Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Five social contexts of art
Portrait art history essay
Portrait art history essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
My first piece of artwork that I found interesting is called “Portrait of a Collagist” by an African American artist name Benny Andrews in 1989. His artwork is mainly abstract impressionism and realism and the medium he likes to use and is using in the particular piece is oil and collage on canvas and stands roughly 92inx51in. In this piece his work is abstract and realism, as is most of his pieces. (Source?)
In this piece Benny has depicted himself in the artwork creating another piece of artwork. He is standing at a 45° angle as if he has been interrupted by us, the viewer. This is how Benny engages us, the viewer into his painting. As if we are just as much a part of it as he is. When looking at his painting from a distance it seems as if it is just another oil painting but upon closer observation you can clearly see the different fabrics that he uses to create the collage and which gives the painting its textures. He shows space in the painting by leaving the wall on which the canvas hangs, bare, as is the floor with the exception of the box of rags that he uses in his collage.
In his painting/collage, line is emphasized in the floor and moves up into the line of his pants which forces you to focus in on the texture of his pants because they are real jeans. It makes you want to reach out and touch it and feel it for yourself. The line continues up to the rest of his body only to notice that his collar too is a piece of fabric which sticks out a few inches from the painting. The line also forces you to look over to the paining that he is creating and notice once again his use of fabric in the collage he is creating and then down to the box of rags at his feet. His use of fabrics throughout the paintin...
... middle of paper ...
...e and now. By depicting himself in his work it’s as if he is saying this is who I am, take it or leave it, or in his own words “If you want to see me, you will see me as I am, and that self is thoroughly an artist, I will take on no second self that poses generically to keep with some tradition.” (Source?)
As different as both artists are in their form and how they each create their art, they both see how hard it is to be an African American artist. Through their work they tell a story of triumphs and failures and the issues in the world for African Americans and the struggles they face. Even though Benny died in 2006, his work has shown how as an artist he has overcome many hurdles in his life to become the wonderful artist he is today. Hank tells the stories of what it is to be an African American in today’s world and the new struggles they face from day to day.
The American artist Fred Tomaselli arranges pills, leaves, insects and cutouts of animals and body parts to create his pieces of art. His incorporation of items are arranged to suggest a level of perception along with a heightened visual experience. This gives me, the viewer, a sense of Energy. The perception of color that Fred uses gives a gravitating feel. If you take a look at the heart of this piece you can instantly visualize the different items Fred incorporates into the piece.
Although Barnes’ marriage was not a successful one, he adored his newborn baby girl, and was heartbroken when his wife left him, taking his daughter with her. At North Carolina College, Barnes majored in art, and developed his own style (Artist Vitae, 1999). When Barnes was a freshman in college he went on a field trip to the newly desegregated North Carolina Museum of Art. At the museum Barnes noticed that there weren’t any works by black artist displayed, and when he asked the guide where the black artists were exhibited, the guide responded, “your people don’t express themselves this way” (Artist Vitae, 1999). That negative response encouraged Barnes to work hard at becoming an artist.
One work that particularly caught my attention was a photograph called “Big James Sweats Bullets” from the series Sugar Children. The content or subject matter of the artwork is representational. The photograph depicts the hardworking children of sugar cane plantations in South America. This particularly photo is a portrait of a dark skinned boy, slightly overweight, standing and grinning. The photo is of neatly arranged granulated sugar across a piece of black paper which produces the image of the boy.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Anything from a police man leaning on a wall that gets lost in the crowd on busy days to a cleaning lady next to a garbage can. Duane creates life like art pieces that you can lose the fact that they are fake. The amount of detail along with the expressions on the figures’ faces tells the tale. The spectator creates a relationship to the piece because its the familiar look or feeling they receive from the experience. Duane uses the figures’ as they are portrayed to accomplish an everyday ordinary person moreover with that technique displays the ability to relate the viewers to the art
I chose the art piece entitled An American Ship in Distress because it looks pretty amazing. Another reason I chose to analyze this piece as opposed to the others is because it was the piece I liked the most, therefore making me analyze it more closely and discover other aspects of the work would make me appreciate it more. I also chose this because I enjoy being on boats and this really caught my attention. In this art work it shows a ship being tossed around by the stormy ocean waves. The artist who painted this piece is named Thomas Birch. The medium is an oil painting on canvas. This painting was made in 1841 and it’s from the Putnam Foundation. This work does fit into a genre and it’s a waterscape.
Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond was done Adelaide Labille Guiard in 1785. It was done in Paris, France and the medium is oil on canvas. Adelaide Labille Guiard was born in 1749 and died in 1803. She was one of few to practice and master at miniatures, pastels and oil paintings. Due to male dominance in these practices, women were not accepted as pupils, due to society perception that women are not able to follow instructions as easily as men.
Seeing the art in person truly made me see the beauty and captivity a painting can hold. Each gallery was filled with different American works. My favorite kind of paintings are the ones I can look at and immediately write a story in my head about what is happening, even if it not what the artist intended. As I was going through the galleries one painting in particular stuck in my mind. I was fortunate enough to experience a special exhibition called, “Audubon to Warhol.” It was composed of different works acquired from private and public collections. I was lured to the emotions that was captured by the main figure in one of the works. I was drawn not only to the beauty of the painting, but the story it shared. The painting I chose was Peeling Onions, by Lilly Martin Spencer.
Her use of primary colors and complementary colors are illustrated in the background, at the top of the fabric and in the outer view of the house and in the front yard. There is shading being shown in the two geometric windows. The entire work presents lines and implied lines as a focal point or as a means to describe a scenery. The texture of the garment is silky and very smooth like bed sheets. Post and lintel are crafted on the rectangular door frame and in the small window inside the door frame. Fine art is depicting in the background of the house; the painting is going in its own direction but still have a meaning behind it. The grass, tulips, and the weeds in the foreground appear naturalistic and lifelike which give the painting a multiple use of variety. The composition of the house is centered and upright. Marisela Esteves uses asymmetrical balance in the pathway and on the walkway to the flower garden. On the left side of the house there is a lot of variety elements and implied lines been demonstrating. Also, there is a lot of space in the background which grabs my attention because the line portrays a billboard in my mind that is covered by the vibrant, bright colors. The material that Marisela Esteves use was probably a knife or paint brush to mix, dye, and print on the fabric
that draws the strongest contrast. When I see his painting, I see someone that is trying to express
I decided to choose my subject by walking around the museum and seeing which one “called” to me. I chose Glisten (1972) by Sam Gilliam because the bright colors grabbed me as soon as I saw it and a feeling of happiness washed over me. Sam Gilliam (b. 1933) is a very well known African-American painter, innovative for his use of three-dimensional canvases (University of Kentucky), who is a part of the American Abstract Artists group, as well as many other movements, such as the Washington Color Field movement (Malyon). Glisten is a 27 x 73 15/16 x 3” acrylic on canvas 3-dimensional artwork (University of Kentucky).
This marked the beginning of his inspiration to form a personal, expressive, and religious stance on his art values and style. He has found his process and content that will be apparent in his future work.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
The way that Schwitters aims to link and make relationships allows the viewer to think as they view this work, he does this through the choice of materials and processes that he uses. “In its purest form, collage is alchemy: a power that transforms something in a mysterious or impressive way, merging components from multiple sources into an entirely new expression of emotion.” (Suzymae 2010). He merges together contrasting materials, for example metal and paint and random found objects with collage. These materials are never usually seen together and yet Schwitters manages to combine them in harmony with one another.