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Positive and negative effects of media
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Recommended: Positive and negative effects of media
Documentaries and films can be utilized in many different ways in order to positively contribute to solving our most dire social and environmental issues facing humanity and our planet. The film “Elemental” is primarily a descriptive documentary that shadows the life of three individuals in three very different regions of the world that are connected by their passion to confront some the prevalent ecological threats pressing their homelands. Additionally, the documentary provides some instrumental insight by informing viewers of how to effectively take part in environmental activism through demonstrations, fund-raising, community organizing, campaigning, and political protests.
The film follows their lives and conveys the unique stories of
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Elemental allows for the audience to yield educational moments from the successes and failures of each individual’s journey in influencing positive changes for our environmental well-being. For instance, Eriel Deranger who was hired by Rainforest Action Network to do community organizing, activism, and advocacy work, decided to protest the British Royal Bank, who provided much of the funding for the Tar Sands Keystone XL Pipeline project with out prior approval from her bosses. Due to the British Royal’s power and influence and worried that these attacks would lead to expensive law suits or create problems for the organization, the financial backing for Rainforest Action Network was cut and Eriel Deranger found herself pregnant and unemployed. We could also gain knowledge from Jay Harmon’s experiences with trying to obtain start up capital from investors to bring his innovative solutions into the market. The audience and potential entrepreneurs could view the problems that can occur when trying to sell your ideas such as failed demonstrations and the biases created through establishing a family business venture. These real life learning moments that the characters go through can be viewed instrumentally and act as a tool to modify activist future …show more content…
An example is when the directors apply zooming techniques on the Ganges river pollution of industrial dumping, obscene amounts of organic and inorganic waste, and shows the poor people of India drinking, washing clothes and bathing in the same seemingly toxic water. Images of the pipeline protesters demonstrate the importance of maintaining the ecological integrity of their homelands and protecting their families against the damages created by large oil corporations. Footage of Jay Harman and his wife trying to source capital investment in business meetings encapsulates the difficulties and risks of bringing a theoretical or proposed idea of an environmental or social solution to real life and the market. All of theses examples speak to the audience to create feeling of empathy, compassion, and
In making use of extensive interviews, archival footage, and television news clips, as well as actual scenes from inside the factory, the documentary is extremely valid from a historical perspective. In his efforts to demonstrate to Americans outside of Flint what happened in his hometown, Moore's extensive use of irony draws in viewers and creates a documentary which remains compelling throughout its ninety minutes. In bringing the average person to, through the above techniques, truly care about the plight of the citizens of Flint, Moore has clearly shown that he has expertly created the documentary.
...d for the general public in order to raise social awareness in preventing polluting the world. It is important to raise social awareness on topics of this nature because it is affecting our world. It is important to consider it as every individual problem and concern rather than see it as an external issue. Saukko chose a whole new approach and technique to get into people’s mind. Usually, authors that want to point out and raise social awareness on issues of this nature, tend to be direct and straightforward about it. However, Saukko has taken it to the next level by approaching the readers in a unique way that will catch more of their attention and hopefully move their emotions on the topic.
Atop the list of the most impressive, satisfying haunted house movies created in the last decade is Insidious (although the sequel, Insidious: Chapter 2, essentially tainted it). The back-to-back stories set forth in the Insidious films focus on the Lambert family and their connection to the spirit world, which they reluctantly navigate through with the help of a team of paranormal investigators.
Difret is a feature length narrative film from Ethiopian writer/director, Zeresenay Berhane Mehari and executive producer Angelina Jolie Pitt. The film Difret is based on the inspirational true story of 1996 case of Aherash Bekale and is also inspired by the movie Schoolgirl Killer directed by Charlotte Metcalf. Hirut and Meaza- the two protagonists, show the spot-on struggle and a life-or-death clash between patriarchal sacraments and basic women rights. Difret was released in 18th January 2015. It sought to end child marriage globally through theatrical release in 2015. In total runtime of 99 minutes, it sketches a time of great transformation in Ethiopia through the depth of characters, credible plots and, significant theme.
There have been, in recent years, a number of media depictions of mountaintop removal, the affected communities, and activists standing in opposition to the prac...
In the documentary titled “No Impact Man”, we examined the journey taken by Colin Beavan, his wife Michelle, and their daughter to create no negative impact on the environment. Initially, they took measures such as buying from the local farmers’ markets, becoming vegetarian and using bicycles to go to work. However, there were some more dramatic changes that took place. Colin used worms to decompose their waste and scraps, and even resorted to using diapers made from organic wool as opposed to using plastic diapers. Even further, six months into their experiment, they rid themselves of electricity. They survived on candles, did laundry in a bathtub with natural components only, and made a pot contraption to keep things refrigerated. Although
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
Baraka is a non-linear environmental documentary released in 1992 and directed by Ron Fricke. The film is full of sweeping shots of breathtaking landscapes, intimate scenes of individuals in their environment, and time-lapse sequences of both natural and man-made structures. Without dialogue or a linear structure, the film successfully uses visual context to tell several stories that weave into the film’s overarching theme. First, Baraka tells the story of the importance of ritual and religion in the human experience, with a focus on indigenous cultures. Then, the narrative shifts focus and Baraka tells a new story, one about human modernization and the consequences of modern society. Finally, the film makes apparent its overarching theme:
The Interactive Media Flash Game will showcase an inspiring assortment of issues relevant to the environment and sustainability. These environmental issues consist of; deforestation, oil spills, waste management and rubbish. Our goal is to create an educational ‘green’ Media Flash Game that will inspire and influence the next generation (ages 11-13) to ‘Live Small, Live Close; Use Less’.
They go on to critique Ozeki for using stories about the abundant number of individuals that have been impacted by the industry. Suggesting that by doing so, it tugs at the heartstrings of the reader and motivates them to be more concerned and angered by the practices used in mass livestock farming. However, another point to the statement made is that perhaps it takes sympathetic characters and a sad story to get people to care, making the assumed intention of Ozeki’s novel a success. Harrison progresses her thought on Ozeki’s use of narration by stating, “While contextualizing stories of environmental injustice, Ozeki’s novel also suggests that awareness of how storytelling shapes environmental knowledge and ignorance is crucial to enabling political
In Caetlin Benson-Allots Chapter Paranormal Spectatorship in her book Killer Tapes and Shattered Screens, Allot looks into the recent subgenre style horror film, “the found footage” trend. Documentaries and mockumentaries have been around for a while and although those have had their fair share of fame the found footage trend is one that has taken over our movie screens since The Blair Witch Project in 1999. Many films have been modeled after The Blair Witch Project where a shaky handheld camera, mostly shot in point of view, follows around a person or group of people who ultimately are picked off one by one by some unknown person or force. And at this point I’m sure most of us have seen a film on this subject matter by now.
A Separation is a movie that deals simply with the discussion of truth, since the moment when a seemingly innocuous event - a divorce - triggers a butterfly-effect that causes unpredictable consequences. Director Asghar Farhadi turns the act of throwing someone out of a door into a catastrophic decision. The repercussions of this act reflect on the spectators, subtly implicating them and implying that they are as guilty of conventional human fallacies as the characters represented on screen. One substance of the film is the complexity of human relationships, in which family plays a crucial role in determining people’s subsequent actions and reactions. Farhadi’s central purpose is developed from inside out the spirit and personality of each character, and is not limited to the context of divorce or judicial conflict. Through this film, Farhadi exposes his anguish and discord with Iranian politics and religious principles adopted by most of the population. Also, he portrays a fascinating game of mirrors, each reflecting a number of central issues of modern life, such as the battle between the urban middle class and the suburban working class, the definition of justice, the power of religion and tradition in humans, the diffusion of pragmatic people, and the effect of progress in society. Farhadi uses of ingenious cinematic techniques as an attempt to touch the audience with a micro situation, in order to make it acknowledgeable that small circumstances can teach us about how to deal with the macro panorama of socio-cultural reality.
The technology of the 21st century has brought people of all colours, creeds, and nations to a point where, as long as you are not in China, you can have all the world’s information at your fingertips. The methods of delivering news from standing on a soapbox to a crowd of people, to the now user generated information that is made within mere seconds of an event. This information that now includes environmental issues have only really become prevalent in the media since the 1960s.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
Tonight on ‘Picture Perfect’ we will be talking about how artists use many different visual techniques to communicate their message through their artwork. The image being analysed tonight was taken by surf photographer Zak Noyle. In this image Indonesian surf champion Dede Suryana is in the barrel of a wave filled with rubbish. This picture was taken at Untung Jawa Island, a small island in Indonesia, on Monday, August 19th 2013. Noyle took the photo in hope that people would become more aware of where their rubbish goes, and cause an urgent call for action.