Although summer and the autumn are right next to each other, the two seasons are completely different. Ray Bradbury uses the seasons, autumn and summer, to characterize different people in Something Wicked This Way Comes. Bradbury uses the literal description of summer and autumn and translates it onto the characters in his novel. “First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: school begins. Consider August, a good month: school hasn’t begun yet,” (Bradbury, 1) September, an autumn month, is considered bad. Bradbury uses this to describe those in the carnival, those who have a sort of wickedness to them. August, a summer month, is a good month for the boys which is why Bradbury uses summer to describe the good in a person. However, Bradbury also mixes the seasons together to represent those who are not only warm, but they have a sort of wickedness to them. Summer versus autumn is used to demonstrate the different characteristics of people within the novel. Autumn is used to depict those who pose a threat towards other people, it is commonly used throughout the novel to describe those associated with the circus. The circus is seen as evil to the boys …show more content…
and Charles as well. When Charles Halloway begins to explain to the boys what the circus really is he explains what he believes are autumn people and goes on to state, “1860. 1846. Same ad. Same names. Same initials. Dark and Cooger, Cooger and Dark, they came and went, but only once every twenty, thirty, forty years, so people forgot. Where were they all the other years? Traveling. And more than traveling. Always in October: October 1860, October 1860. October 1888, October 1910 and October now, tonight.” His voice trailed off. “… Beware the autumn people…” (Bradbury, 192) Will’s father are referring to Dark and Cooger when he says, “Beware the autumn people.” This shows that he believes that the autumn people are wicked. He does not trust them which is why he states beware. In addition to Charles’ word choice, his reaction seems to be somewhat scared or worried because his voice trails off giving a sense of mystery and the feeling of insecurity. The carnival also takes place during autumn and is seen as the wickedness that enters the town. This specific carnival arrives only in October. Summer is commonly associated with the idea of warmth and kindness, Bradbury . Although Charles believes that no one is solely a summer person, the season is still associated with kindness and a sort of warm personality. Will is a common example of someone that can be characterized as a summer person. The novel often describes the young boys features using the term summer. When describing Will’s facial features, Bradbury explains, “ Charles believed that there are not many summer people, instead there are those who are partially summer people and partially autumn people. Summer and and autumn go together in a sort of yin yang that Will’s father explains. “Charles Halloway shook his head. ‘Oh you’re nearer summer than me. If I was ever a rare fine summer person, that’s long ago. Most of us are half and half. The August noon in us works to stave off the November chills. We survive by what little Fourth of July wits we’ve stashed away. But there are times when we’re all autumn people,’” (Bradbury, 193). At this point in the story, Charles has just explained how Dark and Cooger are autumn people. By stating “there are times when we’re all autumn people,” Charles is expressing that we are autumn people. Bradbury uses autumn’s and summer’s literal characteristics and translates them into the characters within the novel.
He uses Charles Halloway to translate to the reader how he wants the seasons to be seen throughout the novel. Autumn is seen as the wicked, referring mainly to those involved in the carnival and their plans to capture the souls of others. Summer, although not one character is described as summer, represents the good in one’s heart. The majority of the people are seen as both summer and autumn people meaning that although they are good at heart, all carry a sort of wickedness within them. The importance of summer and autumn is the barrier it sets between two different types of
characters.
In the novel Something Wicked this Way Comes, the author demonstrates a variety of tones through the character of Miss Foley. Ray Bradbury shows a desperate tone through, “Miss Foley had first noticed, some years ago that her house was crowded with bright shadows of herself” (Bradbury 121), by demonstrating how Miss Foley desires some kind of company. This shows a desperate tone by showing how Miss Foley loathes to become younger in order to change her past by getting married and having children. This desperate tone is used to emphasize how Miss Foley feels companionless and is desperate to go on the carousel. A desperate tone is also emphasized through, “she’s gone, bring her back, she’s gone bring her back” mourned the girl, eyes shut” (159)
... his mother had passed in the “spring instead of the winter” their marriage “would not have happened” (Wharton 56). Deep irony and tragedy appears numerously throughout the novel. In the beginning of the novel, the narrator learns that the “smash-up” happened “twenty-four years ago from next February” (Wharton 3). After February comes springtime. Whenever Zeena leaves town to seek new advice from a new doctor, she often goes to a town called Springfield. The word “stark” means hard, bare and difficult, however outside of Starkfield “Springfield” exists where Zeena retrieves medicine and advice. The last time she went to Springfield she spent twenty dollars worth of Ethan’s money to pay for an electric battery, which she never used. Trips to Springfield are very costly and never cure Zeena’s illness. This shows how springtime and health is false hope for the Fromes.
Authors often make use of rhetorical strategies for additional effects, appeals to the reader, relating to an audience, or even for simply drawing attention to a specific section/part of a work. Nonetheless, these Rhetorical Strategies can prove crucial in the unraveling of such a work. The preceding is the case for a work entitled Something Wicked This Way Comes, by Ray Bradbury. Within the context of the story, a circus enters a small town and changes its overall atmosphere with never before seen mystical evils. Only two boys, Will Halloway and Jim Nightshade, stand in their way. These uncanny occurrences bring out the morality and malevolence of several characters in the story. In Bradbury’s work, there are many discrepancies in the moralities of each character relative to the development of the plot and their overall portrayal in the novel. Bradbury adds many instances in which certain characters have to make a choice between what they wish to do and what they should do. Such decisions accurately portray the conflict as an internal discontinuity between the ultimatums of good and evil. Thus, making the readers question his or her interpretation of each and challenge the societal parameters that encompass them.
In John Knowles’ novel, A Separate Piece, the main Character, Gene Forrester, has to learn to become friends with his hazardous roommate, Phineas, at his school, Devon, in New Hampshire. The novel is affected by a number of changes, however the largest and most significant change is the change in seasons. In Thomas C. Foster’s novel, How to read literature like a Professor, chapter twenty explains the significance of the seasons. Foster states that, “Summer [symbolizes] adulthood and romance and fulfillment and passion,” while, “ winter [symbolizes] old age and resentment and death.” John Knowles’ book A Separate Peace, all aspects of Summer, Fall, and Winter are excellently represented as explained in Thomas C. Foster’s novel, How to read
Friendship is defined as the emotion and conduct of two people who care deeply for one another in a platonic manner. Something Wicked This Way Comes, written by Ray Bradbury, explored the friendship between two childhood friends, Jim Nightshade and Will Halloway, as they defeated the danger in their city, Greentown. William F. Russell portrayed in his version of Damon and Pythias the friendship of Damon and Pythias as they learned the importance of time and death. Jim and Will truly embodied friendship compared to Damon and Pythias through their struggle and triumph, Damon and Pythias along with Jim and Will displayed the meaning of being a true friend.
In “What lips my lips have kissed, and where, and why?” Edna St. Vincent Millay says that “the summer sang in me” meaning that she was once as bright and lively as the warm summer months. In the winter everyone wants to bundle up and be lazy, but when summer comes along the sunshine tends to take away the limits that the cold once had on us. She uses the metaphor of summer to express the freedom she once felt in her youth, and the winter in contrast to the dull meaningless life she has now. There are many poets that feel a connection with the changing of seasons. In “Odes to the West Wind” Percy Bysshe Shelley describes his hopes and his expectations for the seasons to inspire the world.
F. Scott Fitzgerald uses the seasons as an intricate part of the setting in "Winter Dreams". The seasons are a reflection of the human life cycle. We are given Dexter's outlook of each season throughout the story. Dexter Green longs to live the American Dream of a prosperous life with a beautiful family like the rich people he encounters at the golf course.
On the other hand, poor weather in the novel was used to foreshadow negative events or moods. In the opening of the novel, when Jane was living in Gateshead, she was reading while an unpleasant visit of John Reed was foreshadowed: “After it offered a pale blank of mist and cloud: hear, a scene of wet lawn and storm-beat shrub” (2).
Fitzgerald appeals to his audience's senses by describing the weather conditions and depicting the season changes. This creates a nostalgic tone by relating to the readers similar experiences. During summer, the days get longer and night becomes more distant, the sun gets hotter and the warmth lingers into the later hours—you set out on an adventure and the sun follows behind. Wistful moods are overcome by beautiful weather. “Sunshine” is associated with happiness and warmth which relates to Gatsby’s inner feelings and emotions. The sunshine reflects Gatsby’s mood; he is ecstatic, yet nervous, to see Daisy again—it has been five long, hard-working, anticipating years—and he needs to impress her. You wait all year for summer, through three undesirable seasons because it is associated with unforgettable memories, like the memories Gatsby shared with Daisy before he had to go to war.
Morrison has divided her portrayal of a fictional town of blacks, which suffers from alienation and subjugation, into four seasons. I believe that her underlying message is to illustrate the reality of life's travails: the certain rhythms of blessings and tragedies. Some blacks understand and acccept this philosophy and Morrison's use of the seasons portrays and echoes the bible verse, "To every thing there is a season, and a time to every purpose under the heaven"(Ec. 3.1). Perhaps this is a fatalistic approach or as Darrow says,
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
... setting and the rough, dark characters. More literally how the characters have to battle against the weather and the setting for their own survival, mentioned by Brontë several times in the novel is the fact that people could drown out in the moors. Also the setting seems generalized, meaning everything looks very similar to everything else and one could easily get lost if they did not know the way and were unescorted, exemplified by Lockwood when he is trapped at Wuthering Heights during a blizzard and asks for a guide, which is then refused by Heathcliff. Brontë is that being a victim is classless; it affects everyone and can happen to anyone and Wuthering Heights is the perfect example of victimization, whether it’s through fate, circumstance, real or supernatural.
In line 12 he addresses Autumn's rhetorical question. It is clear that Autumn is the time for harvesting, gathering and preparing for the Winter that lies ahead. The stanza ends appropriately in that it literally describes the process of the last apples being pressed for cider, but more importantly it describes the last breaths of life being squeezed out of Autumn.
Toni Morrison uses the four seasons to divide the novel The Bluest Eyes into four sections. Morrison disregards the expectancies usually associate each season by deliberately going out of her way to reconstruct the normal associations of the season with something completely different. Morrison depicts the opposite of the traditional symbolism for each season to illustrate how abnormal the events that take place are. Winter is usually the time where things die so that it may be revived; however for Pecola there is no "new life", there is only false hope. For instance, Maureen is very nice to Pecola for a short time, giving Pecola hope in having found a new friend, but then she calls Pecola ugly like everyone else does, and the hope dies. This is a demonstration of the cold,
A multitude of feelings and sentiments can move a man to action, but in Emily Brontë’s Wuthering Heights, love and revenge are the only two passions powerful enough to compel the primary actors. There is consensus, in the academic community,1 that the primary antagonist in the novel, Heathcliff is largely motivated by a wanton lust for vengeance, and it is obvious from even a cursory reading that Edgar Linton, one of the protagonists, is mostly compelled by a his seemingly endless love for his wife, and it even seems as if this is reflected in the very nature of the characters themselves. For example, Heathcliff is described as “Black-eye[d]” [Brontë,1], “Dark skinned” [Brontë, 3] and a “dirty boy” [Brontë, 32]; obviously, black has sinister connotations, and darkness or uncleanliness in relation to the soul is a common metaphor for evil. On the converse, Edgar Linton is described as blue eyed with a perfect forehead [Brontë, 34] and “soft featured… [with] a figure almost too graceful” [Brontë, 40], which has almost angelic connotations. When these features and the actions of their possessors are taken into account, it becomes clear that Edgar and Heathcliff are not merely motivated by love and revenge as most academics suggest, but rather these two men were intended by Brontë to be love and hate incarnate.