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Campus culture and interaction
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The 1970s consisted of many nostalgic teen movies from Grease to American Graffiti to Cooley High, but few hold up as well in the present day as the cult classic Animal House. Walking around a college campus, one can still hear students quoting lines from the film, or see a poster of John Belushi chugging a bottle of Jack Daniels in someone’s living room, or even see students wearing the infamous “College” shirt. Animal House is such a staple of college life, even with it being over thirty years since its release. Being able to relate to students throughout the different generations is the main reason this film has done so well for itself.
Animal House started with a budget of three million dollars, which was low even for 1978, and ended up with a lifetime domestic gross of just over one hundred forty-one million dollars. Looking at it from a profit standpoint, Animal House was not only able to make their money back, but they were able to make forty-seven times their initial budget amount.1 The film makers targeted this film towards an audience that embraced Saturday Night Live...
David Denby thoroughly explains the distinction between the reality of high school life to what is portrayed in movies in the article, “High-School Confidential: Notes on Teen Movies.” He argues that many of these movies are extremely predictable and all have the same story line. Denby gives numerous examples of the cliché teen movie, which entails the skinny, blonde popular girl and her jock boyfriend who, let’s face it, has his shining moments in life, in high school. Denby’s main objective throughout this article is to distinguish whether these films reflect reality, or just what we imagine to be reality. He also touches on the other side of the social spectrum which usually consists of a quiet, female outsider who is known to be smart and
The money brought in from the movie was massive for it’s time . When first proposed the plan for the budget was $350,000.This was later change the scheduled for a 24-day shoot and a budget of $454,864.In the first month it made a million in the U.S. before the end of the year it made an additional 2.5 million. Even though it wasn’t the top selling movie of the year it still made a good amount of money.
One of my main arguments against Feed is that it sets a bad example for students. Many 9th graders have just recently been exposed to many bad influences such as marijuana, alcohol, and other illegal substances that can be easily acquired. The characters in this book are represented as being “cool” and “hip”, so aspiring “cool” kids wi...
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
Can you recall the very last night that you spent with your high school buddies before packing your bags and leaving for college? The films American Graffiti and Dazed and Confused bring you back to that through the recreation of those great experiences. American Graffiti is based on a closely-knit group of teenagers who will all be leaving each other the next day for new adventures. This gang of teenagers, despite their differences, all goes out together and share their last memorable evening. Throughout the night, friendships are strengthened, conflicting struggles arise, and romances are created and disrupted. Dazed and Confused dealt about life during wartime – the wartime of high school, where the faculty is irrational, the parents are
A large portion of contemporary film and theatre has been lacking in substance. More often than not, we are presented with a “been there, seen that” scenario. One such exception to this rule is Hedwig and the Angry Inch, a film by John Cameron Mitchell that was released in 2001. Set primarily in post-Cold War America, Hedwig is a film that characteristically breaks convention. Our story follows Hedwig, a forgotten and confused homo…trans…well, human being. Growing up in East Berlin during the Cold War, Hansel Schmidt (John Cameron Mitchell) lives what I would call a horrible childhood in the bleak landscape of communist occupied Germany. He falls in love with an American soldier, and undergoes a sex change in order to marry him and leave East Berlin. The operation is botched, leaving him/her as a physical contradiction. Not quite a man, but not yet a woman, Hansel (now Hedwig) has what she describes as an “angry inch.” When describing it in lighter terms, she calls it a “Barbie doll crotch.” Upon arriving in America, the soldier leaves her the same day the Berlin wall comes down. Destroyed, Hedwig spends some time discovering her new self and eventually finds a soul mate in a young boy named Tommy Speck (Michael Pitt). They collaborate musically and romantically, but upon discovering Hedwig’s secret he leaves with all of their music. He becomes a huge rock star, living Hedwig’s dream while simultaneously leaving her in the dust. From then on, Hedwig and her band “The Angry Inch” follow Tommy as he tours the nation while Hedwig tries desperately to gain the notoriety she deserves for her music. Viewing this film through the lens of a feminist gender perspective, I find that Hedwig is a pioneer on the forefront of changing the gende...
Animal Farm Book and Movie Animal Farm is a novel about farm animals running a farm and becoming self sufficient. It is a story with great detail and is a very good book to read because of it surprising events. If you have seen Animal Farm the movie, you would feel completely different. The movie has far less detail and events to make it as interesting as the book. Though the story is basically the same, the lack of details makes the movie dull.
What do Marlon Brando, James Dean and Henry Winkler all have in common? Well, besides the fact that they are all from the 50’s, they have all portrayed characters that epitomized the American teenager’s rebellion. At one point in time, teens in the United States drew inspiration from these actors to figuratively say “Screw You Mom and Dad.” These men undoubtedly changed the youth culture in America. Further along in time, we watched “hippie” teen’s rebel against their conformists’ parents in the 60’s and “Grunge head”, Nirvana-listeners sneak out of the house to go do illicit narcotics in the 90’s. One must admit that there is something quite perplexing about this sweet American air, that makes teens disobey their parents. While the American teenage rebellion is a natural part of maturity and is an accepted cultural “norm”, there is a lesser acknowledged insurgence.
The history of the human race follows a plot detailing the struggles and triumphs of various individuals with the concepts of power and control. In George Orwell’s novel, Animal Farm, these elaborate concepts are further explored through various characters such as the shire boar, Napoleon. Napoleon’s ability to exercise control over the animals derives from his capability to indoctrinate them with his partial ideologies. Napoleon then further clasps his power by his avail of expert power throughout the novel. Finally, the excessive and abusive use of coercive power, secures Napoleon’s control over the animals. In George Orwell’s Animal Farm Napoleon assumes the reins of power over the animals and controls them by means of physiological manipulations.
At a time when the stalker movie had been exploited to all ends and the image of mute, staggering, vicious killers had been etched into society’s consciousness to the point of exhaustion, a new kid entered the block. The year was 1984 and it was time for a new villain to enter into the horror genre. A villain that was agile, intelligent, almost inviolable yet viscous, and by all means deadly. A Nightmare on Elm Street introduced the distinctive presence of Fred Krueger to the horror industry and to the audience. Freddy Krueger took the center stage and with him a new era of horror films began. This horribly scarred man who wore a ragged slouch hat, dirty red-and-green striped sweater, and a glove outfitted with knives at the fingers reinvented the stalker genre like no other film had. Fred Krueger breathed new life into the dying horror genre of the early 1980’s.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
An infamous party came to light in 1917, with the overthrow of Tsar Nikolai II. Known as the Communist Party of the Soviet Union, it established a new government under Vladimir Lenin. However a well-known man, by the name of Joseph Stalin, took over soon after Lenin’s death in 1924. Stalin, often known as “Koba” in the party or “Uncle Joe” to the western media, was not an effective speaker. Conversely, he had many supporters who spoke eloquently and with their help, he put the (then) Soviet Union under his regime. In George Orwell’s Animal Farm, the story of the Russian Revolution and its leaders are told through the use of allegorical satire. This masterpiece enlightens the human population about Russian communism and writes of the “leader” Napoleon, his troop of pigs, and the inhabitants of Animal Farm, who are oblivious to Napoleon’s corrupted ways and follow him blindly. In reality, Napoleon represented Stalin, who was a poor speaker but corrupt and demanding. He had many supporters and propagandists like the leading Soviet Union newspaper Pravda and political speakers such as Vyacheslav Molotov who supported his stances and seemly unapparent exploitations. In Orwell’s allegorical novella, the main propagandist is a pig named Squealer. When the animals question the actions of Napoleon or past events, Squealer is always able to appease them with lies and propaganda. Squealer is able to manipulate the minds of the animals of Animal Farm, by his persuasive fabrication and soothing perjury.
Napoleon, the leader of all the animals of the Rebellion, can be compared and contrasted with Big Brother, the leader of all the people of 1984. Both Big Brother and Napoleon show the qualities of a cruel ruler. Similar to Big Brother, Napoleon is a secretive plotter who works behind the scenes rather than openly. However, unlike Napoleon, Big Brother periodically appears on the television screen. Napoleon and Big Brother both work continually to weaken their rivals, whether it is by removing Snowball or eliminate Rutherford. Both place importance on complicated ceremonies and parades to prevent their workers from thinking about their schemes. Napoleon’s control over animal farm is not as powerful as Big Brother's control over the workers in 1984 (Oceania).
The following report will discuss the differences between 4, 5 and six year old in terms of language, motor skills and the way they interact. Throughout the discussion an explanation of how play help to promote these developments. The report is based on the Chanel 4 documentary, The Secret Life of 4, 5 and 6 year olds and the SQA unit Play in Practice.
Most movies that have college life in them have bad teachers or college students parting. Like in the movie 21 and Over. It’s about a group of college buddies that are all meeting up, one of them is just turning 21 so they go out to party, so bad things happen because they are drunk. Our the movie The Blindside its about a real life story of how Micheal Oher made it into NFL football. He had to work hard on his grade so he could get into college football. In the movie 21 and Over the whole movie is partying and you never see people studying or writing papers for college. Because with my college schedule I would not have anytime to go and party without failing out of college.