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Poverty health somalia
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While K’Naan’s “ Wavin’ Flag” is used as a Coca-Cola advertising song, but it also addresses a very important truth that underlines the message and purpose behind the song. The highlighting truth is that freedom should be cherished and strongly fought for, no matter what the circumstances are. The truth of the song relates significantly to Marxist theory in various ways because power struggle is prominently displayed between, the “working class” represented by the poor normal people of Somalia and the “Bourgeoisie” represented by the war leaders and dictators. Moreover, it could be related to the “ illusion of class transcendence” in the fact that the poor and exploited people are dreaming about reaching “enlightenment”, in this case enlightenment is represented by freedom “when I get …show more content…
K’Naan uses the stylistic device allusion in referring to the song "Bufflo Soldier" by Bob Marley. Buffalo soldier is the nickname of the first black regiment for the US army (Canada in Context). The quote relates to Marxist theory in the way K’Naan expressed his desire for freedom that he is willing to fight anything to gain it, indicating the power struggle. K’Naan suggests that people are stronger than to be controlled by exploitation and they should, as the truth states, fight back against corruption to gain their freedom, like what the Buffalo soldiers did. The literary device simile is used to emphasize on K’Naan’s people comparing them with a strong army who fights against discrimination. Discrimination is another theory the quote could be applied to; since, K’Naan could also be referring to the song “Buffalo Soldiers” by Bob Marley which suggest that the song is not only intended for Somalia; in fact, it is also a problem for all the countries including
Feeling unwanted from the closest people in your life who turn away from you when you need them the most, is the worst feeling a person can endure. I chose the song “My Story” by Sean McGee, because people young and old can relate to his song. People from different backgrounds can relate to each other when there are living homeless or raised as a foster child. Sean McGee wrote “my daddy don’t know, my momma don’t care, it don’t matter if I’m here, it don’t matter if I’m dead” people all around the world have the same issues and share a common culture. A master status is the most important status a person occupies, this is a key factor in determining a person’s social position.
Good morning Mrs Dover and 8D. I have chosen to analyse the film clip “black fella, white fella” by the Warumpi band, and have determined that the song and associated images is partially successful in communicating aboriginal values, such as culture, land and family. The lyrics include the language features repetition, alliteration and rhetorical questions to deliver a message of reconciliation and equality. These features are also supported by visual imagery that is intended to support the ideas within the song.
This song is connected to this historical event because Gil Scott-Heron also included into this song of how African Americans are not given any credit. Furthermore, many treat them as even if they do not exist, especially the government and the media. Nevertheless, Scoot-Heron showed the world thru this song how African Americans were not even notice, or received an accomplishment for anything by the media or the government. Therefore, throughout this song it can be seen how Scott-Heron includes the historical event of the Black Power
Yusef Komunyakaa, the poet of war, vividly describes his vacillating emotions about the Vietnam War and his relation to it as an African-American veteran in the poem, “Facing It.” Komunyakaa, the protagonist of his narrative, reflective poem, contemplates his past experiences as he promenades around the Vietnam Veterans’ Memorial, struggling to conceal his ardent emotions and remain hard and cold as “stone.” He writes one stanza in a dark mood, and by using metaphors and visual imagery, he paints a picture with his words for all to see.
Duong’s novel depicts a Vietnam caught up from the 1950’s through the 1980’s in turmoil and chaos. Many of the ‘land owning class’ were forced to flee their homeland or were sentenced to forced labour camps, this is shown in the novel through the characters Aunt Tam and her brother Ton, both dispossessed of their property. Through Paradise of the Blind Duong is able to personalise the struggles of the working class during these times of political change and criticise the Vietnamese government, “Their fate hung from a thread; and just as an overripe fruit hangs from a branch, they could fall at any moment.” The comparison made between one’s fate and an overripe fruit that could fall at any moment depicts the power that the government had over the people and the many injustices that can occur. Despite doing no wrong, their social class is enough for them to be considered the enemy. This mirrors the lives of the Untouchables in The God of Small Things, namely Velutha whose future is determined by his social status. Duong adopts many differing literary techniques to criticise the actions of the Vietnamese government during the 1950s, “You say our dances are decadent. But haven’t you done some dancing yourself? Invisible dances, infinitely more decadent than ours.” Here Duong compares western style dance and music to the fraudulent actions of
This song was Marley’s way of showing his legacy in just two hundred words. This song shows a little history on slavery; “Old pirates, yes, they rob I; Sold I to the merchant ships”, “We forward in this generation Triumphantly.”, this line is suggesting to the abolition of slavery. The most powerful line in this song being, “Emancipate yourselves from mental slavery; None but ourselves can free our minds.”; you may not have the chains around your ankles anymore but to be truly free you must not allow people to dictate what you think, say, or feel. This song is Marley telling his audience to learn and prosper from their past and always continue fighting for your rights and your
Rhetoric of the protest songs has a very extensive history. The oldest protest song on record is "The Cutty Wren" from the Peasants’ Revolt of 1381 against feudal oppression, nearly six hundred years ago (Songs of Work and Protest 9). Protest music has developed over the years and has made its presence in history. The protest music of Vietnam War is the concentration of this paper. The two main artists of focus are Bob Dylan and John Lennon. Their songs will be analyzed and criticized naritively.
Abstract: Women of Afghanistan are forced to live under oppressive regulations set forth for them by the men of their societies. Women have virtually no rights to do anything for themselves. There entire lives are controlled by and lived for someone else. Through their songs, they lament the conditions of their lives and are able to convey a beauty in their verses that all people can identity with. (67 words)
In Fight The Power, Chuck D references something of this sort when he says “Most of my heroes don’ appear on no stamps/ sample a look back you look and find/ nothing but rednecks for four hundred years if you check.” Here he is saying that his African-American heroes were not recognized by America even though they did so much for it at the time of David Walker and now. The line about “nothing but rednecks” refers to the fact that since America was founded it has been run by nothing but white, land-owning men and that that needs to change. Chuck D says “What counts is that the rhymes/ designed to fill your mind.” Overall, this refers to everything stated in the song. He wants to open peoples eyes to what’s going on around them. He wants to open their eyes the racism and injustice so that maybe something can be done about
The song I chose is called “Before He Cheats”. It was composed by Josh Kear and Chris Tompkins, and it was performed by Carrie Underwood. It is about when a guy cheats on Carrie Underwood so she demolishes his truck. I chose this song because it is hilarious and I like it. It also has a lot of imagery.
Especially the song reflects the main idea of pure white supremacy and rejecting the people from the different group like aliens and immigrants. This reminds people racism that people do not want. Therefore, the author's critical claim that the song's violence and prejudice make the song easy to be condemned, which is agreeable. In fact, “White power” is not the only song that has the shocking and aggressive racist style, the style was wide spread and common between the 1960s and 1970.
Abel Tesfaye or better known as “The Weeknd” released the song ‘Pretty’ on his Kiss Land album. This video will provide a new perspective to the artist who's music is centered around sex, drugs, and his image as a "starboy". When first listening to this song, you are not completely sure what is going on, the song starts off with “Somebody told me that it was pointless for me to come back, into your arms. Said you fucked another man, finally I knew this day would come.” As these lyrics are being sung, an airplane is landing and Tesfaye starts to walk through an airport.
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)
“Song for a Dying Planet” is a song that was written to raise awareness for the environment. It clearly states that we are living in a world that is dying and asks a very clear question “does anyone care?” The world has been highly polluted throughout the years and now this problem has grown and does not seem to improve due to the lack of participation of the community. The fourth line of the song stated “We’re killing everything that's alive,” what this phrase signifies is that the world is dying and all the organisms that live within, and for only one reason we are destroying their habitats and feeding off their resources.
King, Stephen; Jensen, Richard,(1995) Bob Marley's "Redemption Song": The rhetoric of reggae and Rastafari Journal of Popular Culture 29.3