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Portrait of madame matisse analysis on colour
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In Decorative Figure on an Ornamental Background Matisse uses color and simple lines to create a warm environment to show an intimate moment of a women. Matisse uses color to express emotions, which is why the colors are so warm and inviting. The simple lines are used throughout the painting so no one part of the painting is more important than the other. Matisse gives the viewer just enough information to understand what the object is. The placement of every item, including the figure is important to how the viewer sees the painting, nothing feels out of place. The use of space, color, and line, create a painting that is able to be emotional yet available, intimate yet comfortable. The painting shows the human spirit in the way that is should be, without fear of judgement. Decorative Figure on an Ornamental Background depicts a woman, her lower body wrapped in a white sheet, sitting on the floor. The walls are covered in a very ornate floral pattern. The flowers are red and white, and there is a blue and brown pattern …show more content…
Matisse uses colors that are complementary, which makes the eye relax. For example in the rug he used red and green, and in the wall paper he used blue and yellow. Although the colors are opposite on the color wheel, when paired together they are easily absorbed by the viewer, because essentially complementary colors cancel eachother out. Matisse also used brown, which is hard color to use, but it is the primary colors mixed together, so it feels very warm and natural in the painting. Matisse also used black line on the figure to flatten the painting, as well as bring the colors all together. The use of the unnatural colors in the painting points to Matisse trying to express space and emotion at the same, in the same place. Matisse is not relying on the actual situation to describe emotions, but rather the nature of his color
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
In his painting/collage, line is emphasized in the floor and moves up into the line of his pants which forces you to focus in on the texture of his pants because they are real jeans. It makes you want to reach out and touch it and feel it for yourself. The line continues up to the rest of his body only to notice that his collar too is a piece of fabric which sticks out a few inches from the painting. The line also forces you to look over to the paining that he is creating and notice once again his use of fabric in the collage he is creating and then down to the box of rags at his feet. His use of fabrics throughout the paintin...
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The Madonna and Child, created by Cenni di Francesco di Ser Cenni between 1410 and 1415, is an iconographic painting of the Virgin Mary (left) and a chubby baby Jesus (right). The panel is painted with tempera and the halos around Mary’s and Jesus’s heads are made from goldleaf. La Toilette, painted by Richard Miller in 1910, is an Impressionist painting of a woman putting on her make up. He uses this subject to compare putting on makeup to applying oil paint on a canvas. In order to create the desired impact on the viewer of their paintings, Cenni and Miller use similar stylistic techniques to portray their female subjects.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
..., the broader feel of the scene. He wants us to take in the entirety of the painting but have a moment to catch the individual scenes within it, like the couple dancing, the man in the corner rolling his cigar, or the women in the front talking to the man. We do get places where our eyes can rest, but in general your eye takes in the swirl of modern life and pleasure.
The brush strokes are unevenly spaced, creating the messy and overcast shadow that consumes a winter sky. The sky is one of my favorite parts of this painting. The subdued color come together to create a smoky winter sky. The colors in this painting are cool colors, fitting for a winter painting. The pastel greens and blues help to create the calm and serenity of a frozen river. The bright whites mixed with the eggshell whites create the roundness of the snow mound. The brighter, bolder blues and greens in the trees mixed with browns, add to the winter feeling. Trees in winter do not have the vibrant greens and reds that they do in other seasons. Matisse created this winter wonderland by choosing this cool and subdued color. Matisse took in the beautiful landscape and recreated it using naturalism. The content itself is derivative of naturalism, but I feel he painted it in an abstract manner. Matisse stayed true to the composition of the landscape. However, he chose to paint it in an untraditional manner. Brush strokes compose the form and shape. Lines are almost nonexistent. In my opinion, and based off of my reaction, this painting could also fall into the category of
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
In Arden Hendrie’s essay, The Radical Familiar: Matisse’s Early Nice Interiors, he describes Matisse’s work and states, “What created this connection was the ‘human element,’ also referred to by Matisse as ‘human values’ or ‘true values,’ qualities inherent in subjects that viewers knew from their own lives” (page 102). In other words, Matisse’s intentions through his art was to connect the values of humans with his work. His painting was very interesting because it is simply a room but the way he paints it and uses specific techniques to capture a mood is what truly fascinates me. I thought the idea of drawing an important room in Lowell would help me express the value of Lowell culture through the image. In my imitation of his work, I sketched the inside of the Luna Theater which is located in Mill No. 5. I believe this location is significant to my Lowellian homage because this theater displays how Lowell is preserving its historic character through artifacts and buildings that keep the history of Lowell alive today. In the theater, they display plays that bring the people of Lowell together to gather and prioritize the value of engaging with the community to create more
Straight lines are used to form floorboards while directional lines are used to lead the viewer to the focal point. Earth-tone colors such as tans, browns, and grays are used to define the chair, coat laying upon the chair, cabinet, back wall, floorboards, elderly man and his clothing, the young boy as well as his clothing, wood, ceramic pot, and skillet. Blue is used to define darkness on the left side of the painting as a
It is an imaginary composition of his that he created during his fauves years in the south of France. In the painting we see brilliantly colored forest in the background we can spot the sea and the sky which the female characters are enjoying and relaxing by. Many argues that Bonheur de Vivre by Matisse can be seen as an imitation or better yet as being inspired by and breaking free of Paul Cézanne’s The Large Bathers. When someone shares this opinion, I can clearly see where they are coming from because there are some clear visual similarities between those two pieces.
This repetition is shown through the action of the figure holding the hammer in the foreground is repeated as the figure in the middle background of the image also holds his hammer in a similar way. Repetition is also seen as the structure in the foreground has similarities to the structure that is visible in the background of the image. A combination of these recurring patterns within the painting creates a continuous movement that begins at the foreground and ends at the very back of the image. The painter making use of this form of design further implicates the beginning of society. Colour is also used as an aspect of repetition as the colour of the shawl that the women is wearing in the foreground, is repeated through another depiction of women wrapped in a similar red shawl in the background of the image.
- Additionally, there is sexual and intimacy nature in this image. We see that the lady in the fine art is undressed, which gives a feeling of closeness with the audience. We can see in the sky how aerial is present, there’s different colors like blue, gray and white. Sfumato is present in the woman’s clothes which are wrinkled.