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The relationship between human and nature
Nature and human being
Nature and human being
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In the novel Frankenstein, by Mary Shelley, the antagonist and protagonist changes throughout the course of the plot. In the earlier part of the novel nature is the protagonist and man is the antagonist, but as the plot progresses nature is forced to protect herself by becoming the antagonist and making man the protagonist. By the end of the novel both of the examples of man and nature’s antagonist characteristics lead to their inevitable destruction.
In the beginning of the novel, Victor or man, is the antagonist and nature is the protagonist. Victor’s overwhelming hubris makes him strive to achieve his goal by any means necessary. Victor becomes so blinded by his passion for his goal that he fails to see the evil in what he is achieving. Nature, on the other hand, is the obvious protagonist, because Nature has not done anything. The role of antagonist and protagonist changes throughout the rest of the novel, but nevertheless, Victor is the antagonist because of the theme man cannot augment nature without destroying the very thing he is attempting to perfect.
When the monster (also Nature) is created, the role of antagonist and protagonist changes due to enforcement. When the monster was created, it wasn’t the antagonist. It tried to do many good things such as saving a small girl. Those good deeds were never rewarded, causing the monster to be disgusted with humanity making it, by...
As she sits at the “churchyard” we can almost see her reflecting the ideas of the Victorian gentleman whose morals are based on religion, and as a male you had the right to go anywhere or do anything you please as long as you keep your gentlemanly status. The setting of the “churchyard” is also ironic to the acts that follow as there was something “long and black, bending over the half-reclining white figure.” Dracula is our demon character in “black,” physically dominating over Lucy while Lucy is portrayed as innocent in “white.” This is much like “The nightmare” painting by Henry Fuseli, which portrays a demon sitting on top of an unconscious woman. The resemblance to Dracula is seen with the demon hiding in the shadows, but still controlling the woman by putting himself in a position on top of her while she is unaware. When Mina finally wakes up Lucy “she trembled a little, and clung to me.” This reaction could indicate that Lucy was unable to stop Dracula from biting her and was terror-stricken from the
In Frankenstein, various themes are introduced. There are dangerous knowledge, sublime nature, nature versus nurture, monstrosity, and secrecy and guilt. I chose a main theme as nature versus nurture. Nature is some traits that a person is born with, and nurture is an environment that surrounds a person. The novel indirectly debates whether the development of individual is affected more by nature or by nurture through Victor and the Monster.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
In Dracula, Bram Stoker portrays a clear battle between the “traditional woman” of the time and the “new woman.”. Stoker uses the contrasting characters of Lucy Westenra and Mina Murray to depict this evolution in women and, also, to paint an image of the reaction to this advance, expressed by both men and women.
As one examines Laxdoela Saga you will find that the lying, thieving, manipulating woman named Gudrun had power over nearly everyone she encountered. She was a fearless woman that was unafraid to share her thoughts. While we are given a very clear picture of her, it seems less clear how she relates to other women of the time. How did the traditional views of women in Medieval Iceland affect the ways Gudrun was perceived and treated? Were the ways of Gudrun typical or atypical?
“thrilling and repulsive”(126) was how Dracula’s brides were described by Harker. This tone of disgust and fear towards them by Harker as well as the author himself indicates how the desire and hatred towards the women are perceived, all due to them being exceedingly sexual. The tone that is utilized emulates the allure and loathing dictated in the text to the point that it is intended for the reader to feel it as well. The fact that the reader can sense it too, causes them to feel hatred towards the brides, similar to the hatred all of the characters feel towards them. When sweet Lucy was turned she was transformed in a manipulative sexual being with “languorous, voluptuous grace”(747). Her interactions appear innocent and pure, but in actuality she is attempting to convince one of her husbands(she had four due to sharing blood with them), to become a vampire; an evil being. This almost harmless tone portrayed by Lucy’s manipulative actions, juxtaposes with the true nature of her actions, those of evil. The given contrast shows how any woman out of the gender role; being sexual, telling your husband what to do, or even having multiple husbands in the eyes of God(that one just pertained to women there, as Van Helsing has a wife in the eyes of the church, yet
The DREAM Act, an acronym for Development, Relief, and Education of Alien Minors Act, was first introduced in 2001 by Dick Durbin and Orrin Hatch. The first hearing was scheduled to be held on September 12, 2001, but was postponed due to the September 11 terrorist attacks on the World Trade Center. Since then, the DREAM Act has been tossed back and forth, but never made it to the point of passing at the federal level. Both the Democratic and Republican parties are for it, so that’s not the problem. Some states, California, for example, have set in place their own adaptation of the DREAM Act.
The DREAM Act legislation should pass and become a law; in a way this will be beneficial for both parties involved, for the young immigrants and for the U.S. If this is not possible an alternative should be sought out. The DREAM Act could be embedded into a comprehensive immigration reform, or the government can look to give the dreamers and other immigrant’s temporary legal status. “The Development, Relief and Education for Alien Minors Act would offer the undocumented youth the chance at legal reside...
In her journal, Mina recounts that there was “undoubtedly something, long and black, bending over the half-reclining white figure." Mina sees Lucy at the climax of Dracula's attack, and when she calls for Lucy, "something raised a head, and from where I was I could see a white face and red, gleaming eyes.” Unknown to Mina, the figure bending over Lucy is Count Dracula, and his attack on Lucy, in Victorian culture, is sexual assault. Stoker plays with the underlying sexual theme by positioning Lucy reclined on the seat with Dracula bending over her as he "penetrates" her neck with his teeth. Even the bite marks on Lucy’s neck serve as a sexual innuendo of a virgin’s first sexual encounter: Lucy escapes into the night and bleeds after a man penetrates her.
There are many undocumented immigrant youth that don’t have the chance to become a greater contribution to the American society. Mostly as a result of the reason they have no legal status to live in the United States. That is why the DREAM act should be enacted, considering it will give those immigrants a chance to fully contribute, and benefit this great country. One of many reasons that the DREAM act should be passed is, young immigrants who had no choice but to come to this country will have a chance to obtain temporary residency status. The second reason being, it will bring a plethora of economic and workforce boost. Lastly, immigrants who want to serve this great country will finally be able to join any branch of the military forces.
... Dracula were used to show that Mina and Dracula are aware of each other’s presence. In the scene, Lucy, who is a pure and virtuous woman, is willingly having sex with a werewolf and enjoying it. A taboo of bestiality is openly and provocatively shown here. Lucy having sex outside of marriage is a transcension of the social norms of 1897, when Bram Stoker’s Dracula was written. Lucy’s destruction in Bram Stoker’s novel and any Dracula movie shows a “deliberate attempt […] made to make sexuality seem unthinkable in ‘normal relations’ between the sexes” (Senf, 39). During and after Lucy’s transformation, she becomes very sexual and makes several sexual advances. By killing Lucy in the novel, Stoker shows society’s fear of female sexual assertiveness and the belief that sexually assertive women are evil and un-Christian and unable to be in a ‘normal’ relationship.
When Van Helsing figured out what was happening to Lucy he told Dr. Seward and after Lucy passed away the men went to where she was buried and it had been weeks and her body. The sight they saw was “more radiant and beautiful than ever; and I could not believe that she was dead. The lips were red maybe redder than before” (Stoker 171). This line should that Lucy turned into a vampire because Dracula had been sucking her blood. Jonathan Harker was also a victim of Dracula’s games but he fought through his mental trauma with the help of his Wife, Mina. The rein of Dracula’s evil ways came to an end and although Lucy lost her future, all of her friends were finally safe from
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.