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Essay on henri matisse
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Winter Landscape on the Banks of the Seine is a Neo-Impressionist painting. Matisse created this painting in CA. 1904-1905. The oil on canvas is 12 3/4 x 15 3/4 inches on its own. In the frame the painting is 19 1/4 x 23 1/8 inches. This painting is located in the Seattle Museum of Art where it hangs with other Neo-Impressionist paintings. This painting generates a sense of serenity and sets the mood in a romantic tone. This is created by the colors, the setting, and the style that Matisse chose to use in this painting. The medium that I chose is an oil on canvas painting. The application of the oil paint in this painting communicates the soft feel of the snow falling and the true sense of winter. The barren trees are a reminder that summer …show more content…
The brush strokes are unevenly spaced, creating the messy and overcast shadow that consumes a winter sky. The sky is one of my favorite parts of this painting. The subdued color come together to create a smoky winter sky. The colors in this painting are cool colors, fitting for a winter painting. The pastel greens and blues help to create the calm and serenity of a frozen river. The bright whites mixed with the eggshell whites create the roundness of the snow mound. The brighter, bolder blues and greens in the trees mixed with browns, add to the winter feeling. Trees in winter do not have the vibrant greens and reds that they do in other seasons. Matisse created this winter wonderland by choosing this cool and subdued color. Matisse took in the beautiful landscape and recreated it using naturalism. The content itself is derivative of naturalism, but I feel he painted it in an abstract manner. Matisse stayed true to the composition of the landscape. However, he chose to paint it in an untraditional manner. Brush strokes compose the form and shape. Lines are almost nonexistent. In my opinion, and based off of my reaction, this painting could also fall into the category of
Claude-Joseph Vernet’s oil on canvas painting titled Mountain Landscape with an Approaching Storm was created in 1775, and it is currently located in the European Art Galleries (18th- 19th Century North) 2nd Floor at the Dallas Museum of Art. It is a large-scale painting with overall dimensions of 64 1/2 x 103 1/4 in. (1 m 63.83 cm x 2 m 62.26 cm) and frame dimensions of 76 1/8 x 115 1/4 x 4 3/4 in. (1 m 93.36 cm x 2 m 92.74 cm x 12.07 cm). Vernet creates this piece by painting elements from nature and using organic shapes in order to create atmospheric effects, weather and different moods. This piece primarily depicts a landscape with a rocky mountainous terrain and villagers scrambling to an upcoming storm.
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
They might not be very prominent, but they exist the painting and serve as the base for creation. For starters, the window pane contains lines that highlight its simple design. Simplicity remains as the core of this work. Moreover, sill is roughly represented by a thick brown line underneath the window as a boundary in a quietly brilliant fashion. The work has a wonderful color allocation to express the mood. The color is limited within the muted palette color range. Grey—the intermediate color of black and white, is the dominate color for both exterior view and the interior part, as a matter of fact, the observer notices that nearly all colors are mixed instead of natural this work. The cloudy sky corresponds to the grey color of the wall, yet the brightness is not influenced. However, this consistency has successfully created a cold, grave and silent environment for a crowded place such as New York. The whole environment of this painting seems to be surrounded by the negative and depressive
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
The piece uses a gorgeous palette of green, blue, and yellow. Creating a calm and relaxed tone that flows throughout the whole painting. The sole cypress tree is the focal point of the piece. Dark green attracts the eye from the overall light colored piece but does not distract the viewer completely since used sparingly. The brushstrokes used to create the piece bring it to life. The piece goes beyond the canvas by engaging the imagination of what else is there but left unseen. I picture a river to the right of the wheat field which eventually leads to a small town on the other side of the blue mountains. To the left I see the rest of the wheat fields for miles on end with farmers plowing and children playing. I feel the wind blowing, the clouds moving, and the trees rustling. I feel as if Van Gogh intended for this piece to feel alive, for the viewer to feel as if they were there embracing
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
I feel the different seasons when looking at each of the paintings in “The Four Seasons”. The first painting reminds me
Everything looks the same. It is the unique time when the reader could focus over depths of his life. Nothing will bother him because nothing would take his attention. The narrator admires the view of it, saying “never settle less than lovely”; which means that the landscape covered with snow is something extraordinary for the human eye. This wonderful view introduces the reader into thoughtfulness about himself.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
Everything in the artwork based on its style is abstracted because it is a collage piece. With Romare Bearden’s amazing collages, the one that I found very intriguing was At Connie’s Inn. What stood out to me in this particular collage were its warm colors of oil paints since it would remind me of the warm bright sun at its peak of sunset though its setting was during the night time. The warm and cool color paints are also partly dulled and diluted to have more of that collage feel pop out more. The colors that were involved were red, yellow, blue, and green. Green was the color which dominated the piece since it must have reminded Bearden of the time when he was in the Caribbean. The collage is very analogous based on the variety of colors
From the piece of artwork “Rain at the Auvers”. I can see roofs of houses that are tucked into a valley, trees hiding the town, black birds, clouds upon the horizon, hills, vegetation, a dark stormy sky and rain.
The composition concentrates mainly on the foreground .It has three main points of interest, the small rowing boats, the artificial island and the floating barge .It also has a stretch of trees and foliage in the background painted in a much lighter fashion. Monet?s painting has a very different composition from Renoir?s painting of Grenouillere, which was done at the same time; Renoir?s painting is focussed much more on the artificial island and the people on it. Monet uses a combination of thick bold brushstrokes and small short soft brushstrokes; this creates a nice varied look and helps give a good impression of perspective. The tone is also very varied as it is Very light in some areas, but it is also quite dark in others, such as the shades on the barge. The use of dark shades in the foreground makes the boat look so realistic and quite 3D. Although the middle ground is flatter this helps add to the perspective. The water ho...
...f the shadows is sprinkled with the orange of the ground, and the blue-violet of the mountains is both mixed with and adjacent to the yellow of the sky. The brushstrokes that carry this out are inspired by the Impressionists, but are more abundant and blunter than those an Impressionist would use.