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Culture’s influence on perception
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Stuart Hall has posited that the concepts of individual dream states can be brought on a macroscopic scale to media text. In particular, "nightmares" of individuals, can be related to the semiological analysis of a given media text in relation to dominant ideology and culture in general. His main points in this are twofold, first is to point out that the more horrible and "nightmarish" a media scenario (i.e. story) is, the more difficult it is to de-construct the ideological markers that serve as the basis for the text. The second, and perhaps more important, is that the ideological representation in the nightmare represents a repressed wish of society and has increased threat to the dominant class, or the bourgeois.
For example, the nightmare Alien of sci-fi fame is used as an example of the perceived overcrowding and overpopulation of America by minority groups and cultural absorption by foreign power in the 80's, specifically Japan. The repressed wish perhaps here can be the usurpation of Dominant culture. Of course, these are all very threatening to the dominant class. In this instance, it is through the analysis of signs, or semiotics that one reads a text. In "The Dis-Order of Things in Twin Peaks", J.P. Telotte also employs semiotics to analyze the text of the television series "Twin Peaks", and uses the presence and absence of signs to illustrate his point that order and disorder coincide and vie for control in this fictional universe, and in the process illustrate Ideology. Perhaps in contrast, the essay by Fisk on polysemy in television, calls for the need to deconstruct media texts on the basis of multileveled, and polysemic, meanings within the text that stem from unresolved conflicts, which is important f...
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...t to Dominant Ideology. Indeed Twin peaks often uses dream states to further the narrative, and often these dreams are in fact nightmares, or otherwise disturbing dreams. Fisk's reading of critical analysis in "Television: Polysemy..." is valid however, his thesis is shown to be unstable in the structure of his argument. He indeed seems to prove the Althussarian school of thought, rather than to weaken it. Furthermore, in conclusion, in both articles it is necessary to use multiple critical techniques to tease out valid meaning. In this case I have used narratology, semiotics, and even psychoanalysis to a degree. This underlies the importance of a broad use of analytical techniques in order to achieve a desired argumentative goal. One cannot expect to achieve logical success using only one tool, as to the overwhelming presence of Dominant Ideology in media.
Author: Walter Benn Michaels is the chair of the Department of English at the University of Illinois at Chicago teaching literary theory, and American literature. Michaels has also has multiple essays and books published such as Against Theory, The shape of the Signifier, and Diversity's False Solace
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary critics whose methods/theories allow us to better comprehend Viramontes. message are Jonathan Culler and Stephen Greenblatt. Culler points out that we read literature differently than we read anything else. According to the intertextual theory of how people read literature, readers make assumptions (based on details) that they would not make in real life.
The American Dream is an ongoing set of ideals within the United States, and was especially prevalent during the 1960’s. James Truslow Adams, an American author and historian, defined the dream in 1931, stating "life should be better and richer and fuller for everyone, with opportunity for each according to ability of achievement."1 The tensions during this time had everyone on edge, and Americans everywhere dealt with these accordingly. George Romero, sensing these tensions, saw an opening to get his voice heard by millions of people around the world, and more importantly, across the country. Romero revolutionized the horror film genre with his horror flick, Night of the Living...
Through their use of allusion, symbolism and representation they portray many of societies flaws and imperfections. Such an imperfection includes the illustration of how totalitarian governments abuse the power they have acquired for their own gain, harming the people they are sworn to serve and protect. Through this abusive self-gaining government, we all are liable to become victims of consumer culture caused by the blind obedience to advertising and propaganda, being unable to form or voice an opinion of our own. But this lack of opinion can be at fault because of our own apathy, the ignorance and slothfulness that is contributed to the role we play in our society and the importance of that roles ability to motivate and inspire change. Whether you’ve read or viewed the novels or feature films I’ve discussed I have no hesitation in saying any text or film you have seen has been used in some way, shape or form to convey the criticisms of our ‘perfect’
Glance, Jonathan. “Beyond the Usual Bounds of Reverie”? Another Look at the Dreams in Frankenstein. 4 April 2011 .
Symbols that Orwell uses pose as natural occurrences, but these symbols are those that would be considered aspects of a “normal world.” They are normal but in 1984 the symbols serve as symbolism that serves a justly purpose. These symbols are important to the theme of a dystopian society. The language is a symbol of the manipulation of the lower parties in 1984. The development of Newspeak completely rule...
Randel, Fred V. "The Political Geography of Horror in Mary Shelley's Frankenstein." ELH 70.2 (2003): 465. ProQuest. Web. 21 Feb. 2014.
One of the greatest revolutions in the twentieth century was not political in nature, however, it aided in many different political revolutions. This revolution was the communications revolution. The twentieth century has experienced one of the greatest changes in means of communication including technologies such as radio, motion pictures, the Internet, advanced communications and most importantly the television. Sadly, political leaders and the government to convince or persuade the masses that their ideas supercede those of others have utilized these technologies.
In the speech “I Have a Dream,” presented in the Lincoln Memorial, August 28, 1963, Martin Luther King Jr talks about his American Dream. This speech is recognized as one of the best speeches ever given at the Lincoln Memorial. As King gives his speech the reader would notice how the second half of the speech is what the world would see as the American dream. The first half consists of the actual reality, nightmare, of the world the constant state that seems never to change. Throughout the speech a person can hear one of the primary themes, dream, repeated constantly eleven times to be exact. Although King acknowledges the metaphor of reality, he explores the archetypical metaphor of a dream.
However, regardless what the subjects are, the definition of them are changing as the era changes. By listening too much negative information from the mass media, people's abilities of thinking, feeling are losing gradually. Babette's naively idea on challenging the whole family of preparing for the world; people's self-comfort move of buying SUV for "safety"; Jack's family buying their own satisfaction and the conversation between Jack and Murray on taking position on viewing death; they all mislead by the lopsided balance of their physical and psychological life. All those "plots" that cause those people to form the wrong perspective in life, are hocusing people from finding the truth of themselves as though providing people the psychological comfort from materiality; and it becomes the most common life type in this society.
For the most part, these images of violence, promiscuity and human degradation are explained away by psychologists, mythologists, sociologists, philosophers, and non-fundamentalist theologians as symbolic manifestations of the human psyche. This is an assertion that could be supported, in no small part, by the manifestations of the human psyche we see in our own violent, erotic and chaotic dreams.
Everything is a symbol. Everything has a deeper being in which it represents once it is unlocked. The father of deconstruction, Jacques Derrida, was quoted in an interview saying that deconstruction is “to not naturalize what is not natural”. Therefore symbolism is deconstruction in its rawest form. Symbols beg to not be taken at their natural face-value, but rather dived into to reach their deep inner-core of true meaning. One must use every element of deconstruction to unlock the true meaning of a symbol. Symbolism in literature allows the author to express his thoughts and motives in a way that is engaging and entertaining to the reader. The reader must dissect every bit of knowledge presented in order to reach the full fountain of knowledge that can be expressed by a symbol. Symbols are a beautiful thing. It allows the reader to make his own connections to the author’s expressions. The reader can especially be engaged in George Orwell’s 1949 dystopian novel 1984. Symbolism is important in 1984 because the reader can find connections to today’s government in Orwell’s message of control, propaganda, and oppression within the symbols that Orwell creates.
Though dreams are usually considered to be pleasant distractions, the man believes that good dreams draw you from reality and keep you from focusing on survival in the real world. The man’s rejection of dreams and refusal to be drawn into a distraction from his impending death exemplifies the futility of trying to escape; McCarthy presents dreams and memories as an inevitable conundrum not to be trusted. The man’s attitude towards dreams is established from the beginning of the novel. When battling with a recurring dream of his “pale bride” the man declares that “the right dreams for a man in peril were dreams of peril and all else was the call of languor and of death” (18). To the man, the life he lives in is so horrible that he believes that his dreams, in turn, must...
In both J.D Salinger’s The Catcher in the Rye and The Bell Jar by Sylvia Plath, symbolism is used through the employment of imagery and metaphors. These are utilized to convey universal themes, such as alienation, pressures of conventional expectations, and sexuality. Symbolism is also utilized to portray significant and meaningful messages to the audience.
The first theory used to analyze this magazine is the semiotic theory, developed by C.S. Peirce. This theory is used to find the meaning of signs and claims it is all in the meaning of the signs used. “A sign refers to something other than itself – the object, and is understood by somebody.