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Antigone's character development
Antigone's actions
Essay the characteristic of Antigone
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In Antigone, character foils help the play by creating well-rounded characters. Many traits of Antigone and Creon, the two main characters, would be impossible to notice without the contrast of their character foils. Ismene and Haemon act as foils to Antigone and Creon, respectively. By juxtaposing these pairs against each other, we gain more insight on the play’s plot, themes, characters, and character relationships. Antigone and Ismene, although sisters, are almost opposites. While Antigone is bold, proud, and stubborn, Ismene is timid, obedient, and scared. She warns Antigone that “[she’s] too rash” with her decision to bury Polynieces after Creon outlaws his burial, to which Antigone responds “[Creon] has no right to keep me from what’s mine.” While both of them make good arguments, they refuse to …show more content…
In Act II, when they argue their definitions of wisdom in an attempt to come to an understanding about Antigone’s punishment, Creon and Haemon subtly expose the theme. The Chorus Leader stresses that “[t]he most important part of true success is wisdom - not to act impiously towards the gods, for boasts of arrogant men bring on great blows of punishment - s in old age men can discover wisdom.” By stating this at the very end of the play, these words leave a lasting impression on the reader or audience member. While many other literary devices could have been used to delve deeper into Creon and Antigone’s personalities, character foils are truly the best for the play. Because this work of literature is meant to be performed, character foils allow the nuances of the characters to be revealed while performing, which is essential for a play. Even when the play just begins, we can see how Antigone behaves based off of how she reacts to Ismene. This idea applies to Creon as well. Character foils help to strengthen Antigone into the classic work of literature it has become
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
“All men make mistakes--that’s not uncommon. But when they do, they’re no longer foolish or subject to bad luck if they try to fix the evil into which they’ve fallen, once they give up their intransigence. Men who put their stubbornness on show invite accusations of stupidity.” (Lines 1139-1145) In the Greek play, Antigone, Creon is an arrogant, self-centered king who has many foils throughout the length of the play. Teiresias’ character serves as the superlative foil towards Creon’s character by highlighting his sour attitude of disrespect, showing him what he has done wrongly through their negative interactions, and by exposing his fatal flaw. Teiresias is an old, blind prophet who has never been proven wrong, so when he tells Creon what
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
Wisdom reflects the values and criteria that we apply to our knowledge. Its essence is discernment. Discernment of right from wrong, helpful from harmful, truth from delusion. Being wise is not just being knowledgeable – it is applying that knowledge. Not just making statements – but also asking questions. It is giving but also listening to good advice, and it is learning from one’s mistakes. Also, wisdom and years are not always directly proportional. In Sophocles' “Antigone”, wisdom proves to represent a significant theme throughout the play. Creon, the king of Thebes, initially explains the importance of a ruler's duty of setting the city on its wisest course. However, as the play progresses, Creon fails to live up to his promises, by being irrational and selfish. Sophocles play emphasises how a lack of maturity and wisdom can have adverse effects on society.
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Antigone, the protagonist of the play, has what is seemingly the most powerful female role. From the very beginning of the plot she foreshadows her demise but expresses it through her stubbornness and inability to realize the great power of man. It is possible that she was aware of Creon’s capabilities as a leader, but nonetheless, she fights back by going t...
The characters in the play Antigone all suffer a downfall of some sort. The major characters suffer the most, though. In this short essay, I will document on how the two main characters, Creon and Antigone, both inevitably become tragic heroes.
“Antigone” is a great Greek tragedy by Sophocles. The story is about a young woman who has brother by breaking king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”. In Sophocles’ play Antigone , the lines between protagonist and antagonist are blurred. In the Greek tradition , the title character is the protagonist, but in this play the supposed antagonist, Creon also displays characteristics of protagonist.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.