Phillis Wheatley is recognized as the first African American female poet published in America, among many other titles. When she was only seven years old she was brought to America and sold into slavery. Fortunately, her masters did not abuse her; instead they actually cared for her and educated her. Although much of her work is forever lost, some of her published pieces still remain, among them “On Being Brought from Africa to America” and “To the University of Cambridge, in New England”. The former work is a short poem that describes two of her most life-altering experiences: being sold into slavery and becoming redeemed by God. Wheatley, however, views them as one great transformation. The latter work is a poem written to the students of Cambridge University, urging them to learn everything they are capable of. She also cautions them, however, to be wary not to forget their Creator. In these two works, Wheatley portrays three key elements of her identity: her social position, racial identity, and religious affiliation.
Wheatley was a female slave. In terms of social status, there is nothing lower. Yet, neither in “On Being Brought from Africa to America” nor “To the University of Cambridge, in New England” does Wheatley openly discuss her social bondage. “Twas not long since I left my native shore/ The land of errors, and Egyption gloom:/ Father of mercy, ‘twas Thy gracious hand/ Brought me in safety from those dark abodes.”("University" 421). Rather, she acknowledges that slavery is what helped her find God. Had she stayed in Africa, she would have lived a life of evil in God’s eyes and burned in Hell for eternity. In this way, her captivity saved her. However, this is in no way an endorsement for the institution of slavery...
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...ul to God, and defend against the devil. She warns, "Suppress the deadly serpent in its egg./ Ye blooming plants of the human race divine,/ An Ethiop tells you 'tis your greatest foe;/ Its transient sweetness turns to endless pain,/ And in immense perdition sinks the soul." ("University" 421). Wheatley adds these last lines to remind the students that their mortal souls are in a fragile state; so they, like all Christians, must take care to escape temptation before it overpowers them.
Wheatley was a female slave, from Africa, who became a dedicated Christian. Each of these seemingly independent characteristics is intricately interwoven to provide the fine poet, Phillis Wheatley. The trials and tribulations of being enslaved combined the opportunities for education Wheatley was allowed provide a glimpse of a slave's mindset unmatched by anything else of the time.
Dubbed as “The Greatest Country in the World” by god knows who, America is not as awesome and free as some may see. In doing a close reading of Heather Christle’s “Five Poems for America”, we can see how the author uses metaphors to portray a flawed American, specifically within its political system, religion, obsession with technology and basic human rights. Americans have been living with the oppression of these everyday issues, completely oblivious thus creating the America we infamously know today.
Wheatley was born in West Africa around 1750, and was captured when she was 7. John Wheatley purchased Phillis for his wife, Susanna; together they taught Phillis how to read and write, and as early as 12, Phillis was writing poetry and her first poem had been published. Wheatley’s poems implicitly advocated for racial equality, while condemning slavery. Her work received some negative feedback from political figureheads, such as Thomas Jefferson. White America classified a human as having the ability to read, write, and reason; therefore, leaving no room for the uneducated Africans, seeing Africans as nonhuman. Jefferson claimed Wheatley’s work was not literature because the moment he admitted Wheatley’s work was indeed literature, he would have had to admit she was a human being. The way Phillis Wheatley handled the adversity she faced is admirable. Wheatley definitely impacted American history, and “owes her place in history to advocates of inequality” (Young 1999
Readers unfamiliar with Phillis Wheatley may wonder of her background and who she was in particular to be able to gain rights to be mentioned in early American literature. Wheatley was born in 1753 and was captured by Africans, and sold to an American family known as the Wheatley’s. She quickly became a member of the Wheatley family, living in the home, and being tutored on reading and writing.
As a final point, Phillis Wheatley may have been bought a slave but she never lost faith and ended up being one of the best known poets in the early nineteenth century. This poem illustrates how she was living in darkness in Senegal, West Africa and because of slavery she was bought and brought to America. In this poem “On Being Brought from Africa to America,” Wheatley uses poetic devices such as similes, metaphors, hyperboles to illustrate color and darkness, multiple meanings of words, and the relationship between skin tone and salvation. This poem seems to be a narrative of her life and how slavery might have been the best thing that happened to her.
Throughout the poem, “To the University of Cambridge, in New England”, Phyllis Wheatley suggest that she accepted the colonial idea of slavery, by first describing her captivity, even though this poem has a subversive double meaning that has sent an anti-slavery message. Wheatley’s choice of words indicates that her directed audience was educated at a sophisticated level because of the language chosen. Her audience was assumingly also familiar with the bible because of the religious references used. The bible was used as a reference because of its accessibility. Wheatley uses religious references to subversively warn her readers about slavery and its repercussions and to challenge her reader’s morals.
While Wheatley was literate, her upbringing comfortable, her connections advantageous, the reason of her sole joy in being brought to America because of finding Christ, her “good nigger” persona, her freedom simply given to her, and her masters encouragement of her learning, Sojourner Truth’s life was the opposite. Truth was brave, strong, outspoken and, all in all, had to work much harder to become a memorable figure and a true influencer for her race. She dedicated a large portion of her life to the fulfillment and equality of women and African Americans, while Phillis Wheatley spent her life being a pleasant acquaintance who loved her faith and emphasized it. Although there is nothing wrong in this, Phillis Wheatley could have made herself more familiar with the problems of her own race and helped them, but she did not, and this lack of improvement for her people at the time is shown through the evidence of the absence of her name in the African American equality
Phillis Wheatley marks the beginning of the African-American literary tradition. Although she is the first African-American to become a published author, it is Wheatley’s work that proves her originality as it reflects a specific time in American history, her status as a slave, and a young woman of Christian faith (Harris). Each of these inherently contribute to her fresh African-American perspective. Wheatley is ingenious in the way she subtly ties in the roots of slavery and racism in a way that whites did not feel guarded. Not only does her work allow those with a conscious to at least somewhat consider the African-American point of view, but it invites criticism by those who care not to see African-Americans as intelligent equal beings that deserve respect. Some of the African-American community also criticizes that Wheatley did not speak enough about the injustices of slavery and prejudices of her time (Scheick). These critics are simply unable to see the Wheatley’s intent as her writing breeds originality and attention to a young and well-educated African-American woman whose words could stifle her freedoms if put any other way. In evaluating Wheatley’s On Being Brought from Africa to America, An Hymn to the Evening, and To the University of Cambridge, in New-England it is clear to see that she could only be imitative in style perhaps, but nuances of her heritage is what places her “writing at the heart of any definition of an African-American canon” (Harris).
As time passed, Phillis was considered more like a part of the family than a slave. Phillis received an extensive education, which was comparable to that of a wealthy white man (Mason 4). Mary, the Wheatley's daughter, was an aspiring teacher and taught the Arabic-speaking girl English and ...
She makes you think about the wrong doings that were going on in this time period. It was very brave of her to talk about the things that she talked about especially while being a slave. During this time period she probably faced a lot of criticism of her works and many believed that someone was writing her poems for her because they were so good and it was uncommon for a black lady to write a poem as well as she did. As a young black lady who has to go through slavery and other adversities this was a very hard time period for them but Wheatley stood strong and followed in what she believed in. She fought for equality and freedom for African American men and women.
Phillis Wheatley was an African-born slave in the last quarter of the eighteenth-century in New England. She was born in West Africa and brought to America on the slave ship Phillis. She was, however, much more than chattel-she was a poet. Phillis was the first African American to have a book published. In a time when women were not expected to be able to read or write, and when teaching an African American to be literate was frowned upon, Phillis Wheatley became educated in Latin and English literature. The education of Phillis Wheatley was, for the most part, for the intent of training "a servant and would-be companion for domestic utility," in which they undoubtedly succeeded. However, they "got an intellectual adornment" who, with her knowledge of the poems of Alexander Pope, the "Puritanical whiteness of her thoughts," and ability to write poems, soon became a celebrity among Boston?s social elite (Richmond 18,19).
The poetry of Phillis Wheatley is crafted in such a manner that she is able to create a specific aim for each poem, and achieve that aim by manipulating her position as the speaker. As a slave, she was cautious to cross any lines with her proclamations, but was able to get her point across by humbling her own position. In religious or elegiac matters, however, she seemed to consider herself to be an authority. Two of her poems, the panegyric “To MAECENAS” and the elegy “On the Death of a young Lady of Five Years of Age,” display Wheatley’s general consistency in form, but also her intelligence, versatility, and ability to adapt her position in order to achieve her goals.
For centuries religion has played a huge role in the black community. From slavery to freedom, religion has help black folk deal with their anger, pain, oppression, sadness, fear, and dread. Recognizing the said importance of religion in the black community, Black poets and writers like Phillis Wheatley and Richard Wright, use religion as an important motif in their literature. Wheatley uses religion as a way to convince her mostly white audience of how religious conversion validates the humanity of herself and others. Wright on the other hand, uses religion in order to demonstrate how religion, as uplifting as it is can fail the black community. Thinking through, both Wheatley and Wright’s writings it becomes apparent that religion is so complex,
Wheatley’s poem, “On Being Brought from Africa to America” is part of a set of works that Henry Louis Gates Jr. recognized as a historically significant literary contribution for black Americans and black women (Baym et al. 752). Addressed to the Christians who participated in the slave trade, the poem is meant to reveal the inconsistencies between their actions and the Christian Ideal. Whether perceived as a work of sincerity or a work of irony, the poem conveys the message that an individual’s behaviors are influenced by the examples of others and that all people are equal. Understanding Phillis Wheatley’s intent in her poem, “On Being Brought from Africa to America,” is gained by considering all of the aspects of her existence when analyzing her work and even though perception is based on individual perspective, analysis and explication will reveal the contrariety Phillis Wheatley observed between society and the Christian Ideal and evidence her desire for the dissolution of every inequality.
The clash between racial reality and idea is what is artistically shown in “on being brought from Africa to America”. Wheatley is a subtle rebel. At the beginning of her poem she shows thanks for being enslaved because it brought happiness to her life in finding Christianity, but as time goes by we start to see the true tone of Wheatley, which clearly show in the last two lines of the poem, now Wheatley begins to take a big position of power as if she already has the attention of the reader. Wheatley continues by saying that Africans may not be perfect but the Christians who enslave human beings aren’t
When sorting through the Poems of Dorothy Parker you will seldom find a poem tha¬t you could describe as uplifting or cheerful. She speaks with a voice that doesn’t romanticize reality and some may even call her as pessimistic. Though she doesn’t have a buoyant writing style, I can empathize with her views on the challenges of life and love. We have all had experiences where a first bad impression can change how we view an opportunity to do the same thing again. Parker mostly writes in a satirical or sarcastic tone, which can be very entertaining to read and analyze.