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Henri matisse thesis statement
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Vivid color in Henri Matisse’s artworks Henri Matisse, one of modernist masters, is good at organizing color. When visiting to the museum, people are impressed by his abundant vivid color. Most of praises we’ve heard about him is “How can he painted like children”. Especially in his cut-outs, the artworks are filled of purity and simplicity. What is cut-outs? Matisse created cut-outs project in his last decade of life which called his second life. He used scissor to cut pre-colored sheets of papers and directed his assistant to pin them in the wall. Even though sometimes people might feel visual exhausted after whole day visited in the museum, his colorful artworks would emerge in mind quickly. All in all, it seems like the feature of Matisse’s …show more content…
In traditional oil paintings, artists usually use dark shade or perspective to create space in canvas. Generally speaking, there are almost no dark shade in Matisse’s artworks. His artworks are almost light value and high in intensity. He boldly used high saturation color in shade. Also, he even didn’t obey the original color during creation. Take the oil painting, The Green Line, as an example, the author asserts that Matisse used cool color and warm color to depict the woman’s face instead of separating the face into a lighter and darker side. Matisse changed the local color by using a greenish-yellow shade in the woman’s left face. In the center of the portrait, there is a green line drew as a shadow of line in the woman’s face. Thus, Matisse arranged bright color on canvas to create three dimension in the painting and the flatness of rendering (144-146). Furthermore, in Matisse’s cut-outs projects, Neff notes that Matisse focused on arranging the placement of color in cut-outs. He emphasized that colorist must consider ‘relationships’ between color. Otherwise, single color doesn’t express meanings. Also, Matisse used color as ‘space’ in order to organize color accords (Neff 28-29). All in all, Matisse dealt with color in his visual journal, especially in bright color. He depicted shade by using bright color instead of darker color which represents his unique style in modernist …show more content…
People almost agree that red expresses passion and blue expresses sorrow. There is no doubt that Matisse wanted to express pleasure to viewers by using vivid color in his artworks. For instance, Weston figures out The Rosier Chapel at Vence is also a masterpiece. Matisse used visual art to express the space and created whole aesthetic experience. It makes people fell the sense of joy, pleasure. It’s good for contemplation. Although some artists like Picasso couldn’t figure out why he had produced such a work, it was a glorious achievement (Weston 69-72). He used blue, green, and yellow in stained-glass windows of the Chapel of the Rosary in Vence. “The unity of this composition is generated by the careful interweaving of the three color ‘ The yellow is foreground, reality, and the blue and green are the space”. When people look at this sainted-glass window, with light illuminating those color, they feel serene and joyful. Furthermore, in his another artwork, Harmony in Red 1908, he used red and analogous red color in the image. It expresses passion and active to viewers. In the article, the author believes that Matisse was happy in that time. Since he just moved to Paris with his bride and children in 1908.Also he had his first triumphs as an artist (230). So the hues of this painting exactly reflect his emotion at that time. No wander people feel pleasure and enjoying when look at
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Monochromatic color harmony is when one color dominates the composition. He uses a lot of yellow-orange and it just takes over the work of art compared to the few other colors present in the painting. Renoir’s painting uses a triad harmony I believe. This means that three colors equidistant from each other on the color wheel are used. I think this because Renoir uses blue-green for multiple different things in the painting such as dresses. He then uses red-violet for women’s dresses, parts of the floor, and light fixtures, which is four spots away from blue-green on the color wheel. He then uses yellow-orange for chairs, pants, hats, hair, and the guests’ faces, which is four spots away from red-violet and blue-green on the color wheel. This harmony works well with everyone that is going on in this particular
Henri Matisse was a French Artist during the Cubist and Fauvist period, which influenced his art greatly. Although he was primarily known as a painter, he was also a printmaker, sculptor, and draughtsman. His piece Mademoiselle Yvonne Landsberg resembles that of a print; however, it is in oil painting. Mademoiselle Yvonne Landsberg is believed to have been a piece in which Matisse was experimenting with new ideas and methods, as this painting appears to be very labor intensive. There are multiple parts of the painting where Matisse scraped away layers of paint and leave behind lines that parallel cross-hatching. The aspect of the painting that is different from other cubist pieces of the time are the lines that emanate from the Mlle Landsberg, thought to be a depiction of her movement while the piece was being made.
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on this painting, preparing it woth at least twenty drawings and forty color sketched. In these preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape planes of color and light, and the way shadows were used. Everything tends to come back to the surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted on. Also important worth mentioning is the way Seurat used and created the figures in the painting.
Often artists can express complex emotions in a form of a single subject matter. For example, the movement of abstract expressionism originating in the middle of the twentieth century was an approach to modernism/ post-modernism accentuating the uninhibited expression of emotions. The products of this genre are characteristically free and loosely structured, stylistically. They tend to focus the emotions that could be derived from the artworks rather than clear representational imitation of reality. In this artwork, ‘Red, Brown and Black’ (1958) by Mark Rothko, all consist of soft, rectangular bands of color stretching horizontally across his canvas. The artist views color as the most powerful communication tool. Through his blocks of color, which are representative of the simple components in the artwork, are meant to provide a contemplative, meditative space in which to visually investigate one's own moods and affiliations with the chosen palette. ‘He sought to distill an essence, or true nature, out of codified hues’
Winter Landscape on the Banks of the Seine is a Neo-Impressionist painting. Matisse created this painting in CA. 1904-1905. The oil on canvas is 12 3/4 x 15 3/4 inches on its own. In the frame the painting is 19 1/4 x 23 1/8 inches. This painting is located in the Seattle Museum of Art where it hangs with other Neo-Impressionist paintings. This painting generates a sense of serenity and sets the mood in a romantic tone. This is created by the colors, the setting, and the style that Matisse chose to use in this painting. The medium that I chose is an oil on canvas painting. The application of the oil paint in this painting communicates the soft feel of the snow falling and the true sense of winter. The barren trees are a reminder that summer
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
During a visit to Brittany, Matisse discovered Impressionism (Essers 8). The works of Cezanne and Van Gogh influenced him. When he returned, he exhibited his first painting, Dinner Table, in 1897. This was his first painting of impressionistic style. Matisse’s art began to concentrate on landscapes, still life, and domestic interiors. Still life is a theme Henri would follow for the rest of his career.
His styles and techniques were so particular and well-liked, that he succeeded regardless of the trends going on around him; The Dance (1910) being the perfect example, for it was loved and hated by many. By the 1920's, he was increasingly noticed as an upholder of the classical tradition in French painting. He was appreciated for bringing that traditional style painting into the modern age and not allowing it to die out like many other artistic traditions had.11 Even though he had been firmly criticized for how he painted, he was still respected for his eclectic style of line and brushwork. Matisse dreamt of, "an art of balance, of purity and serenity, devoid of troubling subject matter" (MA, 38).12 He did this by painting things with simple detail, and also with a light, airy, feel. He wanted to convey the message of classical art, as well as very modern styles of art. As he was influenced by many, he, later on, influenced other great modern artists. He carefully prepared his works but chose colors spontaneously and freely, this is what he called instinct. Like his art, Matisse's career is tightly consolidated. In the context of his development as an artist, his illustrations of the nude females in The Dance (1910), have quite a different significance than judgmental commentators give
This was an oil painting completed in 1881. This painting still remains to be the most popular work of art at The Phillips Collection. Renoir enjoyed painting busy scenes filled with people doing what they loved. In this painting the people are eating food, sipping wine, and mingling amongst each other. Upon looking at the painting our eyes go directly to the colors. Renoir used contrasts of colors such as deep blues, greens, and reds. There seems to be well thought out texture in the clothing of the people and in the background. The people all seem to be doing something, most are talking, and others are looking about. There seems to be a great deal of light coming from the opening in the background and sunlight beaming off the table. Renoir made sure there was a sense of movement, a way your eye follows the canvas. The brushstrokes seem to be heavy and thick with additional smaller ones to add composition. There is also a great sense of balance throughout the painting. A certain amount of people in the front of the canvas closely similar to the back of the canvas. This painting shows great deal of Impressionist style work. This is a scene from the modern life of some friends enjoying a Sunday
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
The Joy of life by Henri Matisse because the picture expresses many colors of happiness and explains the personalities of the people in the painting. When you look at the painting it’s a great feeling of emotions, and all the people in the painting seem to be enjoying themselves with everything around them I also noticed when looking at the colors they really speak out to people. There are so many wonderful colors put together it seems he used a watercolor to make them blend together. When you look at the painting you notice that all the females and males are naked in this picture expressing themselves in many different ways. The background seems to be in the forest and a open field where some of the people
Fauve’s art were different in each other of their own exclusive ways, but they all have the same origin, different feelings but same structure. They all did different mediums as well; for an example like I said they used art to express music, literature, and an emotional vision of the world from their perspective. Artist like Henri Matisse and André Derain with many more artists’ art was bright colored, exciting, attractive, and vividly expressed within their hands. They used communicative colors like red to show pain and hurt or blood or even the items that within the painting that describes the mood. Or another example could be Henri Matisse 'The Open Window, Collioure', 1905; he used his colors wisely and intensely. Most of the artist used oil, oil on canvas, and paint. Each piece of art work was used to perfection. ...
Paul Gauguin was a leading French post impressionist artist whose focus was his imagination. He worked in a studio and experimented with color. His wo...