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Best essay on significance of street art
Best essay on significance of street art
Best essay on significance of street art
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The documentary, “Exit through the Gift Shop” is very structured. The introductions at the beginning of the film give it great context. This film shows a totally different aspect on the street art world. The general idea of this documentary is to show to its viewers that street art wasn’t about money at all. The documentary debuts a British street artist, Banksy. Throughout the film Banksy tells the story of Thierry Guetta, who is a French, Los Angeles thrift shop owner. In this film, Guetta is the primary focus. His compulsion to videotape each and every moment in his life led him to document street art.
While having the love and passion for street art, Guetta’s cousin, Space Invader, let him film his spreading of illegal street art. Space Invader introduced Guetta to several other street artists, whom also allowed him to film their street art. When Guetta hears about Banksy, he was ecstatic to find him. With Guetta’s street art reputation, the two soon meet and gain a friendship. After the bonding of their friendship, Guetta videotaped Banky’s “Guantanamo” prank that was done at Disneyland. This prank consisted of being handcuffed in an orange jumpsuit placed beside a ride at the amusement park.
While being friends and getting along that all soon changed when Banksy suggested that Guetta stop shooting and take the footage he has shot and turn it into a documentary. Guetta wasn’t much on that suggestion and Banksy decided to take over the project. Banksy decided to use the footage and add extra material to make his own movie about Guetta’s journey in this project. Banksy then pushed Guetta in a new direction, where he becomes somewhat of a street artist like Banksy. While doing street art, he shocked everyone with spectacular...
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...ngs and that is what street artists sometimes do as well, just in a different form of art. Painting on the walls sometimes helps artists reach out to the public. Often artists use smart vandalism to raise awareness for political and social issues all around the world.
Anyone who wants to learn more about the aspects of street art should definitely watch the documentary “Exit through the Gift Shop.” I’m not much on any film that has to deal with art, but this one caught my attention. If you are like me and don’t care much for any film that has to deal with art, think again! I had never heard of Banksy until I watched this documentary, and let’s just say I was astonished by his street artwork. This film explores modern art and shows people’s perceptions to art. However, this movie is not a movie intended for any children to watch due to the amount of foul language.
Within the impoverished urban streets arose a youth culture captivated by infamy and self-pride. A youth culture virtually undistinguishable from members of modern society with a passion, setting them apart from the community. The members of this underground subculture could be your next-door neighbor, your son or daughter, or the contractor repairing your roof, yet you would have no idea that they strive to “bomb” objects and surfaces found in everyday life. It is the subtle differences that distinguish a graffiti artist from the average member of society, such as their, mindset, desires, speech and active lifestyle.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Jean-Michel Basquiat, of both Puerto Rican and Haitian descent, grew up in Brooklyn and at the age of 17, ran away from his home to live in Manhattan and pursue his art career. He began as a homeless graffiti artist under the name SAMO. Throughout Manhattan, he would tag poetic phrases onto walls. An expression he used repeatedly was “Boom For Real.” It meant that he would rupture a coherent object or idea (Jean-Michel Basquiat: The Radiant Child). The end result would be a galaxy of reality made up of incoherent yet equal parts. He believed that he could do this to the art industry. He pioneered a new art form that puzzled the preceding artists. It was, essentially, graffiti that had been put on a canvas. To many Americans, graffiti was an art form for those who held little impact in the chaos of the art world, such as the average African American male. So by having his work bought and valued by people who actually had impact in the art realm, he detonated such realm. When pop star Madonna was inquired about him, she acknowledge...
” This was the start of his obsession with recording everything in his life, even if it went nowhere but into a box, never to be seen again. His habit soon became a driving force in his life. During a trip to visit his family that lives in France, he was introduced to the world of street art. That trip that he took in 1999 helped set the stone to the life that Theirry had yet to discover what it would create. In Banksy’s movie, it explains how the simple idea of putting your joy, or something that you love, up on a wall for everyone to see was an amazing thing.
The film Basquiat explores the artist Jean-Michel Basquiat, a Haitian-Puerto Rican painting in New York City during the 1980s. Working closely with Andy Warhol, Basquiat was exploited for his unique “urban ghetto” graffiti and crude style of representation. Schnabel’s film further exploits this image of the painter, depicting him in various scenes of poverty and drug addiction, dirty poor love and desperation. Our understanding of the artist is framed by excerpts from essays by art critic Rene Ricard, depicted as a flaming homosexual who leeches off of his artistic friends. Ricard observes the hypocrisy and self-indulgence of the art scene that is vital to...
The rise of vandalistic art produced by Banksy and others, has altered the way in which the public views graffiti culture. Where spray paint once represented gangs and violence, it now suggests an exciting and cutting edge artform that could potentially be a lucrative investment. In fact, Banksy’s work is so sought after that people are willing to take bricks out of buildings in order to steal it. In 2013, one of Banksy’s most famous pieces of artwork was stolen from the side of a store in the UK. It was later discovered at a US auction (Banksy Artwork Taken). “Street art has entered the art world’s mainstream, with Banksy pieces regularly selling for more than $1 million” (Salib
"Banksy Paradox: 7 Sides of the Most Infamous Street Artist | Urbanist." WebUrbanist RSS. N.p., n.d. Web. 07 May 2014.
Although other artists know who he is, Banksy doesn’t have a public face that he shows at galleries and in his documentaries. In Will Ellsworth-Jones article “The Story Behind Banksy: on his way to becoming an international icon, the subversive and secretive street artist turned the art world upside-down” he talks about one of Banksy’s earlier galleries. Ellsworth-Jones says “The show was a high-profile demonstration of the phenomenon that has come to be known as the ‘Banksy effect’—the artist’s astounding success in bringing urban, outsider art into the cultural, and increasingly profitable, mainstream” (2). Banksy’s “effect” is altering urban culture and bringing it to art galleries to be displayed and sold. In the grand scheme of things, he is commodifying graffiti and urban culture, making it more consumable and then proceeding selling and profit off of it. In A&E’s biography page for Banksy they state that Banksy’s work is unique due to the fact that it “often engages political themes, satirically critiquing war, capitalism, hypocrisy and greed.” The uniqueness of his work is a common reason different news outlets give for Banksy’s success. Contrary to popular belief, Banksy’s content isn’t groundbreaking. Artists of all mediums, including graffiti, before and during his time have touched upon all of the same themes as
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Activism comes in all shapes and sizes, and when someone does it in an unusual way it cannot go unnoticed. Banksy’s “The Flower Thrower” is a perfect example of this due to the fact that it’s vandalism with a deeper meaning. The man known as Banksy is a graffiti artist and a political activist, and the most intriguing thing about him is that he chooses to remain anonymous. There are many theories about his identity, one even claiming that he is a fictional character. Despite proof of his identity, several countries are on the look out for him. Many have even issued warrants for his arrest because his public works are considered vandalism. His paintings are known for making people question their everyday lives and really
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),
Those who argue that street art is nothing more than graffiti that violates personal property do not characterize it as a valuable art form. These critics argue that some places cannot afford to keep the property clean; if it gets really bad, the whole building will have to be painted, and that is expensive (O’Lear). Unwanted artwork will cause economic problems with removing the art from illegally used canvases such as building, billboards, and sidewalks. Critics also uphold that there are numerous outlets that people could use that are more tasteful and less destructive. (O’Lear). Turkey Stremmel, the co-owner of Stremmel Gallery, suggests that there are other ways to create the murals artists plaster on street surfaces. Artis...
Banksy and Fairey are both grateful to Guetta for filming their illegal activities. As a budding artist with the desire to make a grip on street art, Guetta knows that he needs to learn from among the best to cut out an image of himself. After shooting the illegal adventure, Guetta is pursued by the park security and is taken to an interrogation room for questioning. This episode shows that connection between street art and the constant pursuit by enforcement agencies. Being caught by an enforcement agent is more like a social culture of the street artists who cover their identities through masks. As a result, Guetta’s interrogation by the park security concerning his artistic activities reinforces his affiliation to the group. As a result, his filmography allows him to create a self-identity that boosts his authenticity as an artist. Furthermore, Guetta has an emotional attachment to his artwork. As Peterson notes, emotions are the undistorted perception of the immediate psychological utility. Therefore, through Guetta’s emotional affiliations, the authenticity of his art could be established.
Later on, in the 20th century and the beginning of the 21st century, street art evolved. The accessibility to different types of media and materials made it into this complex interdisciplinary form of artistic expression, through the use of different art forms. Expanding into the media of “graffiti, stencils, prints, and murals, through large-scale paintings and projects of artistic collaboration, to street installations, as well as performative and video art,” Bojan Maric argues “that street art has found its way into the core of contemporary art.” However, to categorize street art as contemporary art it displays an unjust impression of it. Shelley Esaak explains that “Contemporary just means "art that has been and continues to be created during our lifetimes. In other words, contemporary to us.” This art style started just after the late 20th century till know and before that was the Modern Movement that is very similar. Unfortunately, street art is a predecessor, existing many years before the concept and establishment of contemporary art. Undoubtedly to consider street art as a core entity of contemporary art is accepting to forget the important history behind
Banksy’s artwork was effective in achieving it’s purpose because of it’s appeal to the heart, and in what is perceived as a dismal area where there is little hope, it most likely affected the view some may have on life, if not for just a moment.