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Grease analysis the movie
Grease movie review essay
Grease analysis the movie
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magine it is 1950 in the beautiful state of California; love is in the air on a beautiful beach, but summer is coming to an end and it is time to say goodbye. A story just like this was brought to life in a film titled Grease in 1978. The film follows the romantic adventures of two high school students in the 1950’s. The film catches your attention from the beginning scene on a beautiful beach. Two teenagers who had a summer love affair must come to terms with saying goodbye. Immediately following the beach scene, viewers begin to see the troubled relationship unfold because of the pressures of high school. John Travolta plays the role of Danny while Olivia-Newton John plays the role of Sandy. When the summer ends both characters are convinced …show more content…
A critic review written by Michael Booth states “Grease, now 30 years old, if you can believe it, holds up for new generations because it captures the enthusiasm of youth and the vibrancy of California’s sunshine-and- cars culture.” In this review, Booth also points out that Grease still holds up as the highest grossed musical film in history. According to AMCs Filmsite, Grease is listed as one of the greatest films of 1978. This film has survived the test of time because of its comical, vibrant, and unforgivingly raw version of 1950s teenage love and life. The film includes many scenes that show teenage life and struggles that took place during this time. A scene that is relatable to teenagers then and now is when Rizzo and Kenicke are messing around in the back of his car; the condom breaks before the two engage in sexual activity but the naïve teenagers decide to chance not using one. Shortly following the condom mishap, Rizzo thinks she is pregnant and classmates go around talking about “the bun in her oven.” The obscenity of teenagers in this film is still seen today in many high schools across America, making this film relatable to many. Teenagers and young adults around the world can relate to the humor and sexual banter while most adults have seen the classical film keeping it relevant and on DVD shelves to be
The forward-tracking movement as used in Ernie's restaurant suggests the forward-tracking shot that is used throughout the film to show Madeleine has an allure for Scottie. Ernie's scene evokes the backward-tracking shot used throughout the film to show how Scottie is bonded to his object of desire. Together they bring out the character that an individual is playing in the film. The camera movement in Ernie’s Restaurant brings out forward and backward tracks that defines the point-of-view structure, but here the camera movement does not straight forwardly articulate a point of view. Instead, the camera is self-consciously sets up to show the relationship between the elements of the point-of-view structure that the rest of the film enacts.
The movie, Soul Food, is a story about an African-American family, the Joseph’s, from Chicago that gets together every Sunday for soul food dinners. The story is told by Ahmad and he talks about the issues that face his family once the matriarch of the family, Big Mama, is in the hospital. Big Mama has three daughters: Teri, Maxine, and Ryla. Teri is a successful lawyer who is married to Miles. Miles was Teri’s former boyfriend. This caused a strained relationship between Maxine and Teri. Maxine is married with three children. Ryla is the youngest and is newly married to an ex-convict named Lem. Ryla also just opened up her own barbershop/hair salon. Cousin Faith is the cousin that comes and goes from the family. She always comes home and finds a way to take money and then leaves for a couple of years. Big Mama is having severe complications with her diabetes. The doctors tell her that she has to get her leg amputated in order to survive. During the surgery she slips into a coma and that is when the family begins to become dysfunctional.
The film that interested me for this assignment was “Boyz n the Hood”. The movie was about a Los Angeles neighborhood expanding of drug and gang culture, with increasingly tragic results. It was about how one teen had family support to guide him on the right path in life regarding the social problems around him. The other two teens in the film wasn’t as fortunate and fell into the social problems of drugs, violence, and gangs; where one ended up dead.
In the recent past year or two, a woman’s natural hair has become a big thing. Before, African American women, to be specific, were so disgusted by their hair. They would do anything in their power to change the “nappy” aspect of their hair to “beautiful”. They would use relaxers very so often and hot combs.
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
What if I told you that I know the outcome of your life and where you will end up before you even know it? Wouldn’t you be scared? See for a regular person who has a supporting family around them this question will almost feel almost like a death sentence. Nobody wants anyone to judge them before they even go through life on what they will end up being.
In this paper I am going to write about the movie “Grease.” Specifically, on the two main characters Sandy and Danny. I will be describing and analyzing their interpersonal communication, but mainly on the conflict of their communication.
Of all the 1980’s films, that can be described as “Eighties Teen Movies” (Thorburn, 1998) or “High School Movies” (Messner, 1998), those written and (with the exception of “Pretty In Pink” (1986) and “Some Kind of Wonderful”(1987)) directed by John Hughes were often seen to define the genre, even leading to the tag “John Hughes rites de passage movies” as a genre definition used in 1990s popular culture (such as in “Wayne’s World 2” (1994 dir. Stephen Surjik)). This term refers to the half dozen films made between 1984 and 1987; chronologically, “Sixteen Candles” (1984), “The Breakfast Club” (1985), “Weird Science” (1985), “Ferris Bueller's Day Off” (1986), “Pretty In Pink” (1986) and “Some Kind Of Wonderful” (1987) (the latter two being directed by Howard Deutch). For the purpose of this study, “Weird Science” and “Some Kind of Wonderful” shall be excluded; “Weird Science” since, unlike the other films, it is grounded in science fiction rather than reality and “Some Kind of Wonderful” as its characters are fractionally older and have lost the “innocence” key to the previous movies: as Bernstein states “the youthful naivete was missing and the diamond earring motif [a significant gift within the film] was no substitute” (Bernstein, 1997, p.89). Bernstein suggests that the decadent 1980s were like the 1950s, “an AIDS-free adventure playground with the promise of prosperity around every corner … our last age of innocence” (Bernstein, 1997, p.1). The films were very much a product of the time in terms of their production (“suddenly adolescent spending power dictated that Hollywood direct all its energies to fleshing out the fantasies of our friend, Mr. Dumb Horny 14 Year Old” Bernstein, 1997, p.4), their repetition (with the growth of video cassette recorders, cable and satellite with time to fill, and also the likes of MTV promoting the film’s soundtracks) and their ideologies.
Femininity or the quality of being female, And both texts with many personae depicting that female characters of being more masculine. The novel tends to challenge traditional gender representations, with females being strong, challenging and courageous women. The film, however, shows women to be small, weak and "An Exhibit", this supports the contention as the film 'grease' released August 3rd, 1978, is a traditional film and thus has traditional gender representations.
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
On March 24th, 1972, one of the most widely celebrated and renowned films of all time was released to the public. Ranked number two on the American Film Intitutes 100 Years... 100 Movies list, The Godfather by Francis Ford Coppolla is an enormous, groundbreaking film whose power and influence are impossible to deny. Upon its release, it instantly became an American classic, one to be remembered and celebrated for years to come. According to Vincent Canby's New York Times review published before its theatrical release, on March 16, 1972, "Francis Ford Coppola has made one of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment."
I will be looking at the 2016 Fox production of Grease Live! particularly the song "Freddy, My Love" performed by Keke Palmer as Marty Maraschino. This version of Grease premiered February 3, 2016 on the cable television station FoxNetwork, was produced by Marc Platt Productions and Paramount Television and was watched live by almost 12.3 million viewers. I am interested in looking at the construction of ethnicity and gender surrounding Palmer as Marty, due to the fact Keke Palmer is African American, and Marty is traditionally played as a Caucasian girl, as well as narrative space and time vs film space and time, and stylized gestural vocabulary. Throughout the show, Marty is played as being overtly sexual and a main center point
“The Godfather II” is an American crime film that depicts the early life and criminal career of Vito Corleone in the 1920s, while in 1958, his son, Michael tries to expand the family crime syndicate while trying to protect the family business. The execution of the story of the “The Godfather II” stands out among many movies as retaining meritorious and lasting aesthetic values. The aesthetic merits that should be recognized in this film are the execution of the story in terms of its cinematography, the depiction of the relationship between power and corruption in human nature, and the film’s ability to convey the family values central to the Italian-American family. These aesthetic values help define the movie’s greatness of being superior to the rest of “The Godfather” movies.
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.
Hefner, Veronica. "From Love at First ASight to Soul Mate: Romantic Ideals in Popular Films and Their Association With Young People's Beliefs About Relationships." Dissertation (2011): 1-241. Print.