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Native american literature essays
Introduction to native american literature
Introduction to native american literature
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Survival: A Poetic Message In How We Became Human: New and Selected Poems, Joy Harjo presents passionate and intense language, as she emits raw emotion while exploring various aspects of life. Harjo speaks out against injustice, communicates her opinions, and honors her Native American heritage. Joy Harjo was born in 1951 in Tulsa, Oklahoma and belongs to the Muscogee Nation. Her poetry is inspired by her culture and focuses on ideas such as: spirituality, nature, feminism, humans, and history. She uses poetry as a vessel for self-expression. Her writing addresses everything from social issues to personal development. Harjo attended the University of New Mexico, where she received a Bachelor of Arts. She also obtained a Masters of Fine Arts
The narrator tells of a woman, Emma Lee, who has suffered physical abuse from her husband because of financial frustrations and alcoholism (Harjo 1-5). Additionally, the narrator speaks of Anna. This character is tasked with independently caring for her ill child having been abandoned by an unfaithful husband (Harjo 6-10). The speaker in the poem shares a conversation that has been had with these two mistreated and worn-down women to express the viability of
As this character hangs on to the window, a whirlwind of thoughts runs through her head. “Her mind chatters like neon and northside bars” (Harjo 55). This woman is striving to understand how her life has come to this point. She reflects upon her life, remembering dark times and searching for a reason to survive. This character hears voices that are “whispering / to her to get up, to get up, to get up” (Harjo 37-38). Other voices “scream out from below / for her to jump…” (Harjo 42-43). Notice that the encouraging voices whisper. This woman’s confidence is hidden within. It murmurs softly. Yet, the negative voices scream, because self-doubt is strong and alarming. These voices represent her contemplation. She must decide whether to let go and die or hold on and live (Harjo 1-66). The narrator states, “The woman hangs from the 13th floor crying for / the lost beauty of her own life” (60-61). This character’s life is not what it once was. However, despite the hardships she has faced, she continues to value life. This woman yearns to regain the beauty she lost, and she knows she must lift herself up to do
The readers are apt to feel confused in the contrasting ways the woman in this poem has been depicted. The lady described in the poem leads to contrasting lives during the day and night. She is a normal girl in her Cadillac in the day while in her pink Mustang she is a prostitute driving on highways in the night. In the poem the imagery of body recurs frequently as “moving in the dust” and “every time she is touched”. The reference to woman’s body could possibly be the metaphor for the derogatory ways women’s labor, especially the physical labor is represented. The contrast between day and night possibly highlights the two contrasting ways the women are represented in society.
Fulfilling the roles of both mother and breadwinner creates an assortment of reactions for the narrator. In the poem’s opening lines, she commences her day in the harried role as a mother, and with “too much to do,” (2) expresses her struggle with balancing priorities. After saying goodbye to her children she rushes out the door, transitioning from both, one role to the next, as well as, one emotion to another. As the day continues, when reflecting on
After graduating from the University of New Mexico with her bachelor's degree, Joy Harjo became more experienced in exploring her history and heritage, becoming more in touch with her ancestors (Joy Harjo). Joy even went to such lengths as to live in the wilderness for a period of time to live through what her ancestors encountered. She even sought out her Great Aunt, Lois Harjo Ball, an almost full blooded native american, for guidance (Joy Harjo). After all these reconnections to her heritage, Joy Harjo began to write using the native american and nature influences. In her poem, “Praise the Rain” Joy talks about both figuratively and literally praising the rain. She says this because rain provides for other parts of nature that in turn provide for the people. Showing her great connection to readers also demonstrating her ability to fore lay the groundwork for many environmental movements and convictions, Harjo writes this, and many other poems thanks to her newfound respect in her native american
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
Within the first two stanzas of Poe’s “Annabel Lee” the speaker emphasizes the fairy tale era of the speakers relationship with Annabel Lee. In stanza one Poe uses many poetic elements to differentiate between reality and the speakers view of his and Annabel Lee’s relationship, making the story seem very much like a fairy tale. “That a maiden there lived whom you may know/By the name of Annabel Lee.” Through the diction of the line “That a maiden there lived whom you may know” Poe helps the speaker show the reader that the speaker sees Annabel Lee as more than Annab...
As the women narrate the harm caused by men, they lose track of the beings that they once were and become different people in order to cause a reaction in others. These women are hurt in ways that cause them to change their way of living. The Lady in Blue becomes afraid of what others will think of her because a man impregnated her: “i cdnt have people [/] lookin at me [/] pregnant [/] I cdnt have my friends see this” (Shange, Abortion Cycle # 1 Lines 14- 16). Instead of worrying about the life of her child, she worries about how her...
In the poem, Harjo portrays the importance of recalling the past to help shape one’s identity. She uses the repetition of the word “Remember” to remind that while the past may be history, it still is a defining factor in people’s lives (l. 1). This literary technique
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
Harwood wrote the poem with relatively simple composition techniques but it provides a rather big impact which helps to give an insight into the life of a mother or nurturer which bares the burdens of children.
Similarly to the way people hold expectations for the daystar, or sun, to rise every day, mothers are expected to perform their duties like cleaning the house or taking care of the children. Both are taken advantage of and are not fully appreciated until they stop performing their duties. Throughout the poem, the woman’s daughter and husband are given names, “Liza” (line 12) and “Thomas” (line 17) respectively, but not her. The woman is only referred to as “she” or “her” which further highlights the lack of acknowledgement she receives. The mother is taken for granted by her family and is not regarded as important. Her efforts are ignored and she is never thanked for completing her tasks around the house because that is the role she is “supposed” to fulfill.
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
...e last beating she received from Hy-Lo, a recovery from the loss of her cat, a recovery from the emotional stress of listening to her mother and brother get beaten, and eventually a recovery from a broken life. The importance of the theme of forgiveness cannot be overlooked either as she struggles to leave behind the man that stole the childhood she deserved to have. He seems warmer and dies almost immediately after she forgives him, almost as if he too needed to be forgiven in order to move on. She is able to face the future by obtaining recovery through forgiveness, forgiveness through understanding, and understanding through confronting her past. McFadden paints a vivid picture and helps us understand the impacts of an abusive past in a very real way that leaves a deep impact on the reader. Even though it's difficult to read about abuse, I thought this was a good
Human reason has not always been a presence in our daily lives. Doing the right thing, being ethical, and making educated decisions, one would think, are the ideal principles behind human nature. Sadly, only in more recent times has human reason shed its good grace on more modern societies. For many centuries, constant war and the reconstruction to nations, countries, and empires led to the rise and fall of many different leaders and in tow their governments. Within such societies, political spokesmen like Machiavelli, Locke, and Marx, interpret their ideas to the people, which still remain significant to this day. One of their main focuses was to raise awareness, on their ideas on trust and human reason. While Locke and Marx urge us to have faith in human reason, as a positive means to society, Machiavelli would claim the contrary. The concept of human nature and reason to both John Locke and Karl Marx juxtaposes that of Machiavelli’s, and their notions derive from their different eras, economies, environments, and strict governments, which ultimately shaped their ideologies on human nature.
“Annabel Lee” is about a beautiful yet painful memory. Poe, the author of the poem is remembering his long-lost love, his wife, who died. The poem makes it seem as though the speaker knew Annabel Lee for many years and they both lived “in a kingdom by the sea”(319). The speaker blames the angels for killing his wife because they were jealous, he does this on page 320. The speaker wanted us to know his love for his beloved Annabel Lee. Also wanted to enlighten us that a little thing like death isn't going to separate him from Annabel. Nor angels or devils could do that. Another way I analyzed the poem is; This poem begins exactly like a fairy tale, telling us that the story you are about to read happened “many a year ago” in a “kingdom by the sea.” The speaker introduces her in the third line on page 319 by calling her a “maiden,” which lets us know that she is young and keeps the fairy-tale feel of the first few l...
This, in fact, is an example of “dynamic decomposition” of which the speaker claims she understands nothing. The ironic contradiction of form and content underlines the contradiction between the women’s presentation of her outer self and that of her inner self. The poem concludes with the line “’Let us go home she is tired and wants to go to bed.’” which is a statement made by the man. Hence, it “appears to give the last word to the men” but, in reality, it mirrors the poem’s opening lines and emphasises the role the woman assumes on the outside as well as her inner awareness and criticism. This echoes Loy’s proclamation in her “Feminist Manifesto” in which she states that women should “[l]eave off looking to men to find out what [they] are not [but] seek within [themselves] to find out what [they] are”. Therefore, the poem presents a “new woman” confined in the traditional social order but resisting it as she is aware and critical of