Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reflection on indian literature
Reflection on indian literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Reflection on indian literature
Rohinton Mistry with his novels like Such a Long Journey (1992) and A Fine Balance (1996) showed to the literary world that he is a novelist who believes in depicting life as it really is. Both the novels exhibit his excellent understanding of Indian social life. A veracious portrayal of the Indian middle class is the high point in Mistry’s narratives. His bitterness and disappointment with the government’s hostile attitude towards the poor is evident in his novels.
Such a Long Journey (1991) is a great work of art by Rohinton Mistry. The novel announces Mistry’s advent as a gifted Indian writer. The novel is set against the background of the Indo-Pak war of 1971. It delves into the human predicament meted of its central character, Gustad Nobel whose hopes are shattered by circumstances beyond his control. Mistry depicts Gustad Nobel as a classical tragic hero. Gustad appears to be completely serene and tranquil in his approach towards life. His sufferings and struggle with fortitude and humility in life reminds us of the classical tragic hero’s life and sufferings. The novel has an optimistic note with its hero making a journey which takes him from hopelessness to hope.
The novel derives its form from the classical literary tradition. Mistry’s narration reminds the readers of the great tradition where the novelist not only changes the possibilities of art for practitioners and readers but becomes significant in terms of that human awareness they promote -- the awareness of the possibilities of life. We find the elements of comedy, tragedy and satire in the novel. We also find Mistry sharing his thoughts on beliefs, superstitions, the super natural, rites, nationalistic ideas, humanism, discrimination, secular views and so on an...
... middle of paper ...
...ilures as stepping stones to success. You have to maintain a fine balance between hope and despair. He paused, considering what he had just said. ‘Yes’, he repeated, ‘In the end it’s all a question of balance’” (Mistry, 1996: 214)
The struggles of the characters to cling to life hold our attention all through the novel. Mistry, undoubtedly succeeds in depicting a moving tragedy with his strong impulse toward political and social commentary. The novel explores the resilience of human spirit and the searing heartbreak of futile imaginings.
His novels Such a Long Journey and A Fine Balance can be read for their treatment of the layers of socio-political irregularities and caste aberrations that generate a world of anarchy.
Works Cited
Mistry, Rohinton. Such a Long Journey, New York: Vintage Books, 1992
Mistry, Rohinton. A Fine Balance, New Delhi: Rupa and Co. 1996
The composer has aimed this text for general reading by all people over the age of ten. However as this publication is the young reader’s edition, it is targeted at young readers. People who may wish to read the book may be able to attain it through mediums such as book stores and libraries etc. Although this publication of the novel is the young reader’s edition, there is a publication aimed at adults.
This novel and film commentary analysis or interpretation will be first summarised and then critiqued. The summary will be divided into twenty- four episodes. While summarising it is well to remember that the film was made out of the book.
Searing the mind with stunning images while seducing with radiant prose, this brilliant first novel is a story of damaged lives and the indestructibility of the human spirit. It speaks about loss, about the urgency, pain and ultimate healing power of memory, andabout the redemptive power of love. Its characters come to understand the
Indulging the plot into the political and social situation of Afghanistan at the time, Hosseini profoundly incorporates a strikingly realistic theme into the novel and expands the outreach of his ideas to the extent that they can be applied to the present-day state of affairs. In A Thousand Splendid Suns, the lives of the women, men, and children presented are derived and driven by the customs and traditions that root from the country’s political and cultural backdrop. Centering the many twists of the story on the political and cultural influences in Afghanistan, Hosseini develops the novel in close parallel to reality and presents a story that motivates to endure and always be optimistic. The influence of the political and cultural backdrop on the novel signifies the harsh reality of life in developing nations that persists even today and presents the hardships that life poses, along with the inequality that accompanies it.
It should be mentioned that the story uses a myriad of figurative and metaphoric imagery. Throughout the novel the narrator injects his own views, often leading the reader to a deeper questioning of the story as it unfolds. He frequently speaks about what would happen if the main character were to do things in a different way. Also, through the interjection of varying levels of foreshadowing the reader gets a sense of where the story is headed. At one point the narrator says “…were I to t...
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
He has grown up in the backwash of a dying city and has developed into an individual sensitive to the fact that his town’s vivacity has receded, leaving the faintest echoes of romance, a residue of empty piety, and symbolic memories of an active concern for God and mankind that no longer exists. Although the young boy cannot fully comprehend it intellectually, he feels that his surroundings have become malformed and ostentatious. He is at first as blind as his surroundings, but Joyce prepares us for his eventual perceptive awakening by mitigating his carelessness with an unconscious rejection of the spiritual stagnation of his community. Upon hitting Araby, the boy realizes that he has placed all his love and hope in a world that does not exist outside of his imagination. He feels angry and betrayed and comes to realize his self-deception, describing himself as “a creature driven and derided by vanity”, a vanity all his own (Joyce). This, inherently, represents the archetypal Joycean epiphany, a small but definitive moment after which life is never quite the same. This epiphany, in which the boy lives a dream in spite of the disagreeable and the material, is brought to its inevitable conclusion, with the single sensation of life disintegrating. At the moment of his realization, the narrator finds that he is able to better understand his particular circumstance, but, unfortunately, this
Many authors use experience in their lives to influence their writing. In the cases of Seamus Heaney and Arundati Roy, the experiences in their life and the experience that their countries went through shape their poems and stories in unimaginable ways. For example, Heaney puts into his poetry many experiences that his country, Ireland, went through. These experiences include the rise of war in Ireland between the Catholics and the Protestants and also the influence that England has on the situation in Ireland. Roy on the same note brings into her story, The God of Small Things, experiences that India went through after British rule and the fear of communism that arose in certain parts of India after the British made India a free nation. Through both of these authors’ writings, readers can see the effect that English rule had upon both of the different nations and the aftermath of the English influence on both India and Ireland.
Although the story bounces between these two main "insinuations", it is never clear to me what or who the story is about and I found this to be an unfulfilling reading. In retrospect my previous readings of literature have been more of the atypical writing style. One that leaves you comfortable and secure and without guesswork "The Indian Uprising" avoids this style at all cost. The author's intent on writing in the style of a collage, although fascinating, is very confusing. I will be the first to admit I'm not the most avid of readers, but having to read a story two or even three times and still not fully perceiving its meaning made it an even more arduous read.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Clear Light of Day highlights how a war affects a family and a nation. In the novel, parental absence escalates sibling conflict, which leads to the characters escapement, ultimately resulting in Bim’s anger. While some readers may think that Clear Light of Day just represents a single family’s struggle, the novel clearly represents India’s struggle as well. India’s independence from Britain consequently leads to the formation of Pakistan and continual religious and political conflict. This novel is an allegory that explains political combat in an accessible way because everyone is part of a family. This novel not only models the reasons for conflict in India but for other nations and even families as well. Clear Light of Day shows how understanding family dynamics and creating strong familial bonds can help reduce conflict and promote peace throughout the world.
There are people bustling, merchants selling, Anglo-Indians watching, and birds flying overhead. How many perspectives are there in this one snippet of life? They are uncountable, and that is the reality. Modernist writers strive to emulate this type of reality into their own work as well. In such novels, there is a tendency to lack a chronological or even logical narrative and there are also frequent breaks in narratives where the perspectives jump from one to another without warning. Because there are many points of view and not all of them are explained, therefore, modernist novels often tend to have narrative perspectives that suddenly shift or cause confusion. This is because modernism has always been an experimental form of literature that lacks a traditional narrative or a set, rigid structure. Therefore, E. M. Forster, author of A Passage to India, uses such techniques to portray the true nature of reality. The conflict between Adela, a young British girl, and Aziz, an Indian doctor, at the Marabar Caves is one that implements multiple modernist ideals and is placed in British-India. In this novel, Forster shows the relations and tension between the British and the Indians through a series of events that were all caused by the confusing effects of modernism. E.M. Forster implements such literary techniques to express the importance or insignificance of a situation and to emphasize an impression of realism and enigma in Chandrapore, India, in which Forster’s novel, A Passage to India, takes place.
His appeal is to the higher Indian classes not to oppress other humans being because of poverty or because they are of a lower class, but to provide them with the respect and the human dignity that is the birth right of every human being. One can see the anger with which Anand has written Coolie but yet he has been able to balance the realism with the actual truth without adding any extra contract to the real life situations of the collies in India. However Charles Dickens was incapable of controlling his anger in his novels but Mulk Raj Anand did a better job of controlling his anger about the oppression and the social injustice that he saw around him and managed to portray a balanced view of reality in his novels. (Agarwal,
Rohinton Mistry’s “Such A Long Journey” is the story of turbulent life of Gustad Noble and his family, who lives in Khodadad Building north of Bombay. The story portrays the series of events such as his son Sohrab’s refusal to attend Indian Institution of Technology, hardships faced by his friends and family, political turmoil and chaos caused by the war between India and Pakistan. Gustad transforms from a stubborn, materialistic and awful person to an open-minded and more adaptive to circumstantial changes in his life. Ultimately, Gustad Noble journeys to a greater understanding of his role as a father, friend and citizen of India.
The Guide, a novel by R.K. Narayan is rooted in everyday, down-to-earth characters in which he believes depicts the Indian way of life. This Bildungsroman novel is told in chronological manner with two stories in one plot. It reflects upon Raju’s life since he was a little boy to the present day. Set in Narayan’s fictional town, Malgudi, Raju tells the story of his past in the first person narration while his experience as a swami is told in the third person narration.