In 2006, the classic television show Sesame Street decided to change one of their fan favorite character’s, the Cookie Monster. During this time childhood obesity was a hot topic. The creators of Sesame Street spoke strongly against obesity and saw it as their duty to promote fighting against it by slowly morphing Cookie Monster in to a Veggie Monster. The decision was met with immediate outrage and many felt that changing a beloved American cultural icon was sacrilegious. In 1967, three monsters were designed for a commercial for General Foods, later two of them would be adopted for Sesame Street. One was the Grouch who lived in a trash can and the other was everyone’s favorite Cookie Monster. He would gain his persona later in one episode …show more content…
It’s not unreasonable to create a lovable character with an Achilles heel, like in the case with the Cookie Monster. He has been shown to teach kids in the past about gluttony for he is a cookie monster. Devouring innumerable cookies and sometimes stealing them from other characters. This was used to teach kids not to steal as well as the dangers of gluttony but more importantly temptation. However, Cookie Monster’s zealous devouring of cookies has been argued as being a bad influence upon …show more content…
At this point, Cookie Monster was no more and transformed into the Veggie Monster. This came with a resounding backlash. The outcry from incorporating veggies to the Cookie Monster was nothing compared to the destruction of this iconic American icon. The outcry was apparently too much for Sesame Street, for in 2013 they brought back the Cookie Monster but with the lesson of delayed satisfaction. This is best displayed in the short where Cookie Monster is rejected a cookie from Tom Hiddleston. Who ironically plays Loki the Norse god of deceit and trickery in the Marvel Cinematic Universe. In it, Tom Hiddleston teaches the Cookie Monster patience with the promise reward of more cookies if he waits. The climax has Cookie Monster pleading for mercy at the feet of Loki, before being presented with a plate full of chocolate chip cookies. With a cry of, “Cookie!” the Cookie Monster vigorously charges into the cookies with only a bleak break from the carnage when asked if waiting makes it tastes better, with the swift response of “Yes, it
Kingsolver asserts that this lack of a food culture is the cause of America’s obesity epidemic, supporting her assertion with statistics that state that we produce twice as many calories as we need. Kingsolver also describes the process by which almost all of the produce, such as corn and soy, are turned into oils or fed to livestock in factory farms. Those high calorie oils make their way into all of our foods, especially into junk foods. Junk food ads specifically target children, and yet when the children become obese, it is portrayed as a “failure of personal resolve”, leaving the companies producing the
of Philip Morris, said “People could point to these things and say, ‘They’ve got too much sugar, they’ve got too much salt […] well, that’s what the consumer wants, and we’re not putting a gun to their head to eat it. That’s what they want.” (Moss 267) However, consumers are being unconsciously forced to fund food industries that produce junk food. Companies devote much of their time and effort into manipulating us to purchase their products. For instance, Kraft’s first Lunchables campaign aimed for an audience of mothers who had far too much to do to make time to put together their own lunch for their kids. Then, they steered their advertisements to target an even more vulnerable pool of people; kids. This reeled in even more consumers because it allowed kids to be in control of what they wanted to eat, as Bob Eckert, the C.E.O. of Kraft in 1999, said, “Lunchables aren’t about lunch. It’s about kids being able to put together what they want to eat, anytime, anywhere” (Moss 268). While parents are innocently purchasing Lunchables to save time or to satisfy the wishes of their children, companies are formulating more deceiving marketing plans, further studying the psychology of customers, and conducting an excessive quantity of charts and graphs to produce a new and addictive
This documentary takes a look at how our school’s lunch programs and government play a role in the spread of obesity across the nation. The film really attempts to drive home the idea that our children are being immorally brainwashed into wanting unhealthy foods. At some points of the film, it appears that the director uses big companies and school lunches as a scapegoat for our nations crisis. It is a valid point that our nation’s children are being
Analysis of Jack Johnson's Cookie Jar Jack Johnson’s song, “Cookie Jar” is a powerful influence to
However, the image displayed in the Time Magazine's September 30th 2002 issue, is an image that is hard to decipher and, most importantly, is an image that is hardly a likeness to the icons imprinted in the minds of fast food lovers across the nation. The catchy illustration invades an article tentatively titled, "Can McDonald's Shape Up?" The cartoon portrays an obscenely rotund Ronald McDonald pacing stressfully on a treadmill. The editorial cartoon is not for everyone to understand, yet it still seems to be generally humorous in its own context. At first glance, the cartoon seemingly pokes fun at the growing obesity in America. This observation is perhaps due to the rewarding conveniences of fast food.
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
In the novel, Frankenstein, a doctor named Victor Frankenstein created a monster. Victor’s monster was created using old human parts, chemicals, and a “spark.” Victor wanted to create this monster in order to benefit mankind, and for the purpose of playing God. Victor thought his creation would turn out great, but in all actuality, his monster ended up terribly wrong (Shelley, 145). The monster was a deformed man, standing eight feet tall, with yellow eyes, black hair, black lips, and skin that did not conceal his internal features (Shelley, 144-145). Even though the monster was very grown, he had the mind of a newborn child, and he was very kind and gentle (Shelley, 327). The monster’s appearance terrified Victor, and he immediately abandoned it. Dr. Victor Frankenstein also never named his creation because he disliked it that much. The monster was longing for love, and since no one loved him, he became very violent. He ended up killing Victor’s brother and best friend out of pure revenge (Shelley, 193). Anytime the monster tried to help people, he was bea...
...that had to become evil in order to get what he wants. It was Frankenstein and the society’s fault that the monster actually turned into a monster, they didn’t reach out to him, and instead they froze him out of the society because of his looks.
When the monster (also Nature) is created, the role of antagonist and protagonist changes due to enforcement. When the monster was created, it wasn’t the antagonist. It tried to do many good things such as saving a small girl. Those good deeds were never rewarded, causing the monster to be disgusted with humanity making it, by...
What is a monster? The word "monster" causes one to imagine a hideous, deformed or nonhuman creature that appears in horror movies and novels and terrifies everyone in its path. More importantly, however, the creature described generally behaves monstrously, doing things which harm society and acting with little consideration for the feelings and safety of others. "Thus, it is the behavior which primarily defines a monster, rather than its physical appearance"(Levine 13).
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
McDonald’s, one of America’s fastest growing fast food restaurants, has made more than its share of money within the last twenty years serving more than 46 million people daily. They have twice as many restaurants as Burger King and more restaurants than KFC, Wendy’s, and Taco Bell Combined. Often children have the dream of eating fast food for every meal of every day. Well, Morgan Spurlock took the challenge to see how dangerous it would be to eat McDonalds for every meal. He also took the challenge in response to a lawsuit against McDonalds by a family whose children became obese by the contents of its meals. Directed and starring Morgan Spurlock, who is married to a vegan chef and a healthy man for his age, Super-Size Me is a film that followed Spurlock for 31 days as he follows certain rules set by a series of physicians. He was only allowed to meals off the McDonalds menu including water. Also, he couldn’t exercise but had to walk the same amount of steps as the average American. Filmed all over the United States, Super-Size Me was made to inform the public on the manufactured foods they consume daily. The film also raises awareness on the dangers of what manufactured foods do to the body. Super-Size Me showed how one of the most popular fast food restaurants around today may be leading future generations to severe health problems.
In many instances the hero and the villain are very easy to tell between, but in the novel Frankenstein by Mary Shelley these two symbols come together to create confusion among readers. Many can argue that because Frankenstein’s creation viciously murdered so many people he is the obvious the bad guy in the story but what people must take into account is all the things in the creations life that caused him to behave as he did. He was one of the ugliest beings on earth, not knowing where he came from, and having no one love him. He did not begin to turn violent until his creator left him to go the world alone and be disowned by everyone that met him. Frankenstein wanted so badly to play God but when he had finally gotten what he wanted his disrespect for others took over and made him the ultimate villain. He stole what his creation needed to survive, love, acceptance, and an authority figure. Ultimately, it is Frankenstein’s selfishness that brings down not only his own self, but that of his creation as well.
Such as that, Frankenstein was also a monster in the common sense of the word. All too often we have seen movies or TV shows about a mutant of some sort, who, because of his looks, assumes that no on will love him, and because of ...