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Andy Warhol and the pop art movement
Andy warhol influence on society
Andy Warhol and the pop art movement
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chapter 1: Andy Warhol’s work on his work.
The subject of Andy Warhol work was mostly about the mass produce world in a modern day New York City. He would explore with other medium besides art such as celebrity, media and commercial advertisement. Warhol was really fond of the social status of Hollywood stars. The glamour and fame was what makes him inspired. He would collect magazine and newspaper tabloid just so he could stay updated with the latest trend.
The big apple was the epicentre of his newly found fame since his move to New York from Pittsburgh in 1949. Before he was a pop artist, Andy Warhol was a commercial artist who worked for magazine liked glamour, vogue and Harper’s Bazaar. There, he did illustrations using blotted line techniques. A method which requires a fountain ink pen, tracing paper or absorbent paper with some watercolour dyes. The results give off a distorted drawing in a form of broken lines and dots, creating that whimsical yet playful effect. This was Warhol’s signature style during the 1950s.
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Studio 54 was a perfect night for Andy Warhol to hang out with the stars such as Truman capote, Diana Vreeland and Bianca jagger. The club was owned by Ian Schrager and Steve Rubell. However it lasted only till 1981. Warhol was socialising more with the celebrities rather than just hanging around with them. Truman capote was a novelist who happens to write a book called breakfast at tiffany’s (1958) which Audrey Hepburn would later star as the main character in the film. Similarly to Warhol, Capote started of his career as a publisher in glamour magazine and Harper’s bazaar back in 1946, selling short stories. His literary and social star status aspired Andy Warhol to be different than other commercial artist during the 1950s. Capote sense of style was well-known at the time for his jeans and t-shirts. This would later become part of Warhol fashion trademark when he rose to fame in the
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Known for being the father of Pop Art, and a giant in pop culture, Warhol dominated the art scene from the late fifties up until his untimely death in 1987. However Warhol’s influence spread further then the art world, he also was a major player in the LGBT, avant-garde and experimental cinema movements. Born in 1928 in Pittsburgh, Pennsylvania to Slovakian immigrant parents, Warhol came from humble beginnings. Becoming widely known for debuting the concept of ‘pop art’ in 1962. Warhol’s reach grew further when he started experimenting with film, becoming a major player in the LGBT, avant-garde and experimental cinema movements. Warhol’s artist studio, known famously as ‘The Factory’ became a hub for experimentation, and a go-to point for celebrities, musicians and trans folk. During this time, Warhol came out as an openly gay man, challenging the status quo of the day, a time when being homosexual was illegal. While also producing highly experiential films such as ‘Blow Job’ (1964) and ‘Sleep’ (1964) which were highly political and provocative, at the time. As art critic Dave Hickey asserts, “Art has political consequences, which is to say, it reorganized society and creates constituencies of people around it” (Hickey, 2007), Andy Warhol’s art and lived experience created a political constituency which can be best recognised in the function of the “Silver Factory” on
Warhol, Andy. The Philosophy of Andy Warhol: (from A to B and Back Again). Orlando: Harcourt, 2006. Print.
The 60’s was Warhol’s big boom in production and fame. In 1962, Warhol “debuted the concept of ‘pop-art’” (biography.com). Here is where he did his famous pieces like the Campbell’s Soup cans and the Elvis prints. Most of his muse was commercial products at this point. He could make art out of anything. For example, the soup cans or the Brillo box. In 1961, Warhol made a piece inspired by Coca-Cola, which became a “pivotal piece in his career” (warhol.org). In 1962, Warhol made created his pieces he’s most famous for; his silkscreen photographic portraits of celebrities. He made art of celebrities like Marilyn Monroe and Elizabeth Taylor. In this year, Warhol opened a solo pop-art exhibit in Los
Warhol and his assistant would create a stencil upon a mesh screen, carefully pouring a light sensitive emulsion paint over the stencil then add an black and white photograph. The screen is exposed to light, hardening the emulsion everywhere except where the image overlay has been placed. Warhol used large canvases that he would lay on the floor and continuously create in his gallery space he called "The Silver Factory".
Andy Warhol’s pieces are interesting sights to see. His use of color and space is excellent. He uses everyday items and people to create his masterpieces. He has changed the way people look at art. Simple items can be looked at in different ways.
The subject of Andy Warhol 's art is not blatant it 's very subjective, his art was a look not only to himself but into the world of culture. The subject of Warhol 's Art ranged from celebrities to car crashes to even a can of soup, though this may seem unappealing Andy Warhol had a way of turning these basic things into Master works of art. However Leonardo da Vinci 's artwork is vastly superior and was based on a vast array of multiple subjects including not only humans but animals even inventions he made himself. Because of lack of modern technology at the time you know the Vinci subjects had to be special they had to sit in a certain spot looking a certain way for weeks at a time for one piece of work just to be made. The subject of the piece of art that 's trying to be collected is important when they are just put enough time into it its collectability is value just skyrockets at an unprecedented
Per the Art Story Foundation, he was born Paul Jackson Pollock in 1912 Cody, Wyoming the youngest of five children, and the son of a surveyor constantly moving from place to place all over California, Pollock went to high school in Los Angeles, CA, where he met Philip Guston who introduced Pollock to Theosophical ideas (Artstory.org). Which prepare Pollock for his future dealing in Surrealism and psychoanalysis, Pollock had a rough child hood but he developed a love for nature, animals, and the expanse of the land when he was a child, Jackson Pollock was only 11 years old when he discovered Native American Art (Freedgood 112).
Campbell's Soup Cans work suggests a mechanical uniformity that is repeated in the thousands of homes that have a similar object, a banal and common representation of the spirit of our time. Warhol continued to express his ideas about consumerism and kept using repetition in his work. He created several works that involved the same theme of Campbell’s Soup Cans throughout the years.
Colour- The intensity of the artwork is near the center of the face, and near the bottom of the face, there are more blacks and darker tones to show the shadows. Andy Warhol has used a variety of different colours and tones, for example, he has used yellows, pinks, blues, reds, blacks and greens to show the trends of the 60’s. Space-
I think the idea of reflecting people needs and life style can in a way be compared to Donald Judd idea of leaving the work to free interpretation without hidden meaning and Warhol straight foreword and clear interpretation of his Imagery. In terms of objectivity about reality I found a similitude in terms of materials as in the end building are made of ma...
Moffat, Charles. A. http://arthistoryarchive.com/arthistory/popart/Andy-Warhol.html. November 2007. Web. 22 November 2013. The Art Story Foundation.
Jackson Pollock created a work of art solely influenced by his unique use of imagination and periods that he went through in his life. His piece of art, Untitled (Collage 1), mainly utilizes a variety of lines. In each part of the abstract piece the viewer sees that there is a continuous use of contour line. The lines go from light and delicate to dark and hard to show the confidence that Pollock had in his paintings. Contour lines are what start any piece of art, and from the line the painting progresses and turns into a work of art.
The artist/illustrator I chose to contact was Mark McKee. He’s an illustrator/designer for World Industries, a skateboard and snowboard company. Some of his work has been very controversial and lawsuits have been filed on several occasions. Specifically for a board with a Winnie the Pooh look-alike and also for a design similar to a L. Ron Hubbard book. But I particularly liked his original work, specifically flame-boy and the smiley devil guy.
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.