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Assignment topic on indian english literature
Analysis of history of indian literature in english
Second phase of feminism in indian literature
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Shashi Deshpande is one of the India’s leading contemporary novelists. She writes about issues related to women. Man-woman relationship is one of the most important areas of interest in her novels. Love in all its forms is an important theme in her novels. Deshpande is equally interested in mythology. A perceptive reader of Deshpande novels is familiar with her use of cultural narratives as allusions, reference-points and embedded-narratives. One of her concerns is to address contemporary issues with the help of myths and legends. Her novel In the Country of Deceit (2008) deals with the themes of desire, adult-love and deceit. The novel is a revisionist mythmaking of king Yayati and his maid Sharmishtha’s adulterous love-affair. This paper …show more content…
Revisionist mythmaking is a technique of rewriting a myth, often from a feminist perspective, radically subverting the old story in such a way as to render the woman’s experience which has been ignored in the original, patriarchal version. The aim of revisionist rewriting of myths is to correct the incorrect gender imagery inherent in them.
In the Country of Deceit, is a skillfully structured novel. It is the tenth novel of Deshpande. Devayani is a young married woman living in a small town Rajnur in the state of Karnataka in India. She is just recovering from the loss of her mother and starting a new life. Devayani chooses to live alone in the small town of Rajnur after her parents’ death, ignoring the gently voiced disapproval of her family and friends. Teaching English, creating a garden and making friends with Rani, a former actress who settles in the town with her husband and three children, Devayani’s life is tranquil, imbued with a hard-won independence. Then she meets Ashok Chinappa, Rajnur’s District Superintendent of Police, and they fall in love despite the fact that Ashok is much older, married, and-as both painfully acknowledge from the beginning-it is a relationship without a
Greg Mortenson's Three Cups of Tea demonstrated many conflict types. It showed his struggle through problems such as problems with nature, other people, himself, and against society. Jon Krakauer's Three Cups of Deceit brought even more conflicts Mortenson's way as the truth was revealed about his Three Cups of Tea. What were these problems, and how did they affect Mortenson?
Literature is the key to our world or language. Many writers have emerged from this subject such as Homer who wrote The Odyssey and Euripidies who wrote about the evil Medea. Also mentioned in this paper are the Thousand and One Arabian Nights which is a collection of folktales and stories that are compiled into one. Each of these works of literature has a woman character that has many similarities in solving their problems. In The Odyssey the woman character that will be in comparison is Penelope which is Odysseus’s wife. In the story of Medea, Medea is of course the character we will be discussing and Shaharazad is the woman character from the Thousand and One Arabian Nights that will also be in comparison. Each of these women find themselves in a particularly “sticky situation.” However, Penelope, Medea, and Shahrazad are three strong women whose perseverance and cleverness help them to attain their goals.
Throughout most of literature and history, the notion of ‘the woman’ has been little more than a caricature of the actual female identity. Most works of literature rely on only a handful of tropes for their female characters and often use women to prop up the male characters: female characters are sacrificed for plot development. It may be that the author actually sacrifices a female character by killing her off, like Mary Shelly did in Frankenstein in order to get Victor Frankenstein to confront the monster he had created, or by reducing a character to just a childish girl who only fulfills a trope, as Oscar Wilde did with Cecily and Gwendolen in The Importance of Being Earnest. Using female characters in order to further the male characters’
“The Absolutely True Diary of a Part-Time Indian” is a humorous and intuitive novel written by Sherman Alexie. The reader gets an insight into the everyday life of a fourteen year old hydrocephalic Indian boy named Arnold Spirit, also referred to as Junior Spirit. He is living on the Spokane Indian reservation and is seen as an outcast by all the other Indians, due to his medical condition. Against all odds Arnold expands his hope, leaves his school on the reservation and faces new obstacles to obtain a more promising future at a school off the reservation. The novel is told through Arnold’s voice, thoughts, actions and experiences. Alexie incorporates one point of view, different themes and settings, such as poverty, friendship, Spokane and Reardan within Arnold’s journey to illustrate the different hardships he must overcome to gain a higher education.
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men.
Thinking back to our childhood, we all remember hearing many kinds of fairy tales. Some of them inspired us others confused us, and most of them taught us valuable lessons. Through out centuries tales and stories have been used as a valuable tool to pass on our culture to new generations. There is a strong belief that these fairy tales mirror and influence society. All cultures interpret tales in their own unique way. They add and subtract various aspects of the tale to fit the needs of their particular society. The same tale in the United States is different from the tale told in Asia. A good example of tale evolution can be seen in one of the most famous tales ever told which is “Cinderella”. As a professor of women’s history Karol Kelley points out in her essay Pretty Woman: A Modern Cinderella “There are some 700 versions of Cinderella”.This fairy tale as many others has been changing for many years, and in recent years Cinderella has come under some criticism for its depiction of women’s roles in society.
One of the principles of Hinduism is having the unity of existence through love. In this collection, one of the poems tells of a woman named Kaikeyi, who uses her finger in place of the pin in King Dasratha’s, chariot wheel which prevents his chariot from falling and that ultimately ensures a victory. For Kaikeyi valor, she was given a reward. The reward was two boons, of which Kaikeyi can use at her discretion.
The Impact of U.S. Foreign Policy on India: A Reaction to Arundhati Roy’s “Not again”
of the female and how she utilizes the tall tale and myth as an establishment to investigate
The format of the book is that of a speculative mythology thriller based in contemporary Ayodhya, Mithila and Lanka. It has been almost a decade since Sita has mysteriously disappeared from Ayodhya, leaving it an intolerably repressive kingdom, where dark secrets lie beneath the veneer of the glorious ‘Ayodhya Shining’. Peppered with many parallels to contemporary socio-political conditions in India, the book makes intelligent comments about vital issues like land dispossession, a biased media, the government-corporate nexus, terrorism, state surveillance, intolerance, manipulation of ‘history’ and of course, misogyny. Amidst all this, our unnamed narrator journalist develops an obsession for searching for Sita which becomes a metaphorical journey for hunting out the truth. Along the way, she comes across rebels and the misrepresented, like Kaikeyi, Shoorpanakha and Sam Boo Kha, who shed very different light on the official version of Ayodhya’s story, though we are also indirectly cautioned against taking all their words at face value. An elderly, decrepit Kaikeyi in the prologue to the novel remarks, “…me, Kausalya, Sita—all we’ll ever be are villains or footnotes in history textbooks” (19). To redeem such women, the novel carries the testimonies of several of them, forging an unlikely bond between them through a story that otherwise thrusts them apart. Thus, a feel-good story slowly unravels to reveal its cracks and fissures until a new one emerges, bitter but more
Same-Sex Love in India: A Literary History edited by Ruth Vanita and Saleem Kidwai, explores the history of Indian literary tradition from the viewpoint of homoerotic love. The book begins with ancient Puranic texts with tropes indicating same-sex attachments. In the Mahabharata for example the relationship between Krishna and Arjuna goes beyond that of friendship and has homoerotic tones. Another homoerotic trope is that of rebirth, in Somadatta’s Kathasaritsagara, Somaprabha falls in love with the princess Kalingasena and attributes to it to their previous birth where he must have been her close female companion.
In the incredible country of India, two star crossed lovers are forced apart due to differences in religions. The novel, 2 States by Chetan Bhagat illustrates the real-life, challenging journey of two lovers. Krish and Ananya fight everyday to demonstrate the power of their love. They belong to two different states; Krish who is Punjabi (from Punjab) and Ananya who is Madhrasi (from Chennai). In this novel, it is expressed that marrying someone from a different state brings shame to society. Their love can only be complete if both families accept each other. This novel portrays how two lovers overcome any situation for their love. It demonstrates the challenging journey between falling in love to marriage. Fighting against the mentality of
Religion is the binding force which deepens the solidarity of human society. Religion is fulfillment of man’s life, an experience in which every aspect of his being is raised to its highest extent. The followers of any religion, residing anywhere in the world are influenced by religion and its culture. The novels of Arun Joshi are not the exception to it. The traits of mythology are perpetually found in the main characters of Joshi’s novel which is the subject matter of this study.
Indian Writing in English has a special status in English Literature owing to its treatment of women characters. Short stories help the writers to project select characters in an impressive way to the readers. In Indian context the status of woman in a society and her treatment is very different from those of her European or American counterparts. Women are depicted both as a good and evil in literature by various writers. However, in no literature is a women stereotyped as was done in Indian literature. Away from the mythical stereotyping of women, Ruskin Bond portrayed his women in a different way. The female characters of his short stories range from a small child to a grandmother. These characters are as powerful as men and have left a strong impression on the readers. I have chosen following eight short stories for the critical analysis of Ruskin Bond’s Women in this paper.
This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the caste system which results in Velutha’s death. It is evident that forbidden love negatively impacts and influences other characters, such as Estha and Rahel, which results in Estha and Rahel’s incestuous encounter.