arise from Muslim countries, that doesn’t mean the problem is Muslims in general, or the overall religion of Islam. Rather, it is a combination of religious, cultural, political, and economic factors that contribute to this type of behavior, and the problem should be addressed in an equally nuanced way. The biggest difference that I think he mainly overlooked was the lack of socio-economical status as a prominent component in this particular honor world; as Appiah himself observes, both urban and rural cultures participate in the practice of honor killing, meaning that, unlike dueling, the transference of honor killings into a lower class cannot be used as a method to expose the ridiculousness of the idea. Similarly, unlike in the case of Atlantic slavery, the lower classes have no reason to believe the practice specifically dishonors them, which makes revolution less likely to come from that angle. Just like in the case of Chinese foot-binding, the group being singled out for dishonorable treatment is women, though I think the idea of Western intervention to change the problem my face even more backlash than it did in China, considering the state of foreign affairs between the two parts of the world and the history of condescending Imperial Colonialism in the reason. Along with collective honor, Appiah also employs the idea of collective shaming. In addition, he introduces the idea of symbolic affiliation in order to connect those with cultural power to change a practice they aren’t directly involved in by associating them with the dishonor. These practices have recently come under great pressure from both inside and outside the country, and in urban areas, they are beginning to ease social restraints on women, though obviously the general problem of violence against women is still pervasive. At the end of the chapter, Appiah circles back to the Italian comedy he began with, citing the necessity of satire and strategic ridicule in order to change the perception of a certain practice as honorable. For me, this chapter is probably the one that hits closest to home. While my family is mainly traditional Indian Hindu—a different breed of messed up—I am still fundamentally immersed in South Asian, and specifically sub-continental culture. My neighbor and good friend is first generation Pakistani Ismaili; all of my sister’s ex-boyfriends have come from conservative Islamic households—picture cell phone trackers and forcing daughters to transfer to different schools because they dared to date. Therefore, I can understand the position of both the insider and the outsider that Appiah describes, someone who is still affected by honor codes which they don’t have the power to engage in directly. I can’t pretend to take a neutral third-party position in this moral and honor-related issue when the truth is that I’m always conscious of the ways that I have to change my clothing, behavior, and speech when I visit my mother’s hometown. If some of the same weird things that happened to me there happened to me here, I might have been able to report them as crime that the authorities; however, my extended family responded in a way that didn’t demand accountability from the perpetrator, but rather handled the matter internally. Only my mother, after spending the last 3 decades in a different country, reacted with the kind of anger that I would consider justified, coming from my Western perspective. My initial feelings as a relative outsider had considerably less effect on my family’s beliefs than my mother’s words, because she understands more about the nuances of societal codes than I do. This, I feel, is the best kind of solution; distancing, but not completely departing, from one’s cultural practices and beliefs in order to examine them more objectively. While the initial push towards cultural revolution may come from the outside, change must ultimately be facilitated by those within a particular honor world, or it means nothing.
Honour went hand in hand with how reputable a family was considered to be within the community. There were two types of honour; “honor” which symbolized the honour brought to an individual by their family or their birth right, and “honra” which represented ones virtue in the sense of morality and piety or their saintliness. Honour killings would occasionally be performed (most often by men) on women who took lovers behind their husband’s backs. To restore his honour, the husband would be legally allowed to kill both his wife and her lover. Women would also resort to violent tendencies if anyone threatened their families’ honour and reputation. High class woman were known to protect both their own honour and the households by filing lawsuits and beating other women they saw as treats, making women more likely than men to act out in defence. In the “Scandal at the Church” case, Mr. de Alfaro indirectly refers to his wife’s and his family’s honour multiple times as his wife was attacked in the daylight crowds after mass. With so many people present to witness his wife’s beating and Mrs. Bravo’s insulting words, Mr. de Alfaro’s family honour was tarnished as a direct result from the scandal. Even as a man of a lower class, honour is still incredibly important as other families within the community base their perceptions on how honourable and thus reputable a family is. Mrs.
“Honor is the value of a person in his or her own eyes. Honor is a claim to worth along with social acknowledgement of worth.” (Malina 31) This phrase tells us that honor was extremely important to the ancient people. Honor is a value that was present during many occasions in the play. This value can be seen in Oedipus. He promised the citizens of Thebes that he would find the murderer of Laius and free the lands from the plague. The murderer was to be exiled from Thebes. Oedipus later found out that he himself was the murderer. Even though he was king, he honored the punishment and exiled himself from Thebes. The New Testament states that honor in women meant positive shame. Positive shame is the sensitivity of one 's own reputation. A shameless person is considered a dishonorable woman. Women have to be ashamed and remain shy to avoid human contacts that might expose her to dishonor. (Malina 50) This value can be seen in Jocasta. She feels ashamed when she finds out that her husband Oedipus turned out to be her son. In order to remain honorable, her shame led her to commit
Women were auctioned off as “merchandise” to the best suitor they could get in town. Beauty, though important, was not as important as the dowry the woman possessed, because it was the dowry the family provided that could exalt a man’s societal status to all new heights. Once married, women were expected to have son’s for their husbands in order to take over the family business. A barren woman was not an option and could have easily been rushed to the nearest convent to take her vows of a nun, for no honor could be brought otherwise. No woman could run from the societal and legal pressures placed upon them. Rather than run, some chose to accept their place, but, like Lusanna, some chose to fight the status quo for rights they believed they
Honor is a trait few possess in the modern world. Cyrano de Bergerac, a play by Edmond Rostand set in France during the sixteen hundreds, discusses honor in it’s truest form. But honor is not simply a code or a way to describe a man, there are characteristics that make a honorable individual. The main character, Cyrano, lives what many in his city would call an honorable life. Rostand uses this character to explore what characteristics make a man of honor. Some of the prominent traits the author presents as honorable are possessing controlled wit, bravery on and off the battlefield, and the ability to love unceasingly.
“Friend by Day, Enemy by Night” shares an in depth look into the lives of the Kohistanis who live in Thull, Pakistan. The author of the text, Lincoln Keiser, goes into great depth in explaining the life of these people before and after mar dushmani. Mar dushmani can be directly translated as “death enmity.” This social relationship between the Kohistanis causes for many problems. As a general principle death enmity allows men to retaliate whenever another man wrongs them, though the act of revenge itself should not exceed the original wrong. The example stated in the book is, “a blow should answer a blow and a death answer a death.” For such offenses as attacks on men through their wives, sisters, and daughters retaliation usually occurs in deadly violence. Killing the offender is considered the most appropriate response. Although violence usually takes place during retaliation, it is not the only way to handle it.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
A major concern in both the film and the original text is the ‘status of women’. This is represented through the differing roles of women and their denigration within the Elizabethan society. For instance, Hero is accused of committing infidelity; consequently her image in society is tarnished, In addition to this, Claudio insults Hero publicly without even considering confirming the accusation of her being unchaste. This is illustrated through Claudio slandering Hero through the use of usage of Greek Mythological allusions “You seem to as Dian in her orb, but you are more intemperate than Venus in y...
When studying gender roles in history, one will find that females are often depicted in similar ways no matter the era or region of study. Even when comparing the industrialized, early, twentieth century to today’s progressive era, there are striking similarities between female roles. We can see that over the course of the twentieth century, the qualities of loyalty and honesty have decreased in marriages due to the treatment of the two main female roles as depicted literature. The first was the role of the wife. The wife was often portrayed as a housekeeper and a nanny. Dull in appearance, there was no aesthetic beauty to this typical female. The other main role was the “other woman.” The more mysterious and promiscuous character, this woman portrayed the other part of the female population. Both of these types of characters are composites that portrayed the average, disposable female while how they were treated conveyed the general handling of females in the early, twentieth century.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
... She first criticizes Hero’s choice of a ruff; then she indirectly denigrates Hero’s wedding gown by contrasting its simplicity with the duchess of Milan’s lavish garment (3.4.14-23); finally, she mocks the prim and proper Hero by making a coarse sexual allusion (3.4.27). When Hero rebukes her, Margaret refuses to be shamed and defends herself: “[ashamed] of what, lady? Of speaking honorably? Is not marriage honorable in a beggar? Is not your lord honorable without marriage? (3.4.28-31). By implying that honor is achieved not through any marriage but through a “good,” socially suitable marriage, Margaret implicitly criticizes the inequality in her society and expresses her desire for a marriage that will not leave her “below stairs” (5.2.10). But she is acutely aware that she has no such marriage prospects as she resentfully watches Hero’s wedding preparations.
...n’s subjectivity to men is the Utopian practice that occurs on the day of “Last-feast”. On this day, “wives kneel before their husbands…to confess their various sins of commission or of negligence and beg forgiveness for their offenses” furthermore, women and men do not worship in the same area of the temple (91). Although separating sexes during worship was not and is not a new concept, this practice, once again contradicts the idea of a commonwealth existing and functioning with a society free of hierarchies.
Being a muslim and living in Afghanistan, there are certain rules and morals that you must live up to. For example, there are different types
Today some Middle Eastern countries have passed laws “criminalizing adultery which [has] resulted in punishments ranging from the imposition of fines to flogging, hanging and death by stoning” (Deen 2014). From the beginning of The Arabian Nights, women are portrayed as disloyal adulterers that practice heavily in premarital sex. In “The Story of Kings Shahrayer and Shahrazad, His Vizier’s Daughter,” is about two kings who were brothers. The older brother was named Shahrayer and Shahzaman was the name of the younger brother. Before King Shahzaman journeyed out to go visit his brother King Shahrayer, he wanted to bid his wife farewell. Upon entering the kitchen he found his wife copulating with a servant boy. Out of rage, he drove a sword into both his wife and the servant and threw them off of the palace roof stating, “I am still here and this is what she has done when I was barely outside the city. How will it be and what will happen behind my back when I go visit my brother in India? No women can be trusted” (Haddawy 5). Because Shahzaman’s image and self-confidence as a king was sh...
In many novels that take place in this era of post-World War II, women are portrayed to be submissive, clinging, and self-sacrificing. However, in Silko’s Ceremony, the women counter these stereotypical assumptions of how women normally behave. Also, men at this time are supposed to be strong, independent, and subtly heartless. Tayo breaks these norms by having many feelings and truly respecting himself and others. Overall, the gender-stereotypes being broken in this story bring about an entirely new sense of self-righteousness, importance, and acceptance among Tayo and the women and gods throughout the novel.
In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry. The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127).