Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
An Article on War poetry
An Article on War poetry
An Article on War poetry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Yusef Komunyakaa, the poet of war, vividly describes his vacillating emotions about the Vietnam War and his relation to it as an African-American veteran in the poem, “Facing It.” Komunyakaa, the protagonist of his narrative, reflective poem, contemplates his past experiences as he promenades around the Vietnam Veterans’ Memorial, struggling to conceal his ardent emotions and remain hard and cold as “stone.” He writes one stanza in a dark mood, and by using metaphors and visual imagery, he paints a picture with his words for all to see.
Komunyakaa utilizes various metaphors to get his point across and show the irrevocable traumatization and effects that war can cause. In the very first line, he uses the word “black” to describe his face, comparing it to the “black granite” of the memorial wall that he is trying to “[hide]” inside. He does this to make it known immediately that he is African-American, and his racial identity adds to his struggles because many people did not respect him or view him as an even slightly heroic figure for fighting in the cruel Vietnam War. He fought side-by-side with people who would look the other way and for a country that would not even grant his kind the same rights and freedom that the next white man had forever. What also hides beneath the surface of the dark granite is the witness to all the ruthlessness and casualties of war, and that is something that Komunyakaa shares with the wall. He “fades” into the wall, searching beyond the exterior into the inside of the stone, concealing himself and becoming one with the stone. As a veteran he knows these men-their names etched in the wall-on a personal level in ways that their family or friends did not know them, even though he was not actually fami...
... middle of paper ...
...ave sympathy for all those lost and affected, but they will never be able to have empathy. They are just there to view the names, and although they may be mournful, they will never truly understand it.
Yusef Komunyakaa reflects on his experiences from the Vietnam War, describing his mixed emotions using vivid imagery and dark metaphors. He struggles throughout the poem, as the caesuras indicate, as he is trying to bottle up his emotions like he would if he was fighting in the war. Komunyakaa displays the harsh reality of the aftermath of being a soldier with everlasting scars-both mental and physical-that can haunt and manifest someone. He also describes how all veterans, even if they do not know each other personally, can connect with one another on a higher level of understanding than others who do not share similar experiences or struggles would ever be able to.
Over many centuries, Poetry and song has been a way for people to explore their feelings, thoughts and questions about War & Peace. Rupert Brooke's “The Soldier” and Cold Chisel’s “Khe Sanh” provide two different insights into the nature of war. . “The Soldier” conveys a message of bravery for soldiers to go into war and fight while “Khe sanh” conveys a message about post-traumatic stress and the horrible factors of coming back into civilization after war.
Poetry has been used for centuries as a means to explore emotions and complex ideas through language, though individuals express similar ideas in wholly different forms. One such idea that has been explored through poetry in numerous ways is that of war and the associated loss, grief, and suffering. Two noted Australian poets shown to have accomplished this are Kenneth Slessor with his work ‘Beach Burial’ and John Schumann’s ‘I Was Only Nineteen’. Both of these works examine the complexities of conflict, but with somewhat different attitudes.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
Wallace Terry has collected a wide range of stories told by twenty black Vietnam veterans. The stories are varied based on each experience; from the horrific to the heart breaking and to the glorified image of Vietnam depicted by Hollywood. Wallace Terry does not insinuate his opinion into any of the stories so that the audience can feel as if they are having a conversation with the Vietnam Veteran himself. Terry introduces the purpose of the book by stating, “ Among the 20 men who portray their war and postwar experiences in this book. I sought a representative cross section of the black combat force.”(p. XV) Although the stories in this book were not told in any specific order, many themes became prominent throughout the novel such as religion, social, and health.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Dien Cai Dau by Yusef Komunyakaa is a collection of poems based on Komunyakaa’s personal experiences of the Vietnam War. He describes his experiences and observations in a way that isn’t as gritty and raw as some veterans, but still shows the horrors of war and the struggle to survive. What makes Komunyakaa’s work different is the emotion he uses when talking about the war. He tells it like it is and puts the reader in the soldiers’ shoes, allowing them to camouflage themselves and skulk around the jungles of Vietnam from the very first lines of “Camouflaging the Chimera.” Komunyakaa’s title Dien Cai Dau means “crazy” in Vietnamese and is an appropriate title based on the mind set of this veteran soldier. Two common themes I have found in Komunyakaa’s
The powerful poem ‘Weapons Training’ showcases a sergeant, through malicious words, guiding his troops. However it is through ‘Homecoming’, where Dawe exposes the brutal hopelessness brought forth by the futility of war. Therefore it can be seen that war has an emotional toll on both families and the soldiers. Both poems have a recurring message that all war does is bring loss, death and mourning, showcasing Dawes strong opinions about a futile
An Analysis of Facing It Yusef Komanuyakaa's poem "Facing It" is a brutal examination of the affects that war leaves upon men. The reader can assume that Komanuyakaa drew upon his own experiences in Vietnam, thereby making the poem a personal statement. However, the poem is also a universal and real description of the pain that comes about for a soldier when remembering the horror of war. He creates the poem's persona by using flashbacks to the war, thereby informing the reader as to why the speaker is behaving and feeling the way he is. The thirty-one lines that make up "Facing It" journey back and forth between present and past to tell the story of one man's life.
Philip Levine’s “Bobby Hefka” develops a deeper message, theme, of American society in the 1940s where people avoid racism and its many other issues. The poem exposes the fact that with society, avoiding its issues, they are not learning from them thus, society isn’t making any progress. Levine pinpoints a main cause to the stagnant society which is the stresses of World War II. His use of a metaphor guides us; the readers, to get a grasp on the size and prevalence of World War II in society, “Beyond him the dark clouds of 1945 / were clustering over Linwood” (33-34). The author is comparing the war to dark clouds and gives 1945 a negative connotation to help highlight that it represents the war. This metaphor provides the text with a meaning and with it we can decipher that society is solely focusing on the war and can’t address other issues, racism.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing the character’s psychological burdens.
...ust deal with similar pains. Through the authors of these stories, we gain a better sense of what soldiers go through and the connection war has on the psyche of these men. While it is true, and known, that the Vietnam War was bloody and many soldiers died in vain, it is often forgotten what occurred to those who returned home. We overlook what became of those men and of the pain they, and their families, were left coping with. Some were left with physical scars, a constant reminder of a horrible time in their lives, while some were left with emotional, and mental, scarring. The universal fact found in all soldiers is the dramatic transformation they all undergo. No longer do any of these men have a chance to create their own identity, or continue with the aspirations they once held as young men. They become, and will forever be, soldiers of the Vietnam War.
Throughout the times war has effected people immensely both physically and mentally. All people deal with their circumstances differently to help cope with what they dealing with. Whether it’s a fatality in the family, or post traumatic stress disorder most people find a way to heal from injury or emotional damage. In Brian Turners poem, “Phantom Noise,” he writes about the constant ringing he hears from the war he served in. The poem expresses that Turner seems to deal with his emotional damage by writing poetry about what he feels, hears, and sees during the time he spent in war and in civilian life. Even though Turner is no longer in war it still effects him greatly each day. The overall tone of the poem is very solemn and makes the reader
In the poem, “Facing It”, by Yusef Komunyakaa, the speaker describes his feelings while visiting the Vietnam Veterans Memorial in Washington D.C. The speaker’s state of mind transitions chronological throughout the poem from refection of self, reflection of past, and finally through the acceptance of reality.
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
Within this poem Bruce Dawe dramatizes the homecoming of Australian veterans' bodies from Vietnam. This is clearly an anti-war poem, reproducing the sentiments of those who opposed the time when this war occurred.