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The importance of media representation
Media representation essay introduction
Media representation essay introduction
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Antiquity and Modernity in Cinema & Television These days more and more audience like to see their beloved actors and actresses portray superhero or heroine figure in spandex suit blasting laser beam from their eyes, turn into fire then fly away to outer space, or even a scientist who turn into a huge, green, car-throwing, head-smashing monster with indestructible pants when he transforms. But not small amount audience like films with classical-antiquity geographical and timeline set such as Ben-Hur, 300, Spartacus, etc. Antiquity and modernity always be an important part in filmmaking, whether in its screenplay, set design or character design. In some movies these aspect can be shown separately or combined in sort of a new way in filmmaking. A combined example of these two aspects can be seen in the Avengers: Age of Ultron directed by Joss Whedon. Thor, Norse …show more content…
The story can be placed in present day, near future, or 5000 years later. The way character behave according to the change of norms and law in the future, their social life, what is their habit, we can watch how people can change from time to time. Popular trends will always be a part of this modernity. The way they speak change as time and social trend goes, and if we talk about movies we can get a lot of examples according to this matters. 2001: A Space Odyssey directed by Stanley Kubrick and Interstellar directed by Christopher Nolan tell us a story about future man-kind travelling on a journey in outer space, or we can look at some television series and movies that show us modern drama which story revolves around present time, and it is also about human race struggling to fit in modern society, abiding the modern laws and social norms and try to follow modern trends in their society without leaving their cultural backgrounds
Hocus Pocus is a 1993 film directed by Kenny Ortega. It is a very enjoyable movie with a good cast. The movie genre is comedy, horror, and fantasy. The film is based on a story about Garris and David Kirchner. And it is starring Bette Midler, Kathy Najimy, and Sarah Jessica Parker. The story follows the villainous trio of witches, who are inadvertently resurrected by a teenage male virgin. It takes place in Salem, Massachusetts.
Originating from a 1905 novel written by Frances Hodgson Burnett, A Little Princess was first released in the United States in 1995 (Barnes & Noble). Richard LaGravenese and Elizabeth Chandler created this classic screenplay. Alfonso Cuarón, winner of The New Generation award at the Los Angeles Film Critics Association Awards, directed this film (IMDb). Family drama and fantasy is the genre. The main character is Sarah Crewe, followed by sub-characters Captain Crewe, Miss Minchin, Ermengarde, Lavinia and Becky (IMDb). Sarah is an intelligent, polished, motherless, wealthy child living in India with her father, Captain Crewe. Captain Crewe toke Sarah to a Victorian style boarding school in New York while he was away at war. Miss Minchin, the headmistress, takes a disliking to Sarah immediately, as does the school bully, Lavinia. Sarah immediately bonds with her classmate Ermengarde, an awkward, fat, rather dull gal and Becky, an obedient, colored and articulate servant girl. Most importantly the primary theme of A Little Princess is perseverance through social class changes. A Little Princess effectively represents the theme because Sarah’s spirit is not broken when she experiences jealousy, isolation, death of a loved one and poverty (Shmoop Editorial Team).
The film 8 ½ centers on a filmmaker, Guido Anselmi, who struggles with the making of a new movie. Throughout the film, we see Guido’s fantasies, dreams, memories, and reality and often the line in between these moments is blurred. It is hard to indisputably tell whether a particular scene is truly happening in the reality of the film. What we do know, though, is that every scene is happening, either consciously or not, for Guido. Even if he does not really live in a house with all of the women in his life, that scene can reveal something about Guido since he is the one having the fantasy.
The many debates about art cinema versus classical cinema have been going around for a while. The mainstream Hollywood classical film and the art cinema are frequently presented as opposites. In one, the style of the film is bland, while the other seeks to center its focus on the visual becoming central as narrative unity. Throughout the movie directed by Stanley Kubrick called 2001: A Space Odyssey, we see that this film can be classified as an art film. On the other hand, it can also be seen as classical film. Even though these two are the complete opposite and they contradict themselves, they are both apparent in the film.
Filmmakers engage the past as a historian but not specifically in a way actual historians are doing. Historians use archived facts ranging from documents, photos, or objects from a specific time era to understand history. Contrastingly filmmakers as a historian can only bring to life a certain part of history without altering the past by focusing specifically on an aspect of the subject at hand. Scholars Marita Sturken and Barbie Zelizer argue how well-known filmmakers use film techniques or credibility in order to portray what happened in the past. Filmmakers as a historian is limited to only details they can use based on documents and archived history to re-tell a history through mise-en-scene to become a faux “historian”. Sturken and Zelizer would argue that filmmakers are not real historians; specifically how film can be made to manipulate the past towards the vision to get a narrative through that appeals to the film viewer and director. Filmmakers are not real historians since they can be biased to specific details of what occurred in the past.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Youth have a certain quality and charisma that has made making films about them not only an interesting endeavor but also fundamental to cinema (Shary, 2002). Representative of hope and change, children are viewed as the future. Youth culture, with its ‘here today and gone tomorrow’ kind of dynamic, suggests that children are also the future of film. For decades the film industry has relied on young audiences for patronage and also looked to youth for inspiration and just the kind of material that makes a relevant and refreshing script (Shary, 2002). Youth-oriented film has subsequently become a genre all its own (Shary, 2002). A history of American youth cinema would indicate no different. It is thus interesting to explore youth-oriented films and how films across time, namely Lolita (1962), Marathon Man (1976), Rain Man (1988), Kids (1995), and The Perks of Being a Wallflower (2012), have depicted youth culture, specifically the theme of “Coming-Of-Age.”
According to WordReference English-Spanish Dictionary, a paleto is a derogatory slang term translated to English as a “redneck.” During the 1950s and 1960s, there was a rapid increase in the popularity of Paleto Cinema, which often portrayed the difficult situation of the attempted assimilation of rustic villagers into cosmopolitan Spanish cities. Paleto cinema contrasted the cosmopolitan urban life of cities with the agriculturally based rural life of the villages that were groundlessly considered unsophisticated. However, there is a great distinction between paleto cinema movies based on the year of their respective release.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
Epic Film Genre: In the years before the 1960’s, everyone pretty much learned about the classical world in history classes, this meant that everyone
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
Audrey Hepburn and Gregory Parker, In China, the generation of my parents call Them " angel and heaven.", means, one true pairing. This statement stems from the Movie "Roman Holiday" where they starred together. The story of "Roman Holiday" is a visit to Rome, the British princess, fleeing the palace, with an American journalist as ordinary people spend the day the story.
After viewing around 2/3 of the excellent 1954 film of Seven Samurai which is often be debated as one of the most influential movies in semi modern history continuing to influence many more recent films in filming and storyline techniques. The camera techniques are far more advanced than its time, so I was very surprised to find out that the film was shot in 1954 because the director used techniques such as varying levels of zoom inside of establishing shots, as well as the use of a diverse soundtrack that helped progress the film in a way of background guidance. Another thing I found to be important to note is the idea of that characters came across as very developed while films from this period generally have static character that don’t have
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Grand Cinema is one of the four-largest movie theater chain in Bangkok that has 7 branches located in central business area around Bangkok which provides high quality shows, entertainment services and facilities to its customers. Now Grand Cinema wants to offer new experiences to their customers by using “innovative theater re-production” strategy which seek for Thai traditional and historical films to shows again. This strategy targets on three target groups: children, teenager, adult and also provides new business model to attract adulthood. Grand Cinema has three ways for customers to purchase their tickets: walk to the reception, call operator by phone, online reservation and three ways to make a payment: cash, credit card, show transaction slip for customers who book by online reservation and don’t have credit card. Grand Cinema provides two policies to schedule movie showtime that is new-coming movies and re-run