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Womans role in greek society
Womans role in greek society
The role of women in ancient greek
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The vase that I have chosen is the Onesimos Kylix (ca.500-490BC), which depicts the sack of Troy. We are focusing on the segment that shows the rape of Cassandra by Ajax. This vase is a Kylix cup, red figure, painted by Onesimos. The cup offers a way of telling the whole story uniquely by having separate fragments to tell each event after the other. The figures on the cup are presented in such detail that it makes deciphering their characters much easier by seeing their unique armour and drapery. Ajax is seen in full armour, pulling on Cassandra’s hair showing him dragging her away from the Athena Palladium. This is obviously an act of violence in the middle of the sack of Troy. Cassandra is seen here holding on to the Athena Palladium, she …show more content…
The Onesimos Kylix (ca.500-490BC) is showing the rape of Priam’s daughter, Cassandra by Ajax during the sack of Troy. In this image we can see Ajax grabbing at Cassandra’s hair and Cassandra holding on to a statue of Athena. We can see that it is Athena because she is carrying a shield, is wearing armour, and is seen wearing a breast plate that is coated in scales and fringed with snakes which also represents the head of Medusa. The plot is shown through the configuration of figures in relation to each other; the way Ajax is grabbing Cassandra’s hair and her obvious discontent while holding on to Athena Palladium for strength shows his intentions towards her. This image relates to what comes before because it is shown in the middle of the sacking of Troy and relates to the multitude of other offensive things the Greeks have done in the middle of sacking the city. We can see that they are in the midst of battle given that Ajax is …show more content…
This vase was painted around the same time as the Onesimos Kylix (ca.500-490BC) which is clear given that their styles are very similar. Not much differs between the vases given the composition of the story, although we do see more people weeping and more dead bodies on the Hydria, giving off more of a sense of destruction and havoc. The figures do differ quite a bit; mostly Athena, as she is clearly seen with a spear on the Hydria but lacks the full armour that she is seen wearing on the Kylix. The figures are presented with less detailed drapery on the Hydria, but their facial expressions are clearer; as you can see the discomfort on Cassandra’s face on the Hydria. There are some new elements introduced on the Hydria such as; the weeping woman under the palm tree and the fallen soldier under Ajax. The focus of the story on the Hydria isn’t clear as there is no main centre point on the vase, the story is told around the outside of the vase which makes it a continuous loop of each separate event that occurred during the sack of Troy. I believe this makes the story flow more evenly and is easier to interpret. Just as the Onesimos Kylix portrays a message of destruction and chaos, the Kleophades does not stray from that message. The view on each of these vases is showing the lack of compassion the Greek soldiers had while sacking the city of Troy. They are both in
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common
A gift from William Randolph Hearst, the piece is a sarcophagus from the Severan period of the Roman empire near the end of the second century detailing a procession of Dionysos, the god of wine, and his followers. Such a procession could be from Dionysos's messianic journeys or from his triumphal return from spreading the wine cult. Originally in the mausoleum of a wealthy family in Rome, the sarcophagus was in later times used as a planter for a flower bed(Matz, 3). This "misuse" of the piece explains the deterioration of the marble which necessitated extensive restoration in the 17th century(4). It is tub shaped with dimensions of 2.1 meters long and 1 meter wide, standing 0.6 meters from the ground. The shape is similar to tubs used for trampling grapes which had spouts ornamented with lions' heads to vent the wine(3). Being shaped like a wine vat makes the sarcopagi a transformative force in its own right by symbolically turning the person interned within into wine ! bringing him closer to the god. Unlike other sarcophagi of the period the back of this piece has not been left unhewn, but instead a strigal pattern of repeating "S" shapes has been carved, suggesting that the piece may have stood in the center of the mausoleum.
An analysis of Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, reveals that there are many similarities, but also many differences between these two pieces of sculpture. These similarities and differences are found in the subject, style, and function of both works of art.
Both pieces to me seem to represent godlike features. For example, in the palette the king is shown as larger than his enemies and in the stele the king is standing over the people and is much higher than them. As rulers, they are both depicted as strong and heroic and as humans, they are depicted as
Clytemnestra has the ten years of the Trojan War to plan her revenge on Agamemnon. Upon his return Clytemnestra shows him some love. That love she showed quickly changes to rage and hatred when Clytemnestra she’s Agamemnon with his mistress Cassandra.
This is the first, and only, breach of xenia in all of the Iliad, with good cause. Paris was Menelaus’ guest, but chose to steal Menelaus’ wife and much of his riches instead of honoring xenia as he should have. Paris’ transgression against xenia is what initially agitated Menelaus’. Although this act is not explicitly pictured in the Iliad, the Trojan War is essentially the fallout of Paris’ breach of xenia and without his infraction, many lives would have been spared. It is also worth noting that many, many kings and warlords mobilized a very large part of their power in the pursuit of one man’s wife, which speaks to the prestige of xenia and how much the Danaans valued
To better compare the sunken relief of Horus and the Torso of Aphrodite, the backgrounds of these pieces must be first taken into account. Each piece of artwork can be broken down into two parts: the type of art which it is and its subject matter. The sunken reli...
...ars after Khafre’s reign, the fourth dynasty was just the beginning. Monumental Egypt, although it existed in burial tombs before Khafre’s reign, truly became a traditional pattern in the fourth dynasty. Khafre’s seated ka statues were numerous and perhaps the beginning of the formulaic sculpting of Egyptian ka statues. The King Khafre Seated that is at the Metropolitan Museum of Art now is not only the best ka statue of Khafre in existence, but perhaps one of the best examples of classic Egyptian sculpture from the Old Kingdom.
Death is the end to the natural cycle of life and is represented as dark, melancholic and even menacing. The underworld is depicted as a murky and sinister realm where the dead are trapped in a world of eternal darkness. Ancient drama, however, defies the conventional perceptions and representations of death. Despite the foreboding associated with it, characters in ancient drama embrace death in its frightening glory, rather than face the repercussions of their actions, especially when their honor and pride are at stake. Deceit is also an integral part of ancient drama and characters, particularly women, fall prey to it and unwittingly unleash chaos that more often that, negatively impacts the lives of the characters. This paper demonstrates how gender biases can be interpreted from the depiction of death and the characters’ justifications of it in two of Sophocles’ plays – Ajax and Women of Trachis and also demonstrates how female deception leads to the death of the principal character(s).
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
The large props on the stage were set up in such a fashion to look like Queen Clytemnestra’s chambers in the underworld. As the dancers reclined in their beginning positions on the sculpture designed by Isamu Noguchi the taunting of Agamemnon began.
The mythological story is about Laocoon who was a priest in toy that was trying to warn his fellow countrymen about the Trojan horse. Laocoon was punished by the gods that sent snakes out of the sea to kill him and his two sons. The painting was made in (1610 - 1614). The painting
This sculpture of an elderly woman has been the subject of different interpretations over the years, although this doesn 't change the fact that this sculpture is a portrayal of a member of society and depicts everyday life in Greece. The old woman has been originally viewed as a seller on her way to the marketplace, commonly referred to as agora, although in recent years she has been considered as an aging follower of Dionysos on her way to a festival. (Stokstad and Cothren, 2014) This art piece is a prime example of how artists in this era tried to depict
...a decade in Troy fighting, which made Clytemnestra feel isolated and desperate for love and care. On the other hand, Cassandra seem to be sympathized because she is a prisoner from war taken away from Troy to die in the hands of Clytemnestra.