Winter: My Secret, by Christina Rossetti, is a journey through the seasons under a long metaphor regarding the Author’s possible secret. The poem shifts from Winter to Summer as the narrator begins to feel more safe and secure in revealing her secret. With this in mind the title may be better of being interpreted as, “Winter? My Secret.” For until warmer weather and more comfortable temperatures arrive the mysterious secret being flaunted throughout the poem will remain mysterious, and if the narrator is asked to reveal her secret during the winter months, she would swiftly refuse. There is a childlike quality about the narrator’s speech. Not in the level of language, but the in impudent quality of certain lines and words. For example, at …show more content…
Winter is portrayed as a callous season. Our narrator is too afraid of being harmed by the harsh winds of winter, to allow herself to open up and seek comfort in sharing. Winter does not represent an actual physical season, but rather an internal state of mind. So chilled is the narrators heart that she cannot feel comfortable enough to seek warmth. But, it is in those harsh winter months that one must open up the most, and find human connection in order to survive. Winter cannot be survived on one’s own. The reader must ask what has made our narrator so unhappy that she cannot seek or make her own comfort but rather be forced to wait passively until warmer and safer days. The narrator says that she wears a mask for warmth, but by wearing a mask she is not only separating herself from the cold, but from the entirety of the world. Also, even when she understands that her listeners will not harm her, even if she does reveal her secret, she still is too afraid to say …show more content…
Filled with pale green sprouts and newborn animals, the majority of people associate spring with the introduction of summer. However, the narrator still does have a positive outlook. She cannot see spring as a sign of summer, but rather as a continuation of winter. She can never let herself relax for the fear of a late wintery frost is too scary for her. It becomes quite the paradox. For if the seasons are metaphor representing narrators emotional state and willingness to have an open and healthy relationship with another person she feels safe with, she has the ability to trap herself in eternal winter. When spring arrives, a mark that the narrator may be feeling safer, she traps herself again by spring frosts, only in the summer can she truly be safe, however if she will ever find her summer is
Archibald Lampman’s “Winter Evening” and P.K. Page’s “Stories of Snow” both initially describe winter to be delicate and blissful, yet, as one delves deeper into the poem, it is revealed that the speakers believe winter to be harsh and forceful. Archibald Lampman’s “Winter Evening,” starts describing an evening
He uses Charles Halloway to translate to the reader how he wants the seasons to be seen throughout the novel. Autumn is seen as the wicked, referring mainly to those involved in the carnival and their plans to capture the souls of others. Summer, although not one character is described as summer, represents the good in one’s heart. The majority of the people are seen as both summer and autumn people meaning that although they are good at heart, all carry a sort of wickedness within them. The importance of summer and autumn is the barrier it sets between two different types of
“Winter lies too long in country towns; hangs on until it is stale and shabby, old and sullen” (“Brainy Quotes” 1). In Edith Wharton’s framed novel, Ethan Frome, the main protagonist encounters “lost opportunity, failed romance, and disappointed dreams” with a regretful ending (Lilburn 1). Ethan Frome lives in the isolated fictional town of Starkfield, Massachusetts with his irritable spouse, Zenobia Frome. Ever since marriage, Zenobia, also referred to as Zeena, revolves around her illness. Furthermore, she is prone to silence, rage, and querulously shouting.
John Riquelme’s essay For Whom the Snow Taps: Style and Repetition in “The Dead” proposes two possible interpretations of the story. The essay describes the variations of meaning behind the recurring thematic purpose of the story, but even more so, points out the repetition of the symbol of snow. Focusing mainly on the celebrated last passage of the story, Riquelme harps on the transformat...
In “What lips my lips have kissed, and where, and why?” Edna St. Vincent Millay says that “the summer sang in me” meaning that she was once as bright and lively as the warm summer months. In the winter everyone wants to bundle up and be lazy, but when summer comes along the sunshine tends to take away the limits that the cold once had on us. She uses the metaphor of summer to express the freedom she once felt in her youth, and the winter in contrast to the dull meaningless life she has now. There are many poets that feel a connection with the changing of seasons. In “Odes to the West Wind” Percy Bysshe Shelley describes his hopes and his expectations for the seasons to inspire the world.
But it didn’t last, this happiness of Helga Crane’s. Little by little the signs of spring appeared, but strangely the enchantment of the season, so enthusiastically, so lavishly greeted by the gay dwellers of Harlem, filled her only with restlessness. Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of someth...
For each seasonal section, there is a progression from beginning to end within the season. Each season is compiled in a progressive nature with poetry describing the beginning of a season coming before poetry for the end of the season. This is clear for spring, which starts with, “fallen snow [that] lingers on” and concludes with a poet lamenting that “spring should take its leave” (McCullough 14, 39). The imagery progresses from the end of winter, with snow still lingering around to when the signs of spring are disappearing. Although each poem alone does not show much in terms of the time of the year, when put into the context of other poems a timeline emerges from one season to the next. Each poem is linked to another poem when it comes to the entire anthology. By having each poem put into the context of another, a sense of organization emerges within each section. Every poem contributes to the meaning of a group of poems. The images used are meant to evoke a specific point in each season from the snow to the blossoms to the falling of the blossoms. Since each poem stands alone and has no true plot they lack the significance than if they were put into th...
"To Autumn." Brooklyn College English Department. Brooklyn College, 19 Feb. 2009. Web. 18 Dec. 2013. .
Have you ever seen snow before? That white fluffy stuff that covers the ground completely. Well if you have, I am sure you have overcome an obstacle in your life and have reached something “irreplaceable and beautiful” (102). Just like Sister Zoe had said when she saw that snow falling from the sky. This story was very enlightening because the way the author brought in herself and portrayed herself through the character Yolanda was very intriguing. She brought the subject to life in many ways. However, the author of “Snow” uses two specific elements, its symbolism and its character to prove how overtime one individual will be able to overcome obstacles. Not only does theses elements point this out but the narrator also makes an impact of the reader as well.
Fitzgerald, F. Scott. “Winter Dreams.” American Literature. Ed. Nina Baym. Seventh ed. Vol. II. New York: Norton & Company, 2008. 1010-25. Print. The Norton Anthology.
Literally, this is a poem discribing the seasons. Frosts interpertation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer. Spring is portrayed as painfully quick in its retirement; "Her early leaf's a flower,/ But only so an hour.". Most would associate summer as a season brimming with life, perhaps the realization of what was began in spring. As Frost preceives it however, from the moment spring...
Another example is when he describes him sleeping as Wendy 'holds him as he drifts to dreamland' like a Christmas angel guiding him through troubled times. Once he meets Wendy, everything seems to turn into fantasy, 'Fairies, pinewood elf and larch tree gnome', which shows his childlike mind. However, the whole poem changes its feel after you read the last phrase, 'slumber-wear'. This gives the poem a very strange quality, knowing that the boy is still very young and already up to no good.
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
The speaker reflects on the teenage girl’s childhood as she recalls the girl played with “dolls that did pee-pee” (2). This childish description allows the speaker to explain the innocence of the little girl. As a result, the reader immediately feels connected to this cute and innocent young girl. However, the speaker’s diction evolves as the girl grew into a teenager as she proclaims: “She was healthy, tested intelligent, / possessed strong arms and back, / abundant sexual drive and manual dexterity” (7-9). The speaker applies polished language to illustrate the teen. This causes the reader not only to see the girl as an adult, but also to begin to grasp the importance of her situation. The speaker expresses what the bullies told this girl as she explains: “She was advised to play coy, / exhorted to come on hearty” (12-13). The sophisticated diction shifts towards the girl’s oppressors and their cruel demands of her. Because of this, the reader is aware of the extent of the girl’s abuse. The speaker utilizes an intriguing simile as she announces: “Her good nature wore out / like a fan belt” (15-16). The maturity of the speaker’s word choice becomes evident as she uses a simile a young reader would not understand. This keeps the mature reader focused and allows him to fully understand the somberness of this poem. The speaker concludes the poem as she depicts the teenage girl’s appearance at her funeral: “In the casket displayed on satin she lay / with the undertaker’s cosmetics painted on” (19-20). The speaker elects not to describe the dead girl in an unclear and ingenuous manner. Rather, she is very clear and
...fall of snow and the unremitting “sweep” of “easy wind” appear tragically indifferent to life, in turn stressing the value of Poirier’s assessment of the poem. Frost uses metaphor in a way that gives meaning to simple actions, perhaps exploring his own insecurities before nature by setting the poem amongst a tempest of “dark” sentiments. Like a metaphor for the workings of the human mind, the pull between the “promises” the traveller should keep and the lure of death remains palpably relevant to modern life. The multitudes of readings opened up through the ambiguity of metaphor allows for a setting of pronounced liminality; between life and death, “night and day, storm and heath, nature and culture, individual and group, freedom and responsibility,” Frost challenges his readers to delve deep into the subtlety of tone and come to a very personal conclusion.