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Literary analysis of antigone
Literary analysis of antigone
Literary analysis of antigone
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This paper will firstly define what the Chorus are and their role in Traditional Greek plays. Once that is defined we will then discuss the impact of the Chorus in each episode as well as the Choral Parodos and Stasimon’s . We will then reach an overall conclusion at the end about the effect of the Chorus’s contribution.
The Burial of Thebes written by Seamus Heaney is based on the Greek tragedy ‘Antigone’ which was created by Sophocles in the fifth century BCE. What is clear from Heaney’s interviews on ((Burial at Thebes, Track 14) is that he greatly admires traditional Athenian theatre. Heaney’s creation was commissioned in 2004 and certainly has a modern emphasis in terms of structure and role of the chorus compared to traditional Greek
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Here they reproach Antigone, ‘child of doom, have you gone and broken the law?’. Despite in the first stasimon eluding to the dangers of man overstepping their boundaries they offer a balanced view of also respecting the new laws of Thebes. Throughout the play the Chorus offer an unbiased perspective which allows the audience to make their own mind up about the character’s actions. The chorus throughout advise an influence the characters, the chorus offer Creon an explanation of her behavior (Heaney,2004 P. 21 ) ‘the wildness in her come from Oedipus. She gets it from her father, she won’t relent’. The chorus also introduce characters to the audience, in this scene they introduce Haemon who Antigone’s intended …show more content…
Obvious structural contributions include aiding the transition from each episode. The Chorus also contribute in this play by directly advising the main characters particularly Creon which adds to their perception as ‘Elders’ to the audience. The chorus throughout offer an unbiased viewpoint, this allows ambiguity to occur meaning the audience will create their own Moral viewpoint about the characters and their actions, this is a critical contribution. The chorus also continuously link each theme back to mythology and the Gods and this constant metaphor reaches their correct prediction by the end of the play, allowing the audience to learn the moral of the story similar to most traditional Greek tragedy’s. Overall the Chorus make a key contribution whether it be all the things listed above, but also the emotion that they create through their Odes which contributes greatly to the play. Without them a Greek or Greek style play would not be the
In Act II, when they argue their definitions of wisdom in an attempt to come to an understanding about Antigone’s punishment, Creon and Haemon subtly expose the theme. The Chorus Leader stresses that “[t]he most important part of true success is wisdom - not to act impiously towards the gods, for boasts of arrogant men bring on great blows of punishment - s in old age men can discover wisdom.” By stating this at the very end of the play, these words leave a lasting impression on the reader or audience member.
The film adaptation of Sophocles’ Antigone portrays the text substantially well in several ways. The filmmaker’s interpretation encourages the audience to be discerning as their perception of the Greek tragedy is enhanced. The play becomes profound and reverberant because of the many interesting elements of the production. These include musical score, set design, and the strategic costuming – all of which advocates an improved comprehension of Antigone. The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Antigone is a play about the tension caused when two individuals have conflicting claims regarding law. In this case, the moral superiority of the laws of the city, represented by Creon, and the laws of the gods, represented bt Antigone. In contrast, Oedipus The King is driven by the tensions within Oedipus himself. That play both begins and concludes within the public domain, the plot being driven by the plague that troubles the city, and which is so graphically brought to life by the Priest. In both Antigone (ll179-82) and Oedipus The King (ll29-31) the city is likened to a storm tossed ship, and it cannot be merely coincidence that Oedipus The King was written at the beginning of the Peloponnesian War, a time when Athens itself was suffering the effects of plague. Oedipus The King reaches its climax with a now blinded Oedipus daring to show himself to the people of Thebes, forgetting that he is no longer the leader of the state. In Antigone, it is Creons abuse of absolute power that leads to his tragic downfall. Whilst Oedipus determinedly tried to get to the root of his peoples ills, ultimately discovering that he was in fact the cause of them, Creon morphs from a supposedly caring leader into a tyrannical despot, eager to take the law into his own hands. It is the actions of Antigone that helps to bring about Creons fall from grace, as her steadfast refusal to accept th...
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
what new plan will he launch?" and "Why this sudden call to the old men
... by vultures because she had a strong belief in family honor and the will of the gods, one which as long as no harm is done should be upheld above other laws. There are two competing forms of justice throughout “Antigone” which inform the argument of whether or not Antigone should have followed Creon’s laws through the tension of the city state and the will of the people as well as the gods. Creon’s argument was flawed in his disregard for public opinion and that he overlooked Antigone’s valid argument because of her gender and his pride. Antigone argues that a mortal man cannot override the will of the gods, a valid argument of the times. It is and was crucially important to fully consider the best interest of the citizens that is being voiced at the time of decision making, if it is not taken into consideration the city, as seen in Thebes will fall into shambles.
A key factor in the power of her speech is Antigone’s consideration for her audiences. The first of these audiences is Creon the king of Thebes. Creon is receiving this argument as an explanation for Antigone’s defiance of his law. Creon’s statement, “And yet you dared defy the law,” evokes this response, in which Antigone says, “Your edict, King, was strong,” (“Antigone” 1035 Line 56-59). This confirms that her argument is directed towards the king. The second audience is the people of Thebes. In the play, the chorus represents the citizens of Thebes. They are almost always present when the king speaks, and this scene is no exception. Anitgone forms her argument to appeal to the thoughts and emotions of the citizens.
Antigone is a play that mainly deals with differences among characters that cause life long drawbacks and threatening resolutions. The drama is portrayed through Antigone and Creon's characters who undoubtedly resemble each other. Although they try to be masters of their own fate and eventually succumb to grieving outcomes, they both seem to have the values of a tragic hero. Although, they have their differences, their battle with one another illustrates them both as moral characters full of pride and arrogance.
Anouilh, Jean. Antigone. Rpt. in Masters of Modern Drama. Ed. Haskell M. Block and Robert G. Shedd, New York: Random House, 1962.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
The Chorus, in this play, guides the audience. In the end, it is up to the individual as to what reaction they have to the play, but the Chorus is there to, in a way makes this reaction more complicated. One could leave the play totally condemning Medea, but the Chorus display’s Medea in a way that makes the audience sympathise with her, and so the moral conclusions that need to be come to side, become more complex. The audience has to base their reaction to Medea on what crimes they have seen her commit, and on what they have heard of her through the Chorus. Their integral part in the play acts in many ways, to follow, revise, and extend the plot of the play, and to influence the opinions and sympathies of the audience. It is a literary, and dramatic device that Euripedes uses, and uses well, to help portray a tragedy, and also a moralistic play, in which the Chorus is the voice that provides the morals.
In answering this question, I will look at the question in two ways. Firstly, I will look at the role of the chorus objectively, examining the basic role of the chorus in the play, and looking at the role of the Chorus as Sophocles would have intended the role of the Chorus to be understood. However, I will then look at how I think the Greek audience would have perceived the role of the Chorus and then how the role of the Chorus is perceived today by a 20th century and examine the key differences in the two different sets of perceptions. Finally, I will look at the importance of the role of the Chorus to a 20th century audience and a Greek audience respectively.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...