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The love song of j. alfred prufrock, essay
The love song of j. alfred prufrock, essay
How does symbolism depict modernism in ts eliot poems
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The poem, The Love Song of J. Alfred Prufrock, by T. S. Eliot, is in the unpleasant modern world era. Eliot portrays Prufrock as a middle-aged man who is aging and becoming bald. Prufrock is similar to Hell. The poem is a dramatic monologue that helps sets the personality. Prufrock takes us on a journey through a city that seems a lot like London. In the poem, he shows some imagery of “one-night cheap hotels” (line 6) and “sawdust restaurants” (line 7). He states women coming and going talking about Michelangelo, a famous painter from the Renaissance. Eliot uses much imagery as he allows the yellow fog to be vivid through the city. Prufrock is nervous, but sharp-looking. The poem requires involvement. The reader must observe with the mind’s …show more content…
The listener is lost just like the speaker is and will never betray to the world the content of Prufrock’s present confessions. The poem might be about bad people pretending to be good. The setting of the poem is like Hell which is why Eliot chose that epigraph. Also, Prufrock tells stories because he believes there isn’t a chance to repeat the stories to other people. Prufrock is on earth but it is being considered as Hell. There many themes for this particular poem, a few would be love, passivity, and time. Prufrock in the poem speaks about himself a lot and never decides to talk to the girl he would like to. He is constantly saying “do I dare” to every decision that comes to mind. When he says “Do I dare” about approaching the woman it shows he’s shy and may fear rejection. “Let us go then, you and I, when the evening is spread out against the sky like a patient etherized upon a table” (line 1-3). This quote shows his love. It seems like an invitation for a romantic time alone with the …show more content…
“In the room the women come and go” (line 12). This quote shows the women keep passing through and he doesn’t approach and talk to the woman he loves. Instead of approaching the woman he questions himself on if he should or not. He keeps passing time by questioning everything he thinks about doing.
Therefore, another theme could be time. Prufrock is wasting so much time debating on if he dares instead of taking action. Most of his life are wasted years because he doesn’t decide what to ever do. By the end of the poem Prufrock is old and hasn’t made many decisions in his life. He talks about wanting to approach the woman, debating on eating a peach but doesn’t because he doesn’t know if he should. He doesn’t want to “disturb the universe” (line 46). Samet Güven says, “Hence, the title of the poem is ironic since Prufrock never talks about his feelings of love throughout the poem” (pg 81). Prufrock doesn’t ever approach the woman nor expresses his love for her throughout the poem. He instead spends his whole life asking himself if he dares. He misses out on a lot of opportunities. Prufrock throughout the poem never mentions
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
The beginning of the poem is pre -empted by an excerpt from Dante's Inferno which Eliot uses to begin his exploration of Prufrock's self-consciousness. By inserting this quote, a parallel is created between Prufrock and the speaker, Guido da Montefeltro, who is very aware of his position in "hell" and his inability to escape his fate. Prufrock is also very aware of his current status, but doesn't realize until the end that he is unable to rise above it. The issue of his fate leads Prufrock to an "overwhelming question.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
Eliot uses a number of notably modern techniques to construct his 'love song' which is, ironically, not a lyrical praise of beauty or confession of undying devotion. Instead, the reader is invited to explore the mind of a nervous man, presumably middle-aged due to the reference the "bald spot in the middle of [his] hair" (40), who is apprehensive about attending social functions where "the women come and go/Talking of Michelangelo" (13-14). This refrain, repeated in lines 35-36, represents the nature of the socialites that Prufrock encounters, individuals that use an i...
By a correct reading of "Prufrock," I mean a reading consistent with the central theme of the poet's belief made mute because the poet lives in a culture of unbelief--that is, the "silence" of the poetic vision in modernity. Prufrock renounces his inherited, romantic role as "poet as prophet" and renounces poetry's role as a successor to religion. The future of poetry may have once been immense, but that future no longer exists for Prufrock, who is faced not only with the certainty of the rejection of his poetic vision but also with a situation in which there are no grounds for rhetoric: "That is not what I meant at all. / That is not it, at all." Fear of rejection leads Prufrock to the ultimate silencing of the prophet and hero within himself, to being "a pair of ragged claws." He cannot share his poetic vision of life: to do so would threaten the very existence of that life. Paradoxically, not to share his light, his "words among mankind," threatens the loss ...
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
T.S. Eliot’s poem The Love Song of J. Alfred Prufrock has a plethora of possible interpretations. Many people argue that the poem represents a man who appears to be very introverted person who is contemplating a major decision in his life. This decision is whether or not he will consummate a relationship with someone he appears to have an attraction to or feelings for. People also debate whether or not Prufrock from the poem is typical of people today. While there are a plethora of reasons Prufrock is not typical of people today the main three reasons are he is very reserved, he overthinks most situations and he tries avoid his problems instead of solve them.
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
Handler 356-7. " The Love Song of J. Alfred Prufrock" is one of the most influential poems of the twentieth century (Williams 49). It is certainly not a love song like any that has been written before. The second and third lines shock the reader because of their unusual imagery that would be out of place in a traditional love poem, describing the setting sunlit sky as looking "like a patient etherised upon a table" (Eliot 3). This "etherised" outside world is the key to understanding all of Prufrock's views.
The title T. S. Eliot chose for his poem "The Love Song of J. Alfred Prufrock" is ironic. Mr. Prufrock does not love anyone, nor does he believe he is loved. He has disdain for the society of which he wishes he were a part, and he believes society views him no differently. The imagery of Mr. Prufrock's thoughts provide the audience a more detailed insight into his character than had Mr. Eliot simply listed Mr. Prufrock's virtues and flaws. Mr. Prufrock is seen as an exaggeration or extreme for the sake of literary commentary, but the world has many Prufrocks in many differing degrees, and T. S. Eliot has made them a little easier to understand.
With time poems may have lost their voice, but not their importance. Up to this day, poetry is still one of the greatest forms of artistic expression; Poems speak to emotions and capture feelings. There is no right format of a poem, but yet a world of possibilities. Instead being unchangeable poems are innately open to interpretation; they should be spoken out loud in order to be “heard”, convey truth and cause impact. The Love Song of J. Alfred Prufrock by T.S. Eliot is an extremely meaningful poem; it is one of Elliot’s best-known works and without a doubt a masterpiece (Hillis). T.S. Eliot introduces the poem with a quote from Dante's Inferno (XXVII.61-66), and with that sparks our curiosity. He then makes statements and questions that perhaps everyone has done, or will do at some point in life (Li-Cheng, pp. 10-17). The poem is a legitimate work of the modernist movement, the language used is contemporary; the verses are free and the rhythm flows naturally.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...