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Character analysis of king lear
Lear's character development throughout the play
Lear's character development throughout the play
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In the words of Aristotle, a character must possess four key components in order to make them a tragic hero. First, the character must show his good intentions by any speech or action. In Aristotle’s words, “The character will be good if the purpose is good.” (Aristotle) The second component the character must possess is propriety. Propriety simply means the conformity to what is socially acceptable in behavior or speech. The third component is the character must be true to life. The character acts out of probability and necessity, and not just because of some random traits bestowed upon the hero. The final component in completing the tragic hero persona is consistency. The character must maintain consistency in his or her actions throughout …show more content…
King Lear starts the play as being the aging king of Britain as well as the protagonist of the play. He meets all the requirements to be a tragic hero, except his consistency throughout the play and his propriety. The first big action made is when King Lear divides his kingdom and deprives Cordelia of her share. Lear vanished Cordelia from him kingdom because when he asked Cordelia, “What can you say to draw a third more opulent than your sisters? Speak” (1.1.85). Cordelia truthfully stated the love she had for her father, unlike Goneril and Regan who lied in order to satisfy the king. At this moment King Lear changed emotions instantly from being happy he was going to retire and give his land to his daughters, to absolutely furious causing the vanishing of the youngest daughter in which he actually cared for the most. Before Lear realizes it, Goneril and Regan are plotting against. Lear then practically begs his daughters to stay and they both said no he is not a king anymore therefore they do not have to listen to him. The emotions Lear presents in this play are all over the place. Lear is not inconsistently consistent because for a long
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Lear’s character is constantly and dramatically changing throughout the play both by growing as a character but also through many downfalls. Lear becomes emotionally stronger and gains much more rationale near the end of the play, but only after a great downfall in each of these sectors. This was a result of the self-entitlement that Lear had placed on himself. King Lear’s vanity and excessive sense of entitlement was his tragic flaw throughout the play. He was a King, and needed to be served on time. Furthermore, when he is referred to as “my lady’s father,” this also hurts his ego for he is a King and that is what he wishes to be addressed
Lear, like any king, Pagan or otherwise, would have been seen as the godhead on earth and therefore a man of exceptional power who implemented the gods' will on earth. Such a figurehead should surely command absolute respect and obedience. Yet Cordelia displeases her father, and Goneril's and Regan's actions following Lear's abdication can only be described as shocking, even to a contemporary and more liberal-minded audience. Act one, scene one represents the first emergence of filial disobedience, starting with Lear's vanity demanding that his daughters say how much they love him in a meaningless ceremony. Cordelia, his youngest and favourite daughter, will not be drawn into this.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
King Lear begins with the father figure, King Lear, dividing up his kingdom. King Lear wants to give the daughter that loves him the most the most land. This isn’t a hard thing to do to receive land. King Lear’s daughters, Goneril and Regan, both realize this and lie (Act 1, Scene 1, Page 3). A little lie leads Goneril and Regan to gaining land and eventually kicking King Lear out of the kingdom. William Shakespeare’s portrayal of the oldest
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
The tragic collapse of King Lear was initiated within the first act, where he demonstrated a lack of insight into who his daughters genuinely were. To start, Lear decided that it was time for him to divide his kingdom among his three daughters, and the criteria he used was who every flattered him the most with kind and lovely words, would obtain the greatest share. This idea that whoever showed the most affection for him under this rationale would prove who loves him the most, and therefore would they would receive a great share of the kingdom, was his tragic mistake. Regan and Goneril, the two villains throughout the play, put together an act in order to achieve the greatest share of the kingdom, and both excelled in this regard, despite
In "King Lear" Shakespeare makes use of a subplot to emphasize the sufferings of the tragic hero, King Lear. The characters Lear and Gloucester are both of elevated status in society, and both plummet into a world of disorder and chaos as a result of their errors in judgement. Gloucester's initial error in judgement causes division among his family, whereas Lear's tragic flaw has an effect not only on his family, but as the king he disrupts the society as a whole. These flaws lead to the sufferings of Lear and Gloucester as both characters must suffer through the worst in order to see the truth of their predicaments.
One purpose for such a violent scene is to define the villains of the story. The play opens with King Lear retiring and deciding to split his land between his three daughters Goneril, Regan, and Cordelia. The size of the land plot each daughter will receive will be proportionate to their love for their father. The older two daughters Goneril and Regan eloquently announce their undying love for Lear, and are rewarded generously. The third daughter Cordelia, who truly does love her father, refuses to participate in such a display of flattery and lies. Cordelia announces, in front of all Lear's subjects, that she loves her father, "according to her bond, no more nor less." Insulted and hurt by Cordelia's harsh denouncement of love, Lear disowns her. And Lear's best friend of thirty years Kent defends Cordelia, Lear banishes Kent too. Having given away his land, Lear decides that he's going to take turns living with Goneril and Regan. To remind him of his kingship Lear kept a hundred knights. But when Lear shows up with his army at Goneril and Regan's houses, his "loving" daughters kick him out.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
Edgar also plays a much larger role both in his relationships with other characters and in the play as a whole than Albany. This is suggested by the original title of the Q1 version, “Mr. William Shakespeare: his true chronicle history of the life and death of King Lear and his three Daughters. With the unfortunate life of Edgar, son and heir to the Earl of Gloucester, and his sullen and assumed humour of Tom of Bedlam.” (Weis 3). In this title, Edgar is shown to be the second most important character, only below Lear, because he is the second character to be referenced by name. The sentence also revolves around him and the fact that he has suffered. So, this title seems to suggest that other than Lear, Edgar experiences the most suffering in the play. Edgar even has his own scene (2.3) where he recites a monologue about his
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...