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Keats and the theme of death views
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In 1818, Keats met Fanny Brawne, his next-door neighbor. Although Brawne was not the first woman in Keats’ life, she was most certainly the one foremost in his mind and the woman he wanted to marry. At first, when one looks at Keats’ first writings about Brawne, it would appear that he was entirely indifferent to her, even going so far as calling her a “minx” and saying that she was “ignorant” and “monstrous in her behavior,” (Roe 287). Yet the more Keats became acquainted with Brawne, the more he became interested in her, reversing what he had thought he felt about her previously. Sensing an attachment that could be harmful for both parties, he endeavored to distance himself from Brawne as he knew he would likely never be married because …show more content…
Keats even says that beauty will never die saying, “A thing of beauty is a joy for ever… it will never pass into nothingness,” (Keats 1& 2). It seems that thinking about beautiful things helped to distract Keats from the darkness in his own life. Later in “Endymion,” he says, “Some shape of beauty moves away the pall/ From our dark spirits,” (Keats 12 & 13). It is certainly interesting to see how a large portion of Keats’ poetry seems to be autobiographical. Keats does not only write about the brevity of life, nor does he limit his subject matter simply to beauty; no, he also delves into topics that weighed heavily on his mind as he tried to search for what was really important in life. Was it love, fame, nature, ideals? An example of this type of pondering can be found at the end of book one in “Endymion.” Keats says “if earthly love has power to make/ Men’s being mortal, immortal… what merest whim/ Seems all this poor endeavor after fame,” (Keats 843-846). In his poem “On Death,” we see that Keats tries to reconcile himself to the fleetingness of joys in life and the inevitability of death. Certainly, Keats was well acquainted with such instances, as the tragedies of his life were frequent. It is easy to see why he should observe, “…life is but a dream/ And scenes of bliss pass as a phantom by,” (Keats 1-2). In the poem “Sleep and Poetry,” while reflecting on the glorious qualities of life in which he found so much joy, Keats wonders, “can I ever bid these joys farewell? / Yes, I must pass them for a nobler life,” (122-23). Perhaps Keats was reflecting on his own death, and all of the wonderful things he was afraid he would never be able to experience again. A similar reflection is seen in his poem “When I have fears that I may cease to be,” where he seems to ponder how terrible it would be to never see his “fair creature” or to “never
Womanhood in The Eve of St. Agnes and La Belle Dame Sans Merci and Mariana by Keats
Baron, forlorn in the loss of his Madeline. Does Keats merely make tribute to this classic idea of
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
middle of paper ... ... He forgets about the impossible, and being immortal and being alone, but rather embraces the temporary and exhilarating. Keats presents his feelings on how he no longer wishes for impossible goals, and how it is much more preferable to enjoy life as much as possible. It is of no use longing for things we cannot have, and so we must learn to live with the myriad of things we already have, of which one in particular appeals to Keats: the warmth of human companionship and the passion of love.
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
White, Keith D. John Keats And The Loss Of Romantic Innocence.(Costerus NS 107). Minneapolis: Rodopi BV Editions, 1996. Print.
W.B. Yeats had a very interesting personal life. He chased after Maud Gonne, only to be rejected four times. Then, when she was widowed, he proposed to her only out of a sense of duty, and was rejected again. He then proposed to her daughter, who was less than half his age. She also rejected his proposal. Soon after, he proposed to Georgie Hyde Lees, another girl half his age. She accepted, and they had a successful marriage, apart from some indiscretions on his part. His personal history seems relevant when discussing a poem that praises sex and sin as essential to our spiritual fulfillment. In “Crazy Jane Talks with the Bishop”, Yeats uses symbolism, themes of sexuality and good versus evil, and double entendre to express his idea that people cannot be wholly fulfilled without sin.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
death were all part of a cycle that was necessary for new life to be
John Keats’ belief in the beauty of potentiality is a main theme of him great “Ode on a Grecian Urn.” This idea appears in many of his other poems that precede this ode, such as “The Eve of St. Agnes,” but perhaps none of Keats’ other works devote such great effort to showcase this idea. The beauty of the Grecian Urn (likely multiple urns), and its strength as a symbol, is a masterful mechanism. Just about all facets of this poem focus on an unfulfilled outcome: but one that seems inevitably completed. Thus, while the result seems a foregone conclusion, Keats’ static world creates a litany of possible outcomes more beautiful than if any final resolution.
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
Arguably one of John Keats’ most famous poems, “Ode to a nightingale” in and of itself is an allegory on the frail, conflicting aspects of life while also standing as a commentary on the want to escape life’s problems and the unavoidability of death. Keats’ poem utilizes a heavy amount of symbolism, simile and allusion to idealize nature as a perfect, almost mystical, world that holds no problems while using imagery taken from nature, combined with alliteration and assonance, to idealize the dream of escape from the problems life often presents; more specifically, aging and our inevitable deaths by allowing the reader to feel as if they are experiencing the speaker’s experience listening to the nightingale.
...storal” (45, p.1848). The urn’s eternity only exists artistically and does not reflect human life because only the urn “shou remain” forever (47, p.1848). Keats contrasts the ephemeral nature of human life with the longevity of the urn. In last two lines, Keats declares, “beauty is truth, truth beauty” (29, p.1848) embodying both sides of his perspective. By establishing a relationship between beauty and truth, Keats acknowledges that like truth, the beauty of the Grecian urn is unchangeable and that the ability accept reality is beautiful.
When talking about poetry and Romanticism, one of the most common names that come to mind is John Keats. Keats’ lifestyle was somewhat different from his contemporaries and did not fit the Romantic era framework, this is most likely the reason he stood out from the rest. Keats wrote many poems that are still relevant, amongst them Ode to a Nightingale, which was published for the very first time in July, 1819. The realistic depth and lyrical beauty that resonates in Ode to a Nightingale is astounding. Though, his career was rather short, Keats expressed a deep yearning to rise above misery and celebrate life via his consciousness and imagination. Themes of life and death play out in a number of his poems. This essay seeks to discuss Keats’s representation of mortality and immortality, specifically in his poem Ode to a Nightingale.
In "Ode on Melancholy," Keats welcomes the truth before him. He understands that bliss and suffering are one. To be able to completely have joy, one must also experience sorrow or melancholy to its fullest. “Ode on Melancholy” can be distinguished from "Ode to a Nightingale" and "Ode on a Grecian Urn," where the poet is a dreamer that is trying to escape his own reality into the sorrow less, eternal world of the nightingale and the urn. “Keats valued intensity of emotion, intensity of thought, and intensity of experience; fulfillment comes from living and thinking passionately. Keats does not shrink from the implication that feeling intensely means that grief or depression may well cause anguish and torment” (website junks).