Meridel Le Sueur writes in “The Ancient People and the Newly Come”, “The body repeats the landscape. They are the source of each other and create each other. We were marked by the seasonal body of earth, by the terrible migrations of people, by the swift turn of a century, verging on change never before experienced on this greening planet.” Jane Smiley includes this as a preceding quote to A Thousand Acres. Whether or not this quote was intentional, Sueur’s words articulate the character development of Ginny Clark throughout A Thousand Acres. The way Smiley develops the oldest daughter is quite different than how William Shakespeare portrays the character. King Lear begins with the father figure, King Lear, dividing up his kingdom. King Lear wants to give the daughter that loves him the most the most land. This isn’t a hard thing to do to receive land. King Lear’s daughters, Goneril and Regan, both realize this and lie (Act 1, Scene 1, Page 3). A little lie leads Goneril and Regan to gaining land and eventually kicking King Lear out of the kingdom. William Shakespeare’s portrayal of the oldest …show more content…
daughters make the characters look very selfish and evil. Jane Smiley has said she doesn’t believe that to be true. The way Smiley develops the two daughters, especially Ginny, is more admirable. Smiley makes Ginny more of a complex characters with experiences that, in some ways, justify her actions. Smiley adds the plotline of incest between Ginny and Larry into her telling of the King Lear story.
While this may seem like an extreme thing to add to her version, it gives Ginny’s character another dimension. Just like in Shakespeare’s version, the oldest daughter begins to be rude to her father. However, in A Thousand Acres, the incest makes Ginny’s actions seem more reasonable. Ginny doesn’t remember the incest at first, until laying in the same bed it took place (Smiley, 228). Only after this does Ginny begin to be harsh with Larry, otherwise she would do everything for him. Smiley’s telling of Ginny’s interactions with Larry make more sense than Goneril and King Lear’s. King Lear didn't ask for anything from Goneril and she lashes out at him. Larry is the cause of Ginny’s problems so her actions seemed justified when it’s made known that Larry took advantage of
her. Larry isn’t the only person that deceives Ginny-her sister, Rose, does as well. Ginny and Rose pine after the same guy in town, Jess. Eventually both of their feelings for Jess escalade and they both have affairs with him. Rose knows about Ginny and Jess’ affair, but doesn’t tell Ginny she know or stop her own affair with him (Smiley, 303). As the book has progressed Ginny becomes less passive, so she wants to get revenge against Rose. Ginny tries to poison Rose (Smiley, 312). Even though most people see poisoning family as a bad thing, and rightfully so, for Ginny this is a big step. As the book progresses Ginny begins to stand up for herself. Although she does this in extreme ways, it’s important for her development to see that she doesn’t deserve to be treated the way she is. After constantly being put down and not being able to trust people in Zebulon County-even her family-Ginny leaves. After a very short interaction with her husband, Ty, where Ginny says, “I need a thousand dollars,” and the place that Ty “gave [his] life to” was all his, she drives away in her car (Smiley, 330). Finally, Ginny can no longer take the treatment she is receiving. Smiley makes Ginny a complex character by including this seemingly irrational move. Readers can take this impulsive action and compare it to something in their own lives. Smiley may strive to have readers sympathize with Ginny so her actions are justified, unlike Goneril’s rude behavior in King Lear. Overall, Jane Smiley’s development of the oldest daughter is more admirable. Smiley takes into account that experiences people have shape who they are. Even though some of Ginny’s actions are vengeful, readers are able to understand them. Ginny is very realistic because all of her actions lead to the next one. Goneril William Shakespeare devops Goneril as a strong character, but Smiley makes Ginny a more relatable character.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Why do directors choose to stay faithful to or depart from a text when they are producing a film? Many directors choose to either alter or maintain literary elements such as characters, plot, and resolution from a text. The presence or lack of these specific features affects the audience. For instance, in the story “The Monkey’s Paw”, a classic short horror story written by W.W. Jacobs, and its accompanying film, the similarities and differences in the characters, plot, and resolution have an effect on the readers and viewers.
Lear, like any king, Pagan or otherwise, would have been seen as the godhead on earth and therefore a man of exceptional power who implemented the gods' will on earth. Such a figurehead should surely command absolute respect and obedience. Yet Cordelia displeases her father, and Goneril's and Regan's actions following Lear's abdication can only be described as shocking, even to a contemporary and more liberal-minded audience. Act one, scene one represents the first emergence of filial disobedience, starting with Lear's vanity demanding that his daughters say how much they love him in a meaningless ceremony. Cordelia, his youngest and favourite daughter, will not be drawn into this.
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
Lear’s lack of self-knowledge in the beginning of the play is of devastating consequences. In the first scene we see the strongest statement reflecting a lack of self-knowledge. In order to divide up his kingdom, with the biggest piece in the middle of it going to Cordelia, with her husband to be. King Lear thinks of a sophisticated plan. He arranges a public ‘contest of love’ between his daughters, and whomever declares to loves him most, gets the most land. Thinking, his favourite daughter Cordelia will declare to love him the most. With this plan King Lear is trying to avoid his land from falling apart, and through this contest thinks he will get the public support, for the plan, he needs.
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
The tragic collapse of King Lear was initiated within the first act, where he demonstrated a lack of insight into who his daughters genuinely were. To start, Lear decided that it was time for him to divide his kingdom among his three daughters, and the criteria he used was who every flattered him the most with kind and lovely words, would obtain the greatest share. This idea that whoever showed the most affection for him under this rationale would prove who loves him the most, and therefore would they would receive a great share of the kingdom, was his tragic mistake. Regan and Goneril, the two villains throughout the play, put together an act in order to achieve the greatest share of the kingdom, and both excelled in this regard, despite
One purpose for such a violent scene is to define the villains of the story. The play opens with King Lear retiring and deciding to split his land between his three daughters Goneril, Regan, and Cordelia. The size of the land plot each daughter will receive will be proportionate to their love for their father. The older two daughters Goneril and Regan eloquently announce their undying love for Lear, and are rewarded generously. The third daughter Cordelia, who truly does love her father, refuses to participate in such a display of flattery and lies. Cordelia announces, in front of all Lear's subjects, that she loves her father, "according to her bond, no more nor less." Insulted and hurt by Cordelia's harsh denouncement of love, Lear disowns her. And Lear's best friend of thirty years Kent defends Cordelia, Lear banishes Kent too. Having given away his land, Lear decides that he's going to take turns living with Goneril and Regan. To remind him of his kingship Lear kept a hundred knights. But when Lear shows up with his army at Goneril and Regan's houses, his "loving" daughters kick him out.
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
Shakespeare 's King Lear is a story of a king who sets out to divide his kingdom among his three daughters, with only Goneril and Regan reaping in his fortune. The family unit becomes torn as conflicts between personalities emerge between King Lear and his three daughters, thus creating a tragic end for many. King Lear 's two eldest daughters, Goneril, and Regan defy the roles and rights of women of the eight-century, displaying behavioral traits that are less desirable. Whereas King Lear 's youngest beloved daughter, Cordelia, embodied the warmth and true spirit of women that one would up most expect during this time period, one who showed loyalty, respect, and honesty, but remained strong and noble (Phillis). William Shakespeare skillfully
Shakespeare expresses two major themes in King Lear: love and wisdom. King Lear’s struggle to recognize authentic love, love himself, and acknowledge the wisdom imparted on him, due to his weak emotional state, results in needless conflicts and the deaths of many. In the first scene of King Lear, Lear reveals his plan to split his kingdom between his daughters by asking them how much they love him. The daughter that proves she loves him the most receives the largest portion of the kingdom (1.1.46-50). Kent intends to calm Lear down, yet Lear’s unstable emotions at the time lead to him thrashing out against Kent, even threatening him.