Essay About Street Art

Since the 1980’s Berlin has been known as the mecca of graffiti, yet in recent years many of the Street art is being relocated into galleries. It is often said that street art is rooted in Berlin cultural DNA defining the community’s living in these areas. The narrative of a community is ever changing. Simultaneously this is part of the evolving ideology of the individuals living in this societies. Yet street art is more prominent in areas that have been forgotten. Trough history we have seen many communities be oppressed and silent, and have used street art as their voice. Throughout the world. It is a hybrid form of artistic expression, transforming cities all around the world. By evoking the intangible and tangible of culture, through the

Yet this definition is the most superficial way of explaining street art. We all clearly understand that street art is formed on the street a public space and sometimes with permission to do so. Myself included I have personally experienced, being commissioned for my street art. The narrative is evolving, yet street art is still connected to being somewhat negative. Even though street art is moving into galleries and museums, the legality is questionable. New museums have begun to open to feature commodities of street art, including The Museum for Urban Contemporary Art in the Schöneberg neighborhood of Berlin. The museum’s executive creative director and chief curator, Yashi Young always believed that “Berlin has a strong history of walls — whether it’s good history or bad history — and the expression of graffiti has always been very strong. After the war, the city has constantly tried to find itself and continues to do so, and when a city does that, it offers great potential for creative minds and creative talent.” Clearly, street art is not meant to hurt anyone, but to let the oppressed voices to be

Later on, in the 20th century and the beginning of the 21st century, street art evolved. The accessibility to different types of media and materials made it into this complex interdisciplinary form of artistic expression, through the use of different art forms. Expanding into the media of “graffiti, stencils, prints, and murals, through large-scale paintings and projects of artistic collaboration, to street installations, as well as performative and video art,” Bojan Maric argues “that street art has found its way into the core of contemporary art.” However, to categorize street art as contemporary art it displays an unjust impression of it. Shelley Esaak explains that “Contemporary just means "art that has been and continues to be created during our lifetimes. In other words, contemporary to us.” This art style started just after the late 20th century till know and before that was the Modern Movement that is very similar. Unfortunately, street art is a predecessor, existing many years before the concept and establishment of contemporary art. Undoubtedly to consider street art as a core entity of contemporary art is accepting to forget the important history behind